Songs of Solitude and Night (Recorder Part). Solo recorder part. ?Songs of Solitude and Night? is in two movements. The first movement has text from Völuspá from the Old Edda, and is called ?Prelude?. The text is about creation of the earth, the stars, the sun, the moon and the first people on earth, Ask and Embla. The second movement is a poem by the faroese author William Heinesen translated into english by the faroese author Gunnar Hoydal and is called ?Hogboy?. The poem begins like this: ?Hogboy, the spectre with the cheery name, lives in the mound Maeís Hove in the Orkney island of Pomona. Here you can hear him singing bewildered songs in the dark. Playful Pomona girls are dancing in the moonlight around the old grave"

Part for Descant and Optional Treble Recorders. Rumba is for Three-Part Voices Recorders and Piano.

The demand for literature in Spanish is a reflection of our changing American culture. Here are twelve songs in two keys that can serve as an introduction to art songs in Spanish for a voice student. International PhoneticAlphabet is included for each song text as are translations for study. Laura Ward has recorded wonderful informed piano accompaniments on the companion CD. Before the accompaniment a excellently instructive pronunciationlesson recorded by a native Spanish speaker (a university Spanish professor) is heard. The songs are by Manuel de Falla Enrique Granados and Fernando Obradors with an additional two Mexican folksong arrangements. A beautifulVelasquez painting is seen on the cover.

Festive music and readings for Christmas-The Choir of Royal Holloway directed by Rupert Gough with Prunella Scales and Timothy West. The Choir of Royal Holloway is one of the finest mixed-voice collegiate choirs in Britain. Its first recording on Edition Peters Sounds brings together the mu

Par BACH JOHANN SEBASTIAN / GREBER JAKOB / VIVALDI ANT. In the opera and cantata orchestra of the baroque the sound and gentle timbre of the recorder had a special significance. It served pre-eminently to represent the emotional states of love, pain and sorrow. Many arias with obbligato recorder which have survived are still unknown today, despite the diligent efforts of “early music” enthusiasts to uncover these treasures. Through the “Flauto e voce” series this repertoire, for both study and concert use, is experiencing an interesting expansion and enrichment. The present new issue offers three arias from Bach Cantatas BWV 103 and 182 [the latter in two versions], 2 arias from Vivaldi’s operas as well as a graceful Italiancantata from the historically, practically unknown composer Jakob Greber [ca. 1710]. The Greber piece is in a style similar to Vivaldi. In this collection the Soprano, Sopranino and Alto recorders are employed./ Répertoire / Voix, Flûte à Bec et Basse Continue

for SATB and piano or organ with optional flute or treble recorder or chamber orchestra This is a moving and very original work ideal for a carol service or concert. The addition of the flute (or treble recorder) adds a delicate pastoral flavour.

Joseph Haydn's St. Anthony Chorale arranged for Wind Orchestra. Instrumentation: Descant Recorder Flute/Treble Recorder (I II) Oboe (I II) Clarinet in Eb Clarinet in Bb (I II III) Bass Clarinet Bassoon Trumpet/Cornet/Flugelhorn in Bb (I II) Horn in Eb (I II) Horn in F (I II) Trombone I/Baritone Trombone II/Euphonium/Tuba/Eb Bass Violin (I II) Viola Cello Bass.

There are seven songs and an instrumental interlude making all together an entertainment that provides opportunity for very simple stage action and dancing: nothing at all elaborate is needed in the way of scenery and costumes.The voices are in unison throughout and their part is always doubled by instruments which should make it relatively easy for quite young children to learn their way into Davies's delightful tunes. The references to Hoy areincidental and could possibly be adapted to suit the locality of a particular performance. In any event most of these tall stories and rhymes will appeal to children everywhere.Set of instrumental parts (8 descant recorderparts 4 tuned percussion parts and 4 unpitched percussion parts).

Requiem for my friend written in dedication to film director Krzysztof Kieslowski (who passed away in March 1996) is in two parts. The first part - Requiem - consists of nine movements scored for soprano organ two countertenors tenor bass string quintet and percussion. It was recorded in Warsaw Cathedral and the Emaus Church in Krakow. The second part - Life - is also made of nine movements and is scored for soprano voice countertenor recorder alto saxophone piano sixty-piece orchestra and forty-piece choir.

More Songs and Games for the Music Class (Songbook 2)-First We Sing! Songbook Two is a collection of 18 more children's songs rhymes and games from around the world selected transcribed and annotated by Dr. Susan Brumfield. Whether you are looking for new songs to add to your repertoire or for new ways to teach familiar favorites Songbook Two is loaded with more fresh ideas for the music class. This second volume in a series designed to bring delightfully singable songs and practical pedagogy together is perfect for use in both home and school. Songbook Two also features extension activities for the classroom historical references pedagogical indices and suggestions for including these songs in the First We Sing!literacy-based music series available from Hal Leonard. This second volume comes with a Sing-along CD recording featuring Inner Voices a group of 8-12 year old singers from The West Texas Children's Chorus. This enhanced CD also offers PDF songsheets for projection or print options. Songbook Two includes suggestions for Orff instruments and recorder along with seasonal and holiday songs singing games and songs just for fun. Ideally suited for teaching musical skills this collection provides a ???vocabulary??? of music and play from which children can draw today. Adults and kids of all ages will discover the fun and enjoyment of listening learning singing and playing these songs for generations to come!

Aus: Matthäuspassion 'Laßt Uns Mit Ernst Betrachten'. Par TELEMANN GEORG PHILIPP. This aria is equally suitable for use in a service or as Passion music. The voice and recorder alternate with the tutti strings. The voice part has the unusually limited range e1–e2, but it demands some vocal agility. / Date parution : 1980-12-01/ Répertoire / Solo Ms, Flûte à Bec F1, 2 Violons, Alto et Basse

Vocal Score-8'40'; voice and ensemblePublished 2006For voice Recorder (Treble & Descant) Oboe Clarinet Bassoon Trumpet 3 Violins (or 2 Violins & Viola) and Cello.First performance: 14th July 2006 BinhamPriory North Norfolk: Impulse cond.Edward Longstaff Daisy Chute vocalist.Vocal Score