Kompositionen von Beethoven, Boccherini, J. Haydn und W. A. Mozart. / Recueil / Orgue Electronique

Two variations from Enigma. W.N. stands for Winifred Norbury a friend Elgar regarded as particularly easygoing and the music reflects this. A single violin note links into the next variation; the famousNimrod which is written about his best friend Augustus Jaeger and reflects the strength of the friendship and the noble character of Jaeger although it is now commonly used for solemn occasions such as funerals andremembrance services.

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

20 Chorals Divers (L à W) 13 Chorals supplémentaires Sinfonias des 29e e 146e cantatas-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The third volume includes a selection of Bach's favoured Chorals and Cantatas. In addition Dupr?'s annotations in Complete Organ Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Fantasia In F Minor K.608 'for a mechanical Organ' by W.A. Mozart. Edited by Walter Emery.

Composer : Karg-Elert, Sigfrid Instrumentation : S,Org Edition : Urtext Editor : Michel, J;Stockmeier, W

1 W. A. Mozart (1756-1791): 'March Of The Priests'2 F. Schubert (1797-1828): 'Ave Maria'3 C. Franck (1822-1890): 'Panis Angelicus'4 J. Clarke (1674-1707): 'Trumpet Voluntary'5 J. S. Bach (1685-1750)/Ch. Gounod: 'Ave Maria'

Written at the deathbed of Arthur Sullivan’s brother Fred in 1877 and setting words by Adelaide Anne Proctor The Lost Chord was immediately successful and became the biggest sensation of any song in its decade. Of all the drawing room ballads of the Victorian era The Lost Chord has remained alive in the popular imagination. This arrangement for solo Organ is true to the original without overplaying its drama and restores the eponymous 'lost chord’ to the Organ from whence it originally came. Composer Arthur Sullivan is known the world over for his operatic collaborations with W S Gilbert including H M S Pinafore and The Pirates of Penzance among many others. ButSullivan was also a composer of a host of other works among them operas Orchestral works ballets and hymns and church pieces.

Mendelssohn's War March Of The Priests arranged for Organ by W. T. Best. Originally composed as part of a larger set of incidental music for the stage productuion Athalia.

W G Alcock was among the most highly respect cathedral Organists of the early twentieth century and had the unique distinction of having performed in Westminster Abbey for the coronations of three English monarchs Edward VII George V and George VI. He was Organist of Salisbury Cathedral for thirty years and travelled extensively as an Organ recitalist.His compositions for Organ are now performed less frequently than they once were. These short voluntaries would be appropriate for the intermediate level Organist.

Composer and arranger Albert W Ketèlbey is now almost unknown except for his work Bells Across the Meadows but until the time of the Second World War he strode the country’s musical stage like a giant of light musical entertainment. In 1929 he was declared ‘Britain’s greatest composer’ according to the number of performances of his works. Over the course of his career he was a church Organist musical director at London’s Vaudeville Theatre editor to several music publishing firms and Music Director of the Columbia Gramophone Company.His most popular works appear to be a series of Orchestral tone poems like Sanctuary Of The Heart based on a verse from hisown poem In a Monastery Garden printed in the score.

Ce premier volume de l'oeuvre d'orgue de W.A Mozart présente les deux grandes fantaisies en fa mineur KV594 et KV 608 ainsi que la Sonate d'église en Ut Majeur KV336. De nombreuses transcriptions - plus ou moins heureuses ou exécutables - en existent déjà. André Isoir nous propose ici sa version de ces grandes oeuvres. Ses transcription, comme à son habitude, sont d'une fidélité rigoureuse, trouvant toujours l'astuce permettant de garder un texte fidèle tout en en facilitant l'exécution. / Orgue

Not all Lef'©bure-W'©ly's music is as technicolour as his famous Sortie in B flat. Here is a collection of twelve lovely pieces.