| Symphonie Nr2 C-Dur Op.
140 (Fk) (RAFF JOSEPH
JOACHIM) Orchestra [Sheet music] Schott
Par RAFF JOSEPH JOACHIM. / Répertoire / Orchestre
89.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Johannes Brahms:
Concerto: Violin: Parts Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - Sold by Musicroom UK |
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| Johannes Brahms: Concert
D Op.77: Violin: Study
Score Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
16.50 GBP - Sold by Musicroom UK |
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| Johannes Brahms:
Concerto: Violin: Score Orchestra, Violin [Sheet music] Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...(+)
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
41.00 GBP - Sold by Musicroom UK |
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| Johannes Brahms:
Concerto: Violin: Part Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johannes Brahms:
Concerto: Violin:
Reference Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown?s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary
17.50 GBP - Sold by Musicroom UK |
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| Violin Concerto #1 In G
Minor Op. 26 Orchestre
(BRUCH MAX) Orchestra [Sheet music] Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...(+)
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?'
The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Orchestre
70.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Antonín Dvo?ák: Violin
Concerto in A minor
Op.53: Violin: Score Orchestra, Violin - Intermediate Barenreiter
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 wit...(+)
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
53.50 GBP - Sold by Musicroom UK |
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| Tzigane Concert band Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Harmonie
76.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Johannes Brahms: Violin
Concerto D major op. 77:
Violin: Score Orchestra, Violin [Study Score / Miniature] G. Henle
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument...(+)
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument dont il ne ma?trisait que tr?s peu la technique. C?est pourquoi lorsqu?il composa son concerto pour violon et orchestre op. 77 dans les ann?es 1877/1878 ce fut en collaboration ?troite avec son ami Joseph Joachim qui est ?galement l?auteur de la cadence. Ses contemporains accueillirent l??uvre avec enthousiasme et elle reste consid?r?e aujourd?hui comme une pi?ce majeure du r?pertoire. Une ?dition urtext dans un petit format maniable destin? ? l??tude s?av?re par cons?quent tr?s utile. Reposant sur la partition parue dans la nouvelle ?dition compl?te des ?uvres de Brahms elle contient?galement en annexe la cadence de Joachim dans deux versions diff?rentes: d?une part la version originale et d?autre part une version tr?s int?ressante plus condens?e mise au point par Brahms ult?rieurement avec la violoniste Marie Soldat.
16.75 GBP - Sold by Musicroom UK |
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| Tzigane: Violin: Score Orchestra, Violin Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
31.50 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Violin Concerto No. 5 In
A: Violin: Score Orchestra, Violin [Sheet music] Barenreiter
A major-Mozart composed the majority of his works for solo String Instruments an...(+)
A major-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart EditionFull score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
33.50 GBP - Sold by Musicroom UK |
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| Johannes Brahms: Quintet
in b minor op. 115:
Chamber Ensemble: Parts Orchestra G. Henle
Quintet in b minor op. 115-Brahms had in fact wanted to stop composing in 1890 ...(+)
Quintet in b minor op. 115-Brahms had in fact wanted to stop composing in 1890 but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popular with musicians and audiences alike since its premiere in 1891. Even prior to printing â?? and presumably with a view toward further dissemination of the work â?? an alternate version was written with viola instead of clarinet premiered by no less than Joseph Joachim and authorised by Brahms. The Henle Urtext edition revised according the text of the New Brahms Complete Edition thus also includes the alternate viola part. In abrief preface editor Kathrin Kirsch provides insight into the genesis of the work and discusses interesting variants of transmission in the Comments.
44.25 GBP - Sold by Musicroom UK |
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| Concerto For Violin And
Orchestra E Minor Op. 64
(MENDELSSOHN-BARTHOLDY
FELIX) Orchestra, Violin Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance.
The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice.
This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
21.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Wolfgang Amadeus Mozart:
Violin Concerto No.5 In A
K.219: Violin: Study
Score Partition de Poche [Sheet music] Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart Edition.Full score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
10.50 GBP - Sold by Musicroom UK |
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| Felix Mendelssohn
Bartholdy: Konzert Für
Violine und Orchestre:
Orchestra: Score Orchestra Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...(+)
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
57.50 GBP - Sold by Musicroom UK |
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| Variations Orchestra, Violin Bote and Bock
Ce classique des archives du Bote and Bock est maintenant disponible à nouveau ...(+)
Ce classique des archives du Bote and Bock est maintenant disponible à nouveau comme une réimpression. / Violon Et Orchestre
24.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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