| John Williams: Harry
Potter Symphonic Suite:
Orchestra: Instrumental
Work Orchestra [Score and Parts] Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...(+)
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
79.50 GBP - Sold by Musicroom UK |
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| Rocky Point Holiday:
Concert Band: Score and
Parts Concert band [Score and Parts] Boosey and Hawkes
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 ...(+)
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta
107.50 GBP - Sold by Musicroom UK |
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| Poul Ruders: Final
Nightshade - An Adagio Of
The Night: Orchestra:
Score Orchestra [Sheet music] Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...(+)
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
60.99 GBP - Sold by Musicroom UK |
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| Sir Malcolm Arnold:
English Dances Set 1
Op. 27: No. 1: Brass
Band: Score and Brass ensemble [Score and Parts] De Haske Publications
Andantino-English Dances Set I opus 27 is a light classic composition that wa...(+)
Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick
61.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| André Waignein: Dunamis:
Concert Band: Score &
Parts Concert band Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...(+)
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
194.99 GBP - Sold by Musicroom UK |
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| Stephen Hartke: A
Brandenburg Autumn:
Orchestra: Score Orchestra Lauren Keiser Music Publishing
Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bass...(+)
Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bassoon 2 Horns Harpsichord Strings.
69.99 GBP - Sold by Musicroom UK |
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| André Waignein:
Alternances: Concert
Band: Score & Parts Concert band [Score and Parts] Scherzando
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competiti...(+)
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competition for wind band. For this event André WAignein composed 'Alternances for Symphonic Band' a piece which won him the first prize in the competition. The opening of the work is based on a very tonal foundation. The English horn (or alto saxophone) introduces a rich and warm theme which is immediately taken up by the whole orchestra in a grandiose manner. The subsequent development shows off all the elements of the orchestra to the full. In the second movement the English horn (or alto saxophone) comes to the fore again. A harmonic change gradually takes us back to the allegro of the firstmovement. The musical development is here dominated by exuberance virtuosity and rhythm.
144.99 GBP - Sold by Musicroom UK |
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| Claude Debussy: The Girl
with the Flaxen Hair:
Concert Band: Score &
Parts Concert band Hal Leonard
Solo for Alto Sax or English Horn and Band-Delicately scored and beautifully pac...(+)
Solo for Alto Sax or English Horn and Band-Delicately scored and beautifully paced here is Debussy's beautiful lyric melody arranged as a solo vehicle for alto sax or English horn with concert band. A wonderful opportunity for exploring the rich romanticism of Debussy'smusic while providing an attractive setting for a standout soloist. Dur: 2:30 (Includes full performance CD)
74.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Solo Para Ti (DOSS
THOMAS) Concert Band/Harmonie et Corne de
Bugle [Score] Oktavian Music
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a cal...(+)
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Bläservereinigung Albachten 1921 in honor of its conductor Philip Watts. / Date parution : 2022-01-18/ Répertoire / Concert Band/Harmonie et Corne de Bugle
17.56 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Solo Para Ti (DOSS
THOMAS) Concert Band/Harmonie et Corne de
Bugle [Score and Parts] Oktavian Music
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a cal...(+)
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Bläservereinigung Albachten 1921 in honor of its conductor Philip Watts. / Date parution : 2022-01-18/ Répertoire / Concert Band/Harmonie et Corne de Bugle
105.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Flexible Praise: Concert
Band: Part Concert band Curnow Music
Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sa...(+)
Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK |
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| Joaquín Rodrigo: Musica
Para Un Codice
Salmantino: Mixed Choir:
Miniature Score Español Orchestra [Sheet music] Unin Musical Ediciones
Musica Para Un Codice Salmantino one of the most important works in Joquin Rodr...(+)
Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings
12.99 GBP - Sold by Musicroom UK |
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| Leonard Bernstein: West
Side Story - Selections
For Orchestra: Orchestra:
Score Orchestra Boosey and Hawkes
Jack Mason's showcase features six songs skillfully scored for school orchestra....(+)
Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.
102.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 140 Wachet
auf ruft uns die Stimme:
Study Partition de Poche [Sheet music] Barenreiter
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140...(+)
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach EditionStudy scoreformat 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale
9.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| For Piano and Winds
(PERLE GEORGE) [Score] Schott
for flute, english horn, clarinet in A, bassoon, french horn and piano. Par PERL...(+)
for flute, english horn, clarinet in A, bassoon, french horn and piano. Par PERLE GEORGE. / Répertoire / Flûte Traversière, Cor Anglais, Clarinette en La,
26.64 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Karel Husa: Concerto for
Wind Ensemble: Concert
Band: Score and Parts Wind ensemble [Sheet music] Schirmer
Standard US Set (without european suppl. parts)-Commissioned by the Michigan Sta...(+)
Standard US Set (without european suppl. parts)-Commissioned by the Michigan State University Alumni Band this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement the Brass section concertises in groupsof four Brass quintets (2 Trumpets Horn Trombone and Tuba or Baritone) spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets and the Woodwinds occupy the front of the stage withPercussion on the left and right side. These groups like the Brass quintets play in the concertante style particularly in the first and last movements. 'At the same time each movement contains individual solo passages(for example Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today andby the incredible growth of Wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.'
149.99 GBP - Sold by Musicroom UK |
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| Simon Bainbridge: For
Miles (For Chamber
Ensemble): Chamber
Ensemble: Score Chamber Music [Score] Novello & Co Ltd.
For Miles was commissioned by the Composers’ Ensemble with funds from the ...(+)
For Miles was commissioned by the Composers’ Ensemble with funds from the London Arts Board. It was first performed on 29th June 1994 by the Composers’ Ensemble at St.John’s Smith Square London. Scored for solo Trumpet Oboe/english horn 2 Clarinets Viola Cello Bass (with C extension). Duration: 11 minutes. Parts available on hire.
10.99 GBP - Sold by Musicroom UK |
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| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band
for Wind Orchestra World Set (no ESS). Fascinated by the beauty of Chicago, Fra...(+)
for Wind Orchestra World Set (no ESS). Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?. Edition Franco Cesarini
407.00 GBP - Sold by Musicroom UK |
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| Ottorino Respighi: The
Pines of Rome (Finale):
Orchestra: Score & Parts Orchestra [Score and Parts] Hal Leonard
Full Orchestra-Long considered to be one of the most dramatic symphonic movement...(+)
Full Orchestra-Long considered to be one of the most dramatic symphonic movements of all time Respighi's finale is arranged to make it accessible and effective for intermediate-level groups. The tension-building final section of this monumentalwork has been carefully scored by Stephen Bulla to give your orchestra the opportunity to perform the triumphant ?ending of all endings.? (English Horn cross-cued)
74.99 GBP - Sold by Musicroom UK |
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| David Stock: Sulla
Spiaggia: Chamber
Ensemble: Score & Parts [Score and Parts] Lauren Keiser Music Publishing
for Alto Flute (Piccolo) English Horn Bass Clarinet Percussion
45.99 GBP - Sold by Musicroom UK |
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| Hymne A La Joie
(BEETHOVEN LUDWIG VAN) [Sheet music] FLEX Editions
2 Oboes and English Horn. Par BEETHOVEN LUDWIG VAN. / Répertoire / Trio à vent...(+)
2 Oboes and English Horn. Par BEETHOVEN LUDWIG VAN. / Répertoire / Trio à vent
10.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Jan Van der Roost: Et in
terra Pax: Concert Band:
Score & Parts Concert band [Score and Parts] De Haske Publications
This piece was commissioned by the âConcert Band Vlamertingeâ and is a...(+)
This piece was commissioned by the âConcert Band Vlamertingeâ and is a plea for peace: the title translates as âPeace on Earthâ. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize the words âEt In Terra Paxâ - an appeal for peace - at first jumbled together but later more rhythmically structured developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D E G A and C (taken from âConCErtbAnD VlAmErtinGEâ and the name of the conductor NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured albeit with a differently colored sound: the words âEt In Terra Paxâ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem âSonnetâ by the young poet Charles Hamilton Sorley who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro the broad almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more this time broadly while the words âEt In Terra... Paxâ are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life too.
163.50 GBP - Sold by Musicroom UK |
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| Rued Langgaard: Humoreske
/ Humoresque: Wind
Ensemble: Score Wind ensemble - Intermediate/advanced Rued Langgaard Edition
Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Militar...(+)
Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23.
22.95 GBP - Sold by Musicroom UK |
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| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band [Score and Parts]
for Wind Orchestra Full Score. Fascinated by the beauty of Chicago, Franco Cesa...(+)
for Wind Orchestra Full Score. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?. Edition Franco Cesarini
74.00 GBP - Sold by Musicroom UK |
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| Antonín Dvo?ák:
Symphony No. 3 In E Flat:
Orchestra: Study Score Orchestra Barenreiter
Flute-picc Flute (2) Oboe (2) English-horn Clarinet in b-minor (2) Bassoon ...(+)
Flute-picc Flute (2) Oboe (2) English-horn Clarinet in b-minor (2) Bassoon (2) Bugle (4) Trumpet (2) Trombone (3) Timbal Triangle Harp Strings
19.50 GBP - Sold by Musicroom UK |
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| Rued Langgaard: Humoreske
/ Humoresque: Wind
Ensemble: Parts Wind ensemble - Intermediate/advanced Wilhelm Hansen
Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Militar...(+)
Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23. Set of parts.
34.99 GBP - Sold by Musicroom UK |
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| Jan Van der Roost:
Spartacus: Concert Band:
Score & Parts Concert band [Score and Parts] De Haske Publications
Spartacus is a 'Symphonic Tone Poem' with 3 joints. Each section has its own mel...(+)
Spartacus is a 'Symphonic Tone Poem' with 3 joints. Each section has its own melodical materials however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J) as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R) but has been worked out rhytmically.
168.99 GBP - Sold by Musicroom UK |
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| Dominick Argento: The
Masque Of Angels Suite:
SATB: Vocal Score Choral SATB [Vocal Score] Boosey and Hawkes
Argento has crafted a five-movement suite from his 1964 opera The Masque of Ange...(+)
Argento has crafted a five-movement suite from his 1964 opera The Masque of Angels. Designed as a mini choral drama it includes a Processional for the angels; the well-known Gloria; the colorful Arrival of the Archangels; a majestic Sanctus; and a joyful Recessional. Best for larger ensembles this suite is a showcase for magnificent choral sound. Orchestra parts are available on rental.Instrumentation: 2 oboes (2nd doubling english horn) bassoon 2 trumpets in Bb trombone 2 Violas Cello harp percussion (cymbals triangle suspendes cymbal bells/chimes Glockenspiel tambourine sleigh bells)
9.99 GBP - Sold by Musicroom UK |
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| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band [Study Score / Miniature] Edition Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions...(+)
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?.
21.00 GBP - Sold by Musicroom UK |
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| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band
for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chica...(+)
for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?.. Edition Franco Cesarini
27.00 GBP - Sold by Musicroom UK |
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