D. 45. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton)

Arrgt: Eric Vireton. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Solo - Instrumentation : 1 Saxophone Alto Solo - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 25 s - Style Musical : Classique, Pédagogique - Catégorie : Arrangement, Incontournable Réédité - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Facile / Classique, Pédagogique / Répertoire / Saxophone Alto Solo

'Classical Highlights' présente les pièces de performance les plus connus et les plus populaires du répertoire classique dans des arrangements pour saxophone et piano. La vaste sélection d'oeuvres permet d'accéder à des chefs-d'oeuvre classiques - de Handel et Bach par Schubert, Mendelssohn, Schumann et Wagner à Fauré, Elgar, Debussy et Satie. Tout le monde à la recherche d'un travail classique populaire pour enseigner ou d'effectuer des fins trouverez ici un petit bijou. / Saxophone Alto Et Piano

Alto Saxophone and Piano. Par SCHUBERT FRANZ. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Cette partition SONATE ARPEGGIONE EN LA MINEUR D 821 de Schubert Franz a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8114. Cette oeuvre d'une durée de 00:28:30 est idéale pour les musiciens pratiquant Saxophone. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Saxophone Et Piano Ou Orgue / Partition

Performed by Vincent Abato alto saxophoneAccompaniment: Harriet Wingreen pianoListen as extraordinary virtuoso Vincent Abato of the Metropolitan Opera Orchestra takes you further into the advanced repertoire withthese spectacular sax selections. Listen to his masterful interpretations examine his performance suggestions then you step in and make magic with Harriet Wingreen legendary piano accompanist for the New York Philharmonic. Thisdigitally remastered master class includes slow-tempo practice versions of the Schubert 'L'Abeille' and the Allegro from Rabaud's Solo de Concours. Includes a high-quality printed music score containing the solo part annotatedwith performance suggestions; and a digitally remastered compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist.

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

This trio collection of 15 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Adagio (Corelli) * Andantino (Turk) * Canon (Caldara) * German Dance, Wo0 13, No. 2 (Beethoven) * Landler (Schubert) * Passacaglia (Purcell) * March (Satie) * Minuet, Hob. XVI, No. 5 (Haydn) * Rigaudon (Daquin) * Romance (Schumann), Rosamunde (Schubert) * Trio in F (Bach) * The Village Maiden (Rameau) * Waltz (Tchaikovsky) * Waltz in B Minor, Opus 39, No. 11 (Brahms).

Famous Pieces For Eb Alto Saxophone And Piano – Vol. 2 is the second volume of an anthology of famous pieces transcribed and adapted by Marcel Mule. Part of the collection “Classics for Saxophone” this volume features nine classical pieces:  - Chanson de printemps by Mendelssohn - Orphée – Champs-Élysées scene by Gluck - La reine de Golconde - Gavotte by Monsigny - Grave by Tartini - Ballet des petits riens by Mozart - Petite valse by Beethoven - Petite valse ettyrolienne by Weber - Sérénade by Schubert - Scènes d’enfants - Rêverie by Schumann Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Eighteen exercises or etudes' 'Daily exercises after Terschack' or '30 Great exercises and studies after Soussmann' (in two books) among others.

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings printable piano accompaniments and PLAYBACK audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players) accompaniment tracks for practice and PDF piano accompaniments for use at contest. Includes: Adoration (Borowski) - American Patrol (Meacham) - Andante and Allegro from Sonata in G (Marcello) - Ave Maria (Schubert) - Concertino Op. 26 (Weber) - Menuetto(Mozart) - Non tanto adagio (Platti) - Pavane pour une Infante Defunte (Ravel) - Presto from Concerto in E Minor Op. 102 (Gurewich) - Presto from Suite for Alto Saxophone (Ostransky) - Recitative and Rondino (Koepke) - Sarabande and Gigue (Corelli) - Slavonic Fantasy (Heumann).

1 C. Czerny (1791-1857): Choral2 V. Hausmann (1565-1614): 'Alter Tanz'3 C. Czerny (1791-1857): 'Tanz'4 C. Czerny (1791-1857): Moderato5 F. Schubert (1797-1828): Ecossaise6 A. E. Müller (1767-1817): Allegro7 C. Czerny (1791-1857): Allegretto8 G. F. Händel (1685-1759): Sarabanda9 C. Czerny (1791-1857): 'Liedchen'10 C. Czerny (1791-1857): Allegro

Arrangeur: Oliver. Par SCHUBERT FRANZ. / Niveau : Intermédiaire / Répertoire / Saxophone Ténor et Piano

Teachers seeking further material for their pupils to relish and enjoy but without searching through quantities of music that is technically too challenging or inappropriate for the pupil's level need look no further. James Rae has carefully selected a variety of pieces suitable for the first 3 - 4 years of tuition from classical to modern and studies of all kinds. The pieces are presented in three groups: levels 1 2 and 3 providing a variety of tempting repertoire at each level. These books present an opportunity for pupils to broaden their musical experiences and explore the wide variety of music that is within their grasp. Selections include works by G. P.Telemann G. F. Handel W. A. Mozart Ludwig van Beethoven Franz Schubert Pyotre Tchaikovsky Erik Satie Béla Bartók and Arvo Pärt. Further pieces include: The Skye Boat Song ord of the Dance Morning has Broken Londonderry Air and The Irish Washerwoman. Pieces in jazzy and latin styles by James Rae and John Reeman.

Small Masterpieces for Great Performances-De Susato à Gershwin de l?oratorio au lied en passant par l?opéra et autres genres Essential Classics propose une plongée dans l?univers classique. Les arrangements suivent la progression des recueils Essential Elements (Vol. 1 & 2) mais peuvent également être utilisés de façon indépendante. La version intégrale de chaque arrangement est disponible sur le compact disc d?accompagnement vendu séparément. Sommaire : La Mourisque (Susato) ? Le Printemps (Vivaldi) ? Musette (J.-S. Bach) ? Le gai laboureur (Schumann) ? L?Innamorata (Gastoldi) ? 2e mouvement du Quatuor « L?Empereur » (Haydn) ? 4e mouvement duQuintette « La Truite » (Schubert) ? Ouverture de Guillaume Tell (Rossini) ? Le beau Danube bleu (J. Strauss II) ? Trumpet Voluntary (Clarke) ? Alléluia du Messie (Haendel) ? La lettre à Élise (Beethoven) ? Capriccio italien (Tchaïkovski) ? 4e mouvement de la Symphonie du » Nouveau Monde » (Dvoøák) ? Une petite musique de nuit - 1er mouvement (Mozart) ? Danse hongroise n° 5 (Brahms) ? Land of Hope and Glory (Elgar) ? La donna è mobile (Verdi) ? Marche Nuptiale (Wagner) ? Cancan (Offenbach) ? Symphonie n° 1 - 3e mouvement (Mahler) ? Summertime (Gershwin).