Violin 2-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Viola-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Wind Instruments-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale

La Passione-Haydn?s Sturm und Drang symphonies available in Urtext editionsScore and performance material on sale available in an enlarged formatHaydn?s Sturm und Drang symphonies along with the London symphonies belong to his most popular works today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45 BA 10971) and the Maria Theresia Symphony (No. 48 BA 10972) but also gems such as La passione (No. 49). The publication of this symphony presents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions operas and symphonic works. La passione is based onthe Henle Complete Edition of the Works of Joseph Haydn and is published with a full score and performing material on sale in a large format.

Kleine Orgelmesse.-Study score format 22.5 x 16.5cmHaydn presumably wrote his ?Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ?Little Organ Mass? from the Organ solo in the ?Benedictus?.- Urtext based on the Henle Complete Edition of the Works of ?Joseph Haydn?- Full score and parts (BA4653) vocal score (BA4653-90) and study score (TP95) available for sale

Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.

Hob I:81-Haydn?s Symphony in G major Hob.I:81 comes from a series of three symphonies completed in late 1784 (nos. 81 80 and 79 presumably in that order). No autograph score survives for Hob.I:81 thus our Urtext edition is based on copyists? manuscripts and first editions. As with so many of his symphonies Haydn wrote this one to provide new music for his employer Prince Nicolaus Esterházy.Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiterhas now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).- Based on the G. Henle Complete Edition of the Works of Joseph Haydn- Orchestral parts in a large format (25.5 x 32.5 cm)- Full score

Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.

London No. 7-The Symphony No. 104 in D Major is Joseph Haydn's final symphony and is known as the London symphony. It was composed and premiered by the composer in London in 1795 and consists of four movements: Adagio Allegro Andante Menuetto Allegro Trio Finale Spiritoso. It is the best-known of Haydn’s works and epitomises the classical style and structure of the symphonic form. Joseph Haydn (1732-1809) was an Austrian composer who became the figurehead of the classical movement. He formed a close and mutually respectful relationship with Mozart and later taught Beethoven but it was his compositions that left an indelible markon the musical landscape of Western Europe.

This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)

This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)