Instrumental Play-Along-A dozen jazz classics complete with jazz combo backing tracks for solo instrumentalists. Includes the songs Doxy ? In Walked Bud ? In Your Own Sweet Way ? Mercy Mercy Mercy ? Nardis ? On Green Dolphin Street ? Reunion Blues ? St. Thomas ? Scrapple from the Apple ? Sidewinder ? Stolen Moments and Take Five.

From the classics to todays hits, these timeless tunes are now available as easy arrangements for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, French Horn and Trombone. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. A fully orchestrated accompaniment CD is provided, featuring each song as a live performance demo track followed by a playalong track. Boulevard Of Broken Dreams (Green Day); Celebration (Kool And The Gang); My Immortal (Evanescence); Na Na Hey Hey Kiss Him Goodbye (Steam); New Soul (Yael Naim); Old Time Rock and Roll (Bob Seger

Classical Solos for flute complements Clardy’s two volumes of Classical Duets. Included are short biographies of the seven composers represented, along with performance suggestions for each piece. Flutists will recognize the must-have repertoire works, such as the Johann Sebastian Bach’s Partita in A minor, Kuhlau Divertissement No. 1 in G and Debussy’s Syrinx, which is otherwise available in the U.S. only in the original Jobert copyright. For listening and learning purposes, Classical Solos contains an audio CD of Clardy’s playing selected pieces. Another beautiful package from UE!/ Recueil / Flûte Traversière

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Transcriptions · Lessons · Bios · Photos-From Plas Johnson and Thomas “Beans” Bowles to Tony Iommi and Ann Wilson take a look at the variety of pop music played on Flute. The online audio features performances of the notated music for all the solos in the book as well as play-along backing tracks. Songs include: Rockin' Robin (Plas Johnson) • Stubborn Kind of Fellow (Thomas “Beans” Bowles) • California Dreamin' (Bud Shank) • Everyone (Collin Tilton) • Solitude (Tony Iommi) • Locomotive Breath (Ian Anderson) • Road Ode (Bob Messenger) • Sing Child (Ann Wilson) • Somewhere in Time (David Shostac) • One Night in Bangkok (Björn J'sonLindh) • Anchorman “Jazz Solo” (Katisse Buckingham) and more. Audio is accessed online using the unique code in each book and can be downloaded or streamed. The audio includes PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right – available exclusively from Hal Leonard.

10 flexible Blues Arrangements for Flute Ensemble. Par HUFSCHMIDT THOMAS. Get the blues by playing in small or large ensembles of woodwinds, brass, strings, or rhythm section!Play together in harmony with classmates, family, and friends. Use any combination of instruments and any skill level. Everyone can play the blues! As a conductor of school bands or ensembles you?re always looking for arrangements that can be played by players of different levels and instrument groups. At many times such arrangements don?t fit to what you require. Alfred?s Flex-Ability series will fit for you! Arranged for multi-level instrumentalists to play popular music together, this Flex-Ability Blues series will enable you:? to perform each blues song either as solo, duet, trio, quartet, and/or quintet to bring together players of different levels to choose your individual ensemble of any size to combine any instrument part from any book with any part from the other books The Flex-Ability Blues series provides you with seven instrumental books including ten blues songs in five-part score form you can use in such a flexible way. The arrangements are carefully crafted to sound authentic, optional octaves are included to allow for range flexibility. To help you practice, a downloadable PDF Piano accompaniment for all the pieces in this book is available online. This way, you definitely will have the blues!/ Recueil / Flûte Traversière

Book 2 is comprised of intermediate etudes and other works by Gariboldi H?ndel Andersen Marcello and others. Also included: - Two-octave scales in all major and minor keys - Removable fingering and trill charts. - Instruction on trills mordents appoggiaturas

Book 3 is comprised of advanced etudes and other works by Lindpainter Mozart H?ndel and others. Also included: - Whole-tone scales - Instruction in vibrato

Book 1 includes information on care and assembly of the flute music reading playing position and tone production as well as a short history of the flute and a glossary of terms.

The Partita was virtually unknown until 1917 when the manuscript (call number: Mus. Ms. Bach P 968) was acquired by the then Royal Library in Berlin from the heirs of the former Thomaskantor and avid Bach collector Wilhelm Rust (1822-1892). For this reason the Partita for Flute BWV 1013 was not included in the pioneering Gesamtausgabe der Bachgesellschaft finished in 1900. In addition it seems possible that Wilhelm Rust intentionally withheld the piece from publication despite the fact that he had generously supported the Bachgesellschaft edition in its early stages. Today the Partita is well known though it is worth remembering that this piece is one of the latestadditions to the canon of Bach's works.- Urtext of the New Bach Edition