Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg Philipp Telemann (1681–1767)Musical Works Edited by Martin Ruhnke und Wolf Hobohm in cooperation with the Telemann Conservation and Research Centre in Magdeburg This edition is designed to present researchers and performers with a representative selection of the works of Georg Philipp Telemann in reliable scholarly editions. It will contain characteristic works from each genre of the composer's voluminous œuvre including chamber music instrumental concertos orchestral suites pieces for keyboard instruments church cantatas Passion settings motets psalms masses sacred concertos operas oratorios secular cantatas songs and arias. Each volume contains a preface several facsimile reproductions from the source material and a critical report. The suitability of the edition for performance purposes is emphasized by the instrumental parts accompanying the volumes of chamber music.

Cantata for Whit Sunday-Cantata for Whit SundayIn 1717 Telemann composed his cantata ?Gott Der Hoffnung ErfĆ¼lle Euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the ?Concerten-Jahrgang? also known as ?Das Harmonische Zion? or ?Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored.This particular work includes two Oboes two Corni da Caccia and Strings. Vocal soloists choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service orconcert repertoire.Urtext edition based on ?Georg Philipp Telemann Musical Works?Cantata for the first day of WhitsunIdeal for church services and concertsAn attractive addition to the repertoire with a view to the 250th anniversary of Telemann?s death (2017)Full score & parts (BA5898) and vocal score (BA5898-90) available for sale

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Sacred Cantata-Diese Weihnachtskantate von Georg Philipp Telemann entstanden fĆ¼r eine AuffĆ¼hrung im Jahre 1759 gehƶrt nach Worten Karl Wilhelm Ramlers zu den schƶnsten Weihnachtsmusiken des 18. Jahrhunderts. Sie wartet mit festlichem Trompetenglanz und anrĆ¼hrenden Cho

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor Ơ Vent : 1 Hautbois 1 Clarinette Sib 1 Cor en Fa 1 Basson - Niveau de DifficultƩ : 3/6 - IntermƩdiaire - DurƩe : 3 mn 00 s - Style Musical : Classique - CatƩgorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : IntermƩdiaire / Classique / RƩpertoire / Hautbois 1 Clarinette en Sib 1 Cor en Fa 1 Basson

Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor Ơ Vent : 1 Hautbois 1 Clarinette Sib 1 Cor en Fa 1 Basson - Niveau de DifficultƩ : 3/6 - IntermƩdiaire - DurƩe : 3 mn 00 - Style Musical : Classique - CatƩgorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : IntermƩdiaire / Classique / RƩpertoire / Hautbois 1 Clarinette en Sib 1 Cor en Fa 1 Basson

Vc./Bass Ad Lib. Aus ''Der Getreue Musikmeister 1728'' Git. Continuo: Karl TrƶtzmĆ¼ller. Par TELEMANN GEORG PHILIPP. Der Continuo wurde gemƤƟ Telemanns Anweisungen seiner 'Sing-, Spiel- und GeneralbaƟ-Ɯbungen' ausgesetzt. Obzwar fĆ¼r ein Tasteninstrument gedacht, dĆ¼rfen diese Regeln umsomehr fĆ¼r die Gitarre in Anspruch genommen werden, soll dem Solisten eine geschmeidige . . . / Niveau : Assez Facile Ć  ElĆ©mentaire / RĆ©pertoire / Guitare et Musique de Chambre

Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am GƤnsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Gƶttinger HƤndel-BeitrƤge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias

TonalitƩ : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ RƩpertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

TonalitƩ : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ RƩpertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

TonalitƩ : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ RƩpertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

TonalitƩ : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ RƩpertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

TonalitƩ : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ RƩpertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue