8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do

First published in 1982 Jean-Claude Veilhan (born in 1940) compiled this enlightening compilation  I Learn The Recorder following his studies of woodwind at the Regional Conservatory of Versailles and a prominent career as a professional Recorder and Clarinet player. As a prominent Recorder player himself Veilhan has performed much of the the repertoire for the instrument and therefore is well acquainted with its workings. I Learn The Recorder encompasses basic theory elements including note values and names as well as helpful labelled diagrams demonstrating fingerings and showing thebeginner how to hold the instrument. This Veilhan book also includes many exercises to aid progression. I Learn The Recorder is essential to beginners of the instrument.

This publication contains Hungarian folk song arrangements; these pieces intended for music school students can be performed separately or may be grouped together in selections of variable size. The Soprano Recorder may be replaced by a Clarinet an Oboe or perhaps a Bassoon (the latter may require transposition in places). The melodies are mostly of a sprightly dance-like character and can therefore be effective programme items at student concerts.

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Big Hits' contains arrangements of recent chart hits encompassing a broad range of songs in a variety of styles from McFly to Ozzy and Kelly Osbourne by way of Girls Aloud and Natasha Bedingfield. This is an excellent opportunity for young players to play their favourite chart hits, providing excellent concert repertoire as well as encouraging technical progression. With a choice of backing CD accompaniment or playing along with guitar or piano 'Take the Lead' offers both teacher and student ultimate flexibility.

Previously unpublished Bernstein's Variations on an Octatonic Scale was originally composed for recorder and cello in 1988-89 in Key West. Available in the original version or in a transcription for clarinet in B-flat and cello.

 BECS and ONGLES est une pièce assez courte, spécialement conçue pour être jouée par des musiciens ayant 1 à 6 années de pratique instrumentale, La version initiale a été imaginée pour quatuor de flûtes à bec, piano et congas, Deux autres versions ont ensuite été écrites, Toutes deux conservent le piano et les congas mais proposent deux autres formations 'quatuor' - une version à quatre clarinettes sib ou bien une version à quatre saxophones (1 soprano, 2 altos, 1 ténor),Becs and Ongles a été joué pour la première fois avec des flûtes à bec le 29 mars 2009 à la Vieille école de Voulx (Seine et Marne) / 4 Flûtes A Bec

16 Pieces. Par JOHOW JOACHIM. Les joueurs de flûte à bec n'ont plus à regarder avec envie les instruments klezmer typiques : la clarinette et le violon. Inspiré par de vieilles mélodies klezmer, Joachim Johow a écrit 16 compositions sur mesure pour la flûte à bec et a reconstitué des scènes d'une ville juive, dont 'Am Morgen in der Gasse' [Le matin dans la ruelle], 'Auf dem Jahrmarkt' [À la foire], 'Schlittenfahrt' [Balade en traîneau], 'Tanz der Großeltern' [Danse des grands-parents], ' Am Abend' [Le soir]. Un vrai enrichissement du répertoire ! Jouable avec accompagnement de piano ou de guitare. De plus, une partie de basse est disponible en téléchargement. Tous les morceaux sont disponibles au format mp3 en version complète et en version play-along. / Niveau : 2-3 / Musique traditionnelle / Recueil / Flûte à Bec Alto et Piano

Un répertoire de douze pièces originales de styles variés, dans des tonalités simples, pour instrumentiste débutant. L'accompagnement piano fourni est de même difficulté que la partie flûte, et permet de jouer à plusieurs dès le début de l'apprentissage, ou chez soi avec un orchestre enregistré sur le CD. Livre + CD Existe aussi pour le saxophone, la clarinette et la flûte traversière. Loin, très loin, Marchand de sable, Mamita, La boîte à musique, Nevada, Lune rousse, La forge, La pont des soupirs, Le cerf-volant, Amazone, Rythm ans blues, Kermezen

A Second Set Of Seven Times Seven Plus One Minuet. Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann donne plus d'importance aux musiciens amateurs que tous les autres grands compositeurs de cette journée. Un des nombreux ouvrages qu'il écrit spécifiquement pour les amateurs est la collection présentée ici and lsquo - A Second Set de sept fois sept plus un menuet and rsquo - par Melante (c.-à-d. Telemann). Ceux-ci sont extrêmement attrayants, techniquement pas trop exigeant des pièces pour la fabrication de musique intérieure. Elles sont également idéales pour l'enseignement avec leurs mouvements courts et clairement structurés qui introduisent un relativement large éventail des signatures de clés (y compris les mi bémol majeur, fa mineur, un major et b mineur). Les pièces sont idéalement pour initier les jeunes joueurs au langage musical de haut Baroque et exigences techniques (arppegiated triades, larges bonds, trilles) typiques pour cette période. La ligne de basse peut être renforcée par un violoncelle ou de gambe, enregistreur de basson ou basse (la partie basse est seulement disponible séparément)./ Répertoire / Flûte à Bec Alto ou Flûte Traversière ou Violon et