Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. I. 2/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. I. 2/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,