Arthur Pryor was one of the most popular bandsmen of his day. He was Trombone soloist for the famous John Philip Sousa band in the early part of the 20th century. Pryor later organized his own band that was renowned around the world. He was one of the first solo performers to use phonograph recordings to preserve his performances. To this day his recordings of his own works are considered to be some of the best Trombone performances ever recorded. Pryor's works for Trombone are melodic idiomatic and virtuosic. This collection preserves many of his best known compositions like Thoughts of Love and Blue Bells ofScotland but also makes available once again some of his other delightful works.

Spring has finally arrived. The days grow longer, birds prepare to nest, trees turn green and plants begin to bloom as nature wakes up from her winter sleep. This, and the fact that the composer?s third grandson was born in the spring, were the inspiration for Spring Song.

Dutilleux's Chorale Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire yet it remains a frequent favourite at virtuoso solo competitions. Chorale Cadenza and Fugue is ideal for trombonists seeking something more substantial and varied. Henri Dutilleux (1916-2013) began his career as director of the Musical Illustrations Service on French Radio and Television but he left this position after 18 years to devote himself entirely to composition. As the title suggests Dutilleux's Chorale Cadenza and Fugue is divided in tothree contrasting sections which run seamlessly from one to another. The piece begins with the Trombone playing a lyrical chorale melody accompanied by rich Piano chords. The cadenza is dramatic with the intense Trombone line being played over tremolos from the Piano. This is followed by the angular and rhythmic Fugue initially stated in the low register of the Piano. As the Trombone states the Fugue a countermelody is introduced on the Piano. These themes continue and augment into a virtuosic fanfare motif closing in a grand and dramatic finish. Dutilleux's Chorale Cadenza and Fugue for Trombone and Piano is inspiring challenging motivating and essential to the repertoire of all advanced trombonists.

Trombone Et Piano - Collection Crescendo-Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Plein Vent therefore makes for a well-informed compilation. As suggested by the title  Plein Vent focuses on breath control. With a typical performance lasting around three minutes and ten seconds this Trombone work is a delightful alternative piece for young trombonists. Plein Vent is a delightfuladdition to the intermediate Trombone repertoire.

Voici une partition musicale pour Trombone et plus spécialement pour Trombone Et Piano (Tenor) que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est SANS FACON a été composée par le célèbre compositeur Naulais Jérôme. C'est l'éditeur Billaudot sous la référence GB5604 qui a les droits pour éditer cette partition. / Trombone Et Piano (Tenor) / Partition

More than 20 pieces for trombone and piano-More than twenty pieces for Trombone and Piano.

French pianist arranger composer and conductor Jean Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass  Mouvement composed in 1972 for Trombone and Piano being no exception. With a typical performance lasting about six minutes Defaye's Mouvement makes use of chromaticism luscious melodic phrases a wide range large intervals and complex rhythms amongst other aspects. Defaye's passion for the Trombone is clear through his exploitation of the instrument. For allaspiring trombonists wishing to vary and expand their repertoire  Mouvement by Jean Michel Defaye is essential.

Par MARTIN GILLES. / Niveau : Fin 1er cycle / Date parution : 2023-03-21/ Répertoire / Trombone et Piano

Par NAULAIS JEROME. Cette pièce est un hommage à cette petite île au large de la côte ouest du Finistère, en face de l'île d'Ouessant. Le début de la piece représente un paysage de la lande bretonne. On retrouve ensuite des danses typiques de cette région. - Jérôme NAULAIS - Une pièce adaptée pour une autition ou un examen de Cycle I C - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Trombone 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jérôme NAULAIS - / Niveau : Facile / Classique, Pédagogique / Répertoire / Trombone et Piano

Par MAURY JEAN-MICHEL. Une pièce où l'élève pourra montrer son savoir faire dans le legato ainsi que dans les rythmes articulés. - Jean-Michel MAURY - Une Pièce originale adaptée pour une audition ou un examen de fin de Cycle I - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Trombone 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 45 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jean-Michel MAURY - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Trombone et Piano

Idéale pour les musiciens pratiquant Trombone et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence NAUL04074.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Paseando de Naulais Jérôme. / Trombone / niveau : Cycle 1 / Partition

Throughout the years there have been many misprints minor and major found in Carl Nielsen's work. They range from missing staccato dots accents tempo markings and dynamic markings to missing notes and wrong notes. It has been the editor's desire to collect as many of these misprints as possible in these excerpts for trombone and tuba. Editorial corrections have been referred to in the text as well as having been written out or corrected in brackets.

Bozza (1905-1991) was a brilliant student at the Paris Conservatoire winning prizes for the Violin conducting and composing as well as the Grand Prix de Rome. He predominantly composed chamber music for wind but his solo works for the instruments are also held in high esteem such as his Ballade for Trombone and Piano. This Bozza piece was originally composed for conservatoire students displaying the technical skills as well as musicality of the soloist. There is no formal structure to Ballade however the many changes in tempo provide variety throughout. With no distinct musical theme unifying the music it is interesting to note that much of the material of Bozza's Ballade is extracted from orchestral excerpts. Ballade is an ideal performance piece for advanced trombonists.

Three pieces for Trombone solo composed in 1956 by Itlaian composer Giacinto Scelsi.