Michael Nyman is a composer pianist librettist writer musicologist photographer and film-maker whose work encompasses opera concert music and film soundtracks of which The Draughtsman's Contract and The Piano arethe best-known. Since founding the Michael Nyman Band in 1977 which tours the world he has worked with leading film directors and has collaborated with artists such as Mary Kelly Damon Albarn Carsten Nicolai and the recentOscar winning Man on Wire star Phillippe Petit.Songs For Tony for String Quartet was composed in 1993 in memory of Tony Simmons.'I began writing a saxophone quartet on New Year's Eve 1992. Inthe early afternoon of 5th January 1993 I was informed that my friend and business manager Tony Simmons had died after a long and heroic fight against cancer. I immediately sat down and wrote the music which became the fourthsong in what became a 'memorial' quartet. The previously composed music was scrapped as I decided to give each player in turn an 'aria' of his own.The first song is a transcription of an actual song - 'Mozart onMortality' - which I wrote for the Composers Ensemble in the spring of 1992. The text by Mozart himself is all too appropriate: 'I may not see another day'. The second song is adapted from the music for the scene in JaneCampion's film The Piano where the mute Ada (Holly Hunter) pushes her chief means of communication her piano overboard. This film was the last major deal that Tony negotiated on my behalf. The third song a soprano sax solo isbased on a tune I composed some years ago but was saving for a special occasion.' - Michael Nyman

Le oeuvre musicale qui a une de soutien pour partitionner une pour the title Brecker Michael artiste trad. Sax. C'est une partition musicale composée par Brecker Michael et qui est destinée aux joueurs de Saxophone. Le détail de l'instrumentation Saxophone vous permettra de savoir si cette partition correspondent bien à ce que vous cherchez. Fils style Jazz & Blues vous permettra de découvrir ô combien la musique Jazz & Blues est belle et enrichissante. / Saxophone / Partition

Jazz Play-Along Volume 180-For use with all B-flat E-flat Bass Clef and C instruments the Jazz Play-Along series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before.For study: each tune includes a split track with: â?¢ Melody cue with proper style and inflection â?¢ Professional rhythm tracks â?¢ Choruses for soloing â?¢ Removable Bass part â?¢ Removable Piano part.For performance: each tune also has: â?¢ An additional full stereo accompaniment track (no melody) â?¢ Additional choruses for soloing. Thisvolume features 10 hits by Michael Jackson including: Ben â?¢ Billie Jean â?¢ The Girl Is Mine â?¢ Heal the World â?¢ Human Nature â?¢ Man in the Mirror â?¢ Remember the Time â?¢ Rock with You â?¢ Thriller â?¢ You Are Not Alone.

Par JARRELL MICHAEL. / contemporain / Répertoire / Saxophone et 8 Instruments

Par RIESSLER MICHAEL. / Recueil / 1 ou Plusieurs Saxophones ou Instruments Mélodique

Par LEONARD J.MICHAEL. A collection of music from some of the greatest composers transcribed for the E-flat alto saxophone with piano accompaniment. Ranging in difficulty from intermediate to advanced, the pieces are appropriate for recitals and contests. Selections include pieces by Handel, Telemann, J. S. Bach, Corelli, Evaristo Dall'abaco, Johann Ernst Galliard and others, for a total of 11 pieces. Includes piano accompaniment and solo part. / Niveau : Intermédiaire / Baroque - Solos / Recueil / Saxophone Alto

Vitalité, Expression, Inventivité, Énergie sont les termes qui définissent le mieux ce nouveau volume de Saxiana. Toujours avec l'objectif de développer le répertoire pour saxophone, il est proposé ici huit compositions originales sous forme d'études musicales pour des élèves d'un niveau moyen (à partir de la seconde partie du cycle 2 d'études). Huit compositeurs pour huit langages qui développeront chez le jeune musicien : - le sens créatif avec What l did Over Summer Vacation de la compositrice américaine Lisa Bielawa, - l'esprit ludique et fantaisiste avec Click Time de Jean-Baptiste Robin et Sans peur et sans reproche de Jean-Denis Michat, - l'élan rythmique et fantasque avec Papa Westray du néerlandais Arnold Marinissen, - le clin d' ?il jazzy et bluesy avec Yellow Blues de Michael Alizon et On Line de Franck Tortiller, - l'expressivité théâtrale avec le monologue I am de Benoît Menut, - l'art virtuose du phrasé «à la française» avec Un serpent qui danse de Karol Beffa. Le plaisir est au rendez-vous de ces pièces qui dépassent le cadre pédagogique et deviennent de véritables miniatures de concert. / Niveau : Moyen / Recueil / Saxophone Alto

Arrangeur: Steven Verhaert. Par KAMEN MICHAEL. / Niveau : 5 / Répertoire / 4 Saxophones

The long-awaited collection of familiar Michael Nyman melodic creations in intermediate level arrangements for soprano saxophone and piano. Includes: If? from The Diary of Anne Frank?Debbie? from Wonderland?Taking It as Read??Here to There? from The Piano?The Mistress? from The Libertine?Tango? from Never Forever?Franklyn? from Wonderland?In C Interlude??Witness 1??The Fort the Port and thePoint?from On Landguard Point

A New Tune A Day: Pop Performance Pieces For Alto Saxophone provides an inspiring collection of pop songs clearly presented with playalong CD for the advanced beginner. These pieces have been chosen and arrangedto build a repertoire of pop songs for performance and for fun and include classic hits from The Beatles and Michael Jackson through to contemporary songs by Coldplay Rihanna and Taylor Swift.Complete with chord symbols foraccompaniment on Piano Keyboard or Guitar this volume is the perfect companion to A New Tune A Day For Alto Saxophone.

Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this piece during a rehearsal with Klaus Michael Grüber I saw in Berlin. Three actors were rehearsing a scene of Kleist. At the end, Grüber said: ‘… now once again in a different way.’ The text was identical but the interpretation was completely different and had almost nothing in common with the previous version. My piece is going in that direction too. In ‘Scène 1/A’ I imposed a certain character, and in ‘Scène 1/B lecture différente’ the same material is interpreted in a completely different way. The same is true in the second scene. Peter Eötvös / Niveau : 5 / Répertoire / 4 Saxophones [SATBar]

Solos for Beginning through Early Intermediate lev-Solos for beginning through early intermediate level musicians including the works of James Curnow Craig Alan Michael Hannickel and Ann Lindsay.