Par SPRINTZ. / Répertoire / Flûte Traversière Celesta, Harpe, Percussions et B

For solo Cello Harp Organ Celesta and Percussion.Includes 5 performing scores.Tissues is a set of pieces from the larger work Naqoyqatsi (2002) written for the film of the same name. This bookcontains numbers 1 2 5 6 and 7.Instrumentation.Percussion (1 Player)    SuspendedCymbal    Tam-tam    Glockenspiel    VibraphoneHarpOrganCelestaSolo Violoncello

F. 2 Orch., 3 Pos. U. Celesta. Par URBANNER ERICH. 2Orch 3Pos Celesta/ Répertoire / Orchestre

Par TAKEMITSU TORU. Détails de la formation instrumentale: 3 (auch Picc., 3. auch Alt Flûte Traversière ) · 3 (3. auch Engl. Hr.) · 3 (2. auch Es-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 4 · 3 · 3 · 0 - Percussion (Glsp · vibr · t.bells · trgl · 3gongs · tamt) (4 players) - 2 harps · celesta - Str. (14 · 12 · 10 · 8 · 6) - Durée: 15' -/ Répertoire / Guitare, Hautbois D'Amour et Orchestre

Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta

Par TAKEMITSU TORU. Détails de la formation instrumentale: 3 (2. auch Picc., 3. auch Alt Flûte Traversière ) · 3 (3. auch Engl. Hr.) · 3 (2. auch Es-Klar.) · Bassklar. · 3 (3. auch Kfg.) - 4 · tp(D) · 2 · 3 · 0 - Percussion (Glsp · vibr · marimb · xyl · t.bells · 3tamt · timp) (4 players) - 2 harps, celesta - Str. (14 · 12 · 10 · 8 · 6) - Durée: 14' -/ Répertoire / Piano et Orchestre

Orchestral Score. Instrumentation.     3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher

pour Saxophone alto et Orchestre d'harmonie-Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestra composition required is: 2 Flutes 2 Oboes 2 Bassoons 2 small Clarinets Clarinet I Clarinet II 1 Bass Clarinet 2 Alto Saxophones 2 Tenor Saxophones 1 Baritone Saxophone 4 Horns 4 Bb or C Trumpets 4 Trombone or 3 Trombone and an Euphonium 1 Bb or C Bass 1 Double Bass 1 Harp Timpani Drum and a Celesta. It is divided into three parts: I. “Allegro ma non troppo” is strongly rhythmic and syncopated.It includes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. “Andante” also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slower blues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending in a bright and fast finale. This volume features the score and parts for all the instruments. Born in France in 1932 Roger Boutry received numerous prizes including those for Piano Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful alternating between Harmony professor composer and conductor. He also received numerous prizes for his incredible compositions.

Par YUASA JOJI. Détails de la formation instrumentale: 3 (auch Picc.) · 2 (2. auch Engl. Hr.) · 3 (auch Es-Klar. u. Bassklar.) · 2 (2. auch Kfg.) - 4 · 3 · 3 · 0 - Percussion (vibr · xyl · s.dr · 3w.bl · marimb · Glsp · t.bells · susp.cym · bongo · Timbales · cym.ant) (3 players) - harp · piano (auch celesta) - Str. (12 · 10 · 8 · 8 · 6) - Durée: 17' -/ Répertoire / Alto et Orchestre

Par TAKEMITSU TORU. Détails de la formation instrumentale: 1 (auch Alt Flûte Traversière ) · 1 · 2 (2. auch Bassklar.) · 1 (auch Kfg.) - 2 · 1 · 1 · 0 - Percussion (vibr · cym.ant · t.bells · Glsp · 2cym.on pedal timp) (2 players) - harp · piano (auch celesta) - Str. (1 · 1 · 1 · 1 · 1) - Durée: 13' -/ Répertoire / Orchestre de Chambre

Par TAKEMITSU TORU. Détails de la formation instrumentale: 3 (2. u. 3. auch Picc., 3. auch Alt Flûte Traversière ) · 3 (3. auch Engl. Hr.) · 3 (3. auch Bassklar.) · 3 (3. auch Kfg.) - 4 · 2 · 3 · 0 - Percussion (Glsp · trgl · t.bells · 2susp.cym · vibr · 2gongs · 3tamt · cym.ant) (4 players) - 2 harps, celesta - Str. (14 · 12 · 10 · 8 · 6) - Durée: 13' -/ Répertoire / Guitare et Orchestre

Par TAKEMITSU TORU. Détails de la formation instrumentale: 2 (2. auch Picc. u. Alt Flûte Traversière ) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 3 · 2 · 0 - Percussion (vibr · Glsp · cym.ant · 2susp.cym · 2tamt · b.dr) (3 players) - celesta - Str. (14 · 12 · 10 · 8 · 6) - Durée: 11' -/ Répertoire / Flûte Traversière et Orchestre

Arthur Bliss’s first orchestral compositions his studies for Full Orchestra are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2 Flutes Oboe Cor Anglais 2 Clarinets in Bflat Bass Clarinet in Bflat 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani Percussion Harp Celesta Strings. Full score and orchestral parts are available on hire from the publishers. Duration: c. 12 minutes.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be