Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

150 Gems Of Irish Music For Flute: Book/2-CD l'ensemble des caractères non seulement une fantastique sélection de chansons cueillies à la main, mais utilise également le système innovateur de Grey Larsen de la notation ornementation irlandaise. Les 150 Gems Of Irish Music for Flute: Set Book/2-CD aideront les joueurs à acquérir une compréhension plus profonde de la tradition musicale irlandaise ainsi de nouvelles connaissances de la musique et le répertoire pour soliste et participants de musique irlandaise. / Niveau : Intermédiaire à Avancé / Recueil / Flûte Traversière

Voici les 27 facile-intermediate arrangements de mélodies familiers en classique, folklorique et styles de jazz. Chaque morceau est présenté comme un trio, mais ces arrangements ingénieux travail tout aussi bien que les solos ou duos - avec ou sans accompagnement. Vous pouvez même inviter les autres instrumentistes à jouer ainsi que par les éditions de la clarinette, Saxophone, laiton et violon Junior livre b de cette série. Cette série très souple de livres instrumentales coordonnées a été conçue pour donner aux jeunes la chance de jouer ensemble dans diverses combinaisons de chiffres et d'instruments. * Parfait pour un, deux ou trois flutes - avec ou sans accompagnement * peut également être utilisé en respectant les dispositions dans les éditions Junior livre b de cette série pour clarinette, Saxophone, laiton ou violon * livre d'accompagnement Piano avec les symboles de corde de guitare disponibles * idéal pour usage individuel ou en classe / Flûte Traversière

Collection de 10 des meilleurs thèmes de James Bond arrangés pour flûte par Christopher Hussey. Inclus deux CDS avec des pistes démos pour écouter et des pistes playback pour s'exercer. / Flûte Traversière / Partition + Cd

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le luth.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.Jean-Baptiste BESARD (1-2-3) - Encyclopédie méthodique - François-Alexandre-Pierre de GARSAULT - Denis GAULTIER - - Ennemond et Denis GAULTIER - Jean-Benjamin de LABORDE - Marin MERSENNE- Charles MOUTON - PERRINNE (1-2-3) - Pierre TRICHET - Nicolas VALLET.Table des matières : Besard Jean-Baptiste : Thesaurus Harmonicus - 1603Besard Jean-Baptiste : Isagoge in artem testudinariam - 1617Besard Jean-Baptiste : Joan. Bapt Besardi Vesontini Novus Partus - 1617Vallet Nicolas : Paradisus Musicus Testudinis - 1618Mersenne Marin : Harmonie Universelle - 1636Trichet Pierre : Traité des instruments - c.1640Gaultier Denis : Pièces de luth sur trois différents modes nouveaux - 1670Gaultier Ennemond et Denis : Livre de tablature des pièces de luth - 1672Perrine : Pièces de luth en musique - 1680Perrine : Livre de musique pour le luth - 1680Mouton Charles : Pièces de luth sur trois différents modes - c.1698Perrine : Table pour apprendre. Nouvelle addition - 1698Garsault François-Alexandre-Pierre de : Notionnaire - 1761Laborde Jean-Benjamin de : Essai sur la musique ancienne et moderne - 1780Encyclopédie : Encyclopédie méthodique - 1788Téléchargez le catalogue Anne Fuzeau Classique / Luth / 200 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto In G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Paul Taffanel and Philippe Gaubert's composed cadenzas for the work are essential to all performers of the concerto. Concerto In G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. All threemovements contain a cadenza which initially would have been left for the performer to improvise. However cadenzas have since been written including those of Taffanel and Gaubert. Both were prominent flautists of their time and their understanding of the Flute concerto repertoire is second to none making their cadenzas well-informed and essential to performers of the concerto.

The 3rd Octave and top register of the Flute is usually the last to be addressed by students and opens the full range of the Flute. This terrific book of exercises studies and duets has been written to encourage technique and confidence in the Flute's high register. Simon Hunt's method is a sensible uncomplicated approach to an area of the Flute repertoire for which there is a shortage of good teaching material. Suitable Grade: 4 - 8

Trevor Wye???s beginner???s book for the flute is an excellent tutor book for students of all ages. The general approach of this series is enjoyment of flute playing and music making in the broadest sense. All keys are used to provide familiarity which in turn results in easier access to orchestras and ensembles. The low register is explored as the foundation to a good tone throughout the compass of the flute.The book is intended for both individual and group tuition many of the pieces contained can be played as solo duets solo with piano duet with piano. The accompanying CD contains all the numbered pieces .

Volume 2. Après le grand succès du premier volume, le spécialiste du folklore irlandais Patrick Steinbach présente 70 autres mélodies traditionnelles irlandaises - dont des polkas, des marches, des gigues et des reels - de chansons folkloriques connues et des compositions de Turlough O'Carolan. Les pièces conviennent pour la flûte, la flûte à bec ou le tin whistle. Une introduction avec des explications sur le style et l'ornementation traditionnelle ainsi que des notes sur chacune des mélodies complètent le volume 2 de Irish Folk Tunes for Flute. Pour toutes les pièces, il existe un enregistrement au format mp3, qui peut être téléchargé avec un code de bon imprimé dans le livret. / Niveau : 2-3 / Musique traditionnelle / Recueil / Flûte Traversière

Luna's Magic Flute is a fairytale for Flute and Piano which invites you to join Luna and her Magic Flute as they set out on an unforgettable adventure in the wide world. 11 pieces are interspersed with beautiful illustrations which guide you through the story as Luna makes new friends and triumphs over the evil dragon who steals her Magic Flute.

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière