Pieces For Classical Guitar-Turlough O'Carolan Irish Harp Pieces For Classical Guitar contains 24 compositions by the legendary Irish harpist Turlough O’Carolan scored for classic Guitar solo. The solos areintermediate in difficulty and convey the beautiful lyrical quality of the original Harp compositions. As a bonus two of the solos are also scored for baroque Guitar. A companion recording is available as an internetdownload.

An Irish Tale. Par COLES PAUL. Paul Coles has a chequered career as composer, performer, teacher and publisher, all centred around his instrument, the guitar. His latest work, “Dagda’s Harp”, is influenced by the story of Dagda, the Celtic god of the Earth and evokes the unmistakable sounds of Irish folk music. Dagda possessed a magic harp, on which he is supposed to have played magical sounds, including music of dreaming, music of sorrow and music of joy. These three states are represented in a suite of pieces that will be suitable for intermediate players, as either teaching or concert material./ Répertoire / Guitare

Par MIQUEU LAURENT. La cigar box guitar est une guitare fabriquée à l'origine avec une boite de cigares utilisée comme caisse de résonance. 1 livre de 48 pages des fichiers audio des vidéos sur notre kiosque média Son origine débute vers le milieu du 19ème siècle aux États-Unis.C?est un instrument de fortune devenu très populaire durant la Grande Dépression des années 30. De nombreux musiciens ont débuté sur une cigar box guitar : BB King, Jimi Hendrix, Keith Richards ou encore Paul McCartney. De nos jours, on assiste à un nouvel essor de l?instrument avec Justin Johnson, Asaf Avidan, Seasick Steve? Notre méthode Coup de pouce cigar box guitar, unique en France, vous accompagnera tout au long de votre apprentissage. Dans cette méthode, vous apprendrez : Accorder sa cigar box Choisir ses cordes Lire une tablature Tenir sa cigar box Choisir son bottleneck Technique du slide Vibrato, notes frettées, hammer, pull-off Jeu mélodique en slide Le Tilt slide Le picking Rythme en ¾ Et pour finir, huit morceaux avec tablatures vous sont proposés pour enrichir votre apprentissage de la cigar box. House of the rising sun Robert Johnson blues Seasick Country Blues Will the circle be unbroken Harper box Bluesy chords St louis blues Alors, tous à vos cigar box guitar !!! Vous pourrez écouter, visionner et télécharger les fichiers audio les vidéos de cette méthode sur notre kiosque média ! Une fois votre méthode en main, pour un accès privé, créez votre compte et ajoutez cet ouvrage à votre bibliothèque en saisissant le code indiqué dans votre méthode. / Date parution : 2022-04-01/ Méthode / Cigar Box Guitar

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE CARBAJO REEB. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Guitare vous pourrez découvrir une des oeuvres de Charpentier J. en l'occurence Etude N01 qui a été éditée par la maison d'édition Leduc. / Guitare / Partition

In this edition Guido Böger provides 72 further compositions by the legendary Irish harpist Turlough O’Carolan arranged for classical guitar.These solo pieces are generally of intermediatedifficulty and convey the beautiful lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however along with his TurloughO’Carolan Irish Harp Pieces for Classical Guitar O’Carolan’s Laments have now been arranged in their entirety.These pieces will provide the guitarist with a wonderful collection of new andfascinating pieces for use in study concerts or for your musical pleasure.

Given the number of skilled luthiers and guitarists in evidence today the current era has come to be known as ???The Golden Age of the Acoustic Guitar???. Among numerous richly talented players flatpicking/fingerstyle Acousticand Harp guitarist Stephen Bennett stands out as both a supreme melodist and groove master. That said - you already have a good idea of the contents of this DVD.It???s a rare artist who is capable of recording 29tunes in a single day but with the tenacity perfectionism and phenomenal musicality known to his fans worldwide that is exactly what Stephen did in creating this DVD. In fact most of these tracks were completed to perfectionin one take. Add the notion of performing on three distinctly different instruments- a Morris 6-string acoustic a 1930 National Steel and a modern Merrill Brothers copy of a vintage Dyer Harp Guitar- and you have not only aHerculean musical feat but a unique listening and viewing experience.Stephen???s live Mel Bay DVD performance is one you???ll watch again and again.

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Air With Changes - (Originally for Harp solo) arranged by the composer for Guitar Quartet. Commissioned by Becky and David Starobin for the Curtis Institute of Music and written for the Curtis Institute Guitarists 2017.  

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Violin School materials include: Violin Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-10) * Cassettes (Vol. 1-3 performed by Shinichi Suzuki, Vol. 4-8 performed by Koji Toyoda) * Compact Discs (Vol. 5-8, performed by Koji Toyoda) * David Cerone Performs Suzuki Violin School (Cassettes & Compact Discs, Vol. 1-4) * David Nadien Performs Suzuki Violin School (Cassettes and Compact Discs, Vol. 1-4). Suzuki Method Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Top country artist Lee Roy Parnell is a slide guitar player of the highest order! Here he delivers in-depth examples of both acoustic and electric slide playing. Using E & G tunings and covering both blues and country Lee Roydeals with scales for slide emulating blues harp vibrato and slide control glass versus metal and using a capo. It’s a real professional’s treasure trove of tricks tips and techniques brought to you by a star player.