Description J.S. Bach: The Goldberg Variations Edited for the harpsichord or piano by Ralph Kirkpatrick. Songlist Goldberg Variations

Es-Dur op. Postolka IV:11. Par KOZELUCH LEOPOLD. / Date parution : 2023-01-24/ RĂ©pertoire / Clavecin et Piano

Par PLATTI GIOVANNI BENEDETTO. / Date parution : 2022-07-30/ RĂ©pertoire / Clavecin et Orchestre Ă  Cordes

Four Sonatas for the French Dauphine. Par HASSE JOHANN ADOLF. / Date parution : 2022-07-23/ Recueil / Clavecin

Par THORVALDSDOTTIR ANNA. Fingerprints, for harpsichord, was written in 2003 and has been recorded by GuĂ°rĂșn ÓskarsdĂłttir on the Smekkleysa label./ RĂ©pertoire / Clavecin

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

France 1-This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes dances suites rondeaux and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality age-resistant paper that is produced in an environmentally-friendly climate-neutral manner using renewable raw materials.

Berlin, Amsterdam, J.J. Hummel, s.d. = 1793Zweyter Versuch in figurirten ChorĂ€len und Fugen sowohl fĂŒr die Orgel, als fĂŒr das Clavicord - 15 chorals variĂ©s et fugues pour orgue ou clavicorde. / Orgue Ou Clavicorde / 24 pages / niveau : 1 / Fac-SimilĂ©s - Format: 21 X 29.7

/ Chant Et Piano (Baryton Ou Mezzo-Soprano) / 118 pages / niveau : 1 / Fac-Similés - Format: 24 X 33