Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which includes ad libitum parts for tutti violins and oboe. / Date parution : 1980-12-01/ Répertoire / Solo S (T), Viola da braccio (Viole de Gambe) et B

Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which includes ad libitum parts for tutti violins and oboe. / Date parution : 1995-01-01/ Répertoire / Solo S (T), Viola da braccio (Viole de Gambe) et B

Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which includes ad libitum parts for tutti violins and oboe. / Date parution : 1980-12-01/ Répertoire / Solo S (T), Viola da braccio (Viole de Gambe) et B

Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker.The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage.Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands. Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49. - Urtext of the New Mozart Edition - Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

Uses: Memorial Day Independence Day God and CountryScripture: John 15:13From the pen of Senator Orrin Hatch Lowell Alexander and Phil Naish we present a moving tribute to those who have giventheir lives defending our country. ?Blades of grass and pure white stones cover those who left their homes.? Available separately: SATB SAB and TTBB. Instrumental ePak includes score and parts for Flute 1 2 Oboe Bb Clarinet 1 2 Bb Trumpet 1 2 3 F Horn Trombone 1 2 Trombone 3/Tuba Percussion Timpani Violin 1 Violin 2 Viola Cello and Bass. ChoirTrax CD and DVD Accompaniment Trax also available. Performance Time: Approx. 3:30.

A Well Of Living Water for Equal Voices SSA Violin and Viola by Peter Bruun (2017). Written for Anette and Helge Slaatto & Aarhus Girls Choir. Text from the Old Testament.

For Tenor and Ensemble (Piano 3 Percussion 2 Violin 2 Viola Cello). Published 1977. Text: Keats.

A Concert Ayre For Mezzo-Soprano And Chamber Ensemble - Vocal Score-Commissioned by Freunde und Förderer der Musikalischen Akademie des Bayerischen Staatsorchesters. First performance 20 July 2015 at Haus der Kunst as part of the Munich Opera Festival 2015 with Tara Erraught(mezzo-soprano) and members of the Orchestra Academy of the Bayerisches Staatsorchester conducted by Constantinos Carydis. Instrumentation: Mezzo-soprano Piccolo Flute Oboe Clarinet in Bb Bassoon Horn in F Trumpetin Bb Tenor Trombone 2 Violins Viola Violoncello

from Footprints in the Sand-Uses: General Lent Revival Christ the Good ShepherdScripture: Exodus 13:21; Psalm 23:1-3; John 10:3A splendid gathering of treasured hymns is found in this pull-out from the best-selling cantata Footprints in the Sand. Ideal for the Lenten journey these hymns are well known and part of almost every denominational hymnal:Guide Me O Thou Great Jehovah; Savior Like a Shepherd Lead Us; and He LeadethMe. Fully orchestrated or using the full piano accompaniment this is sure to be a favorite medley with the people in the pew. Available separately: SATB StudioTrax CD Orchestration CD-ROM (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 Trumpet 2&3 Trombone 1&2 Bass Trombone/Tuba Timp Perc 1&2 Harp Piano Violin 1 Violin 2 Viola Cello Double Bass). Duration: ca. 3:26.

The music of Handel is coupled with an original text (appropriate for General Christmas or Easter use) to create a majestic and vibrant anthem of praise. The optional chamber orchestration (or BonusTrax CD) will add greatly.Audio available on BonusTrax CD #08743774.Available separately: SATB and Instrumental Pak (parts for Trumpet I/II Violin I Violin II Viola Cello and Timpani).

SATB-Anne Herring's Easter Anthem for SATB choir. Vocal score.The hand-written Orchestration contains a Conductors Score and parts for: Flute Oboe Clarinet Trumpet 1 & 2 Trumpet 3 Horn 1 & 2 Horn 3 Trombone 1 & 2 Tuba Percussion (orchestra bells timpani) Rhythm Harp Violin 1 Violin 2 Viola Cello and Bass.