March No. 3 in C minor-Pomp and Circumstance est le titre porté par cinq marches composées entre 1901 et 1930 par le compositeur anglais Sir Edward Elgar. Si la Marchen° 1 est incontestablement la plus célèbre la Marche n° 3 en Ut mineur est la plus achevée en terme de musicalité et de techniques de composition. La conception des motifs est dans la meilleure tradition elgarienne. Le passage principal aux sombres couleurs de la tonalité mineure et le thème cantabile résolument généreux sont impressionnants et donnent à la marche son caractère unique.

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre

Elgar published the Chanson de Matin and its partner Chanson de Nuit at the time of his life when he was also creating the Enigma Variations and The Dream of Gerontius. This work was originally created as a Violin and Piano duet but Elgar then Orchestrated the work and it was presented at the Proms. Since then other arrangements have been created.Although published in 1897 scholars suggest that these two works may have been written in the 1880’s. The contrast of the two melodies which Elgar then intertwines yields a satisfying short work especially with the composer’s fine Orchestration.

Edward Elgar’s concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics articulation and expression markings. The edition restores all Elgar’s solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar’s baton.This is the last word on this famous work a referenceedition for every cellist!First ever critical editionAll existing sources consultedFirst ever critical commentaryFull score & parts (BA9040) cello & piano (BA9040-90) and study score format 22.5 x 16.5cm (TP398) available for sale

Elgar's oratorio The Apostles was the biggest endeavour of his creative life. Elgar used the Bible as the source for his libretto taking words and phrases combining separate stories and superimposed different actions one upon another until the psychological emphasis of the libretto reflected its composer as faithfully as the music it was to serve.The Elgar Complete Edition brings together for the first time all of the composer's surviving music from printed and manuscript sources.

Having achieved unprecedented success with his Symphony No.1 Elgar was now fully confident of his symphonic prowess and threw himself into work on its successor.Available here is an Eulenburg miniature score of Elgar’s second symphony which is ideal for study and perusal use.

Elgar did not compose his first symphony until 1908 at the age of fifty although he had been planning it for many years. This work was quickly hailed as the first great English symphony and enjoyed success in Britain America Austria Canada Australia and Germany; it was performed some one hundred times within a year of its premiere.Available here is a miniature score of Elgar’s Symphony No.1 in A flat Op.55 which is ideal for study and perusal use.

Par ELGAR EDWARD. Un tour de force pour tout violoncelliste, violoncelle Concerto d'Elgar magnifique est effectué plus souvent que les autres, sauf celui de Dvorák. Considéré comme une élégie pour un monde perdu, le Concerto pour violoncelle a été écrit après une longue stagnation du compositeur créatif au cours de la Première Guerre mondiale I. Mélodique et évocateur, il présente une portée remarquable./ Répertoire / Violoncelle et Orchestre

Elgar’s Cello Concerto Op.85 from 1919 was the last major work of this great English composer. It is a particularly complex but immediately moving work making an appropriate epilogue to Elgar's career and life. A touching creation of dillusion and compassion at times unstable but vibrant and colourful throughout. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Enigma-Edward Elgars berühmte ?Enigma?-Variationen entstanden zwischen 1898 und 1899. Es handelt sich um eine Sammlung von Variationen über ein eigenes Thema. Jede der Variationen ist einem engen Freund des Komponisten gewidmet (?Dedicated to my Friends Pictured

The full score of Elgar's sketches for this two-act opera in a paper-bound edition. Complete with editorial introduction appendices and libretto. A score for the specialist.

Of Elgar's five Pomp and Circumstance Marches the first in D is the best known as it includes Land of Hope and Glory. The origin of the title of these marches is a speech in Shakespeare's 'Othello':O now for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/ That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump / The spirit-stirring drum th' ear-piercing fife / The royal banner and all quality / Pride pomp and circumstance of glorious war!This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestrationlist above may be omitted if necessary.Duration: 6 minutes OrchestrationPiccolo 2 Flutes 2 Oboes 2 Clarinets in A or Bb Bass clarinet* 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Snare drum Triangle Bass drum Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) (* = instruments optional)

Par ELGAR EDWARD. / Niveau : Intermédiaire / Répertoire / Orchestre à Cordes et Piano Ad Libitum

From Variations on an Original Theme Op. 40-Violin 1 Part for Elgar's Enigma Variations.