The Skye Steersman'S Song. Par REINSHAGEN FRANK. Song from the Hebrides. Compatible with clarinet and saxophone editions. Medium Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are - in a direct or wider sense - of 'Celtic origin', in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition.These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on 'S mo lamh air a stiuir: The interpretation of 'S mo lamh air a stiuir - the song of a helmsman living on the Isle of Skye - should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor - which is one whole tone lower than the original - has been chosen to make sure that the piece is playable, especially for a clarinet quartet./ Répertoire / Quatuor de Cuivres

with Patrick Sheridan-This volume addresses all tuba players who would like to play the beautiful melodic parts they hear so often while playing in a band. In this play-along book you will have the opportunity to play 11 different melodies in various styles - mostly styles found in pop music! This book provides the opportunity for the tuba to be heard as a cool instrument while enriching the tuba player’s musical environment with melody rhythmic interest and relatable styles. You are about to be a part of a rock’n’ roll band a ska band and even a reggae group!

from 2023. Par . This book contains all the scales and arpeggios required for ABRSM\'s F Tuba exams at Grades 1-8. It features all the new requirements from 2023, arranged in grade order. / Date parution : 2022-09-07/ Etude / Tuba en Fa

Th. 83. Par TCHAIKOVSKI PIOTR ILITCH. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Tubas : 4 Tubas - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Pyotr Illyich TCHAIKOVSKY - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 4 Tubas

Arrangeur: Eric Vireton. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / Quatuor de Cuivres

from 2023. Par . This book contains valuable practice material for candidates preparing for ABRSM\'s F Tuba exams at Grades 1-8. It features sample sight-reading tests for the new requirements from 2023, written in attractive and approachable styles. / Date parution : 2022-09-07/ Etude / Tuba en Fa

from 2023. Par . This book contains valuable practice material for candidates preparing for ABRSM\'s Bb Tuba exams at Grades 1-8. It features sample sight-reading tests for the new requirements from 2023, written in attractive and approachable styles. / Date parution : 2022-09-07/ Etude / Tuba en Sib [BC]

Arrangeur: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 2/6 - Facile - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Facile / Répertoire / Quatuor de Cuivres

with Patrick Sheridan-This volume addresses all tuba players who would like to play the beautiful melodic parts they hear so often while playing in a band. In this play-along book you will have the opportunity to play 11 different melodies in various styles - mostly styles found in pop music! This book provides the opportunity for the tuba to be heard as a cool instrument while enriching the tuba player???s musical environment with melody rhythmic interest and relatable styles. You are about to be a part of a rock???n??? roll band a ska band and even a reggae group!

Op. 114-Kuroshio?s Messenger est une pièce écrite pour Yukihiro Ikeda tubiste de l?orchestre symphonique NHK de Tokyo au Japon. Cette œuvre a été créée le 21 mars 2010 au Yamaha Hall de Tokyo. 'Kuroshio' est le nom d?un courant chaud de l?océan Pacifique. Cette composition de forme libre dépeint diverses créatures marines telles que les baleines et les thons. Cette pièce solo très exigeante se caractérise par des changements fréquents de tempo et de climat.

A Short Sonata is a work written at around Grade 8 standard for Euphonium and Piano. In each of the work's three movements different qualities of the instrument are utilised and explored.In the first movement an Allegro in 6/8 time these qualities are the instrument's general agility and its ability to play fast-moveing melodies in a way that drives the music forward. Throughout different ways of phrasing similar material are used to create interest and a varied sound.In the second slow movement the resonant and majestic way in which the euphonium can deliver lyrical melodic lines is explored. The movement usmade up of four long phrases which peak dynamically at the third giving room for interpretation and feeling. The third movement exploits the instrument's ability to play loudly and aggressively using lots of accented notes hairpin crescendos and quick double-tounging. A Short Sonata was the winner of the first Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music & Drama in Cardiff May 2010.

Throughout the years there have been many misprints minor and major found in Carl Nielsen's work. They range from missing staccato dots accents tempo markings and dynamic markings to missing notes and wrong notes. It has been the editor's desire to collect as many of these misprints as possible in these excerpts for trombone and tuba. Editorial corrections have been referred to in the text as well as having been written out or corrected in brackets.