Mezzosoprano - Mezzo-soprano-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

'Il Ritorno D'Ulisse In Patria' (The Return Of Ulysses) was first performed in Venice in 1640. Its stature among dramatic works of the seventeenth century has grown considerably and is now one of the most frequently performed of Baroque Operas. Alan Curtis has produced the first complete performing edition to be drawn from all available sources carefully annotated throughout the figured bass completed and the newly edited libretto and argomento given in full. Along with a useful scholarly preface and numerous corrections of notes rhythms and harmonies this edition is also of particular service for its careful corrections of the faulty libretto which has until now had to servefor all modern performances. Libretto by Giacomo Badoaro. English Libretto by Anne Ridler.

The Coronation Of Poppea. An opera in a prologue and three acts. Text by G.F. Busenello music attributed to Claudio Monteverdi and Francesco Sacrati. Edited by Alan Curtis and English singing version by Arthur Jacobs.

Opera buffa in 1 atto (3 scene) da una commedia di Massimo Bontempelli, su libretto di G. Zucconi. Par MALIPIERO RICCARDO. / Date parution : 2023-08-12/ Répertoire / Opéra

Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra

Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. Les 27 airs de ce recueil sont proposés en réduction chant-clavier, pour voix de mezzo, extraits des opéras :Farnace, Bajazet, Tito Manlio, Argippo, Andromeda liberata, Ottone in villa, L'Olimpiade, Il Giustino, la Verita in cimento, la Fida ninfa, Orlando Furioso. / Date parution : 2017-04-01/ Recueil / Mezzo-Soprano

Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavier

Par VIVALDI ANTONIO. Les opéras de Vivaldi sont riches en arias d'une extraordinaire beauté. Envoutants, languissants, passionés, terrorisés, fâchés, les sentiments sont peints avec sensualité. Extraits de différents soprés de Vivaldi, les airs sont proposés en réduction chant-clavier, pour voix de soprano / Date parution : 2014-07-01/ Recueil / Soprano

Repertoiresammlung herausgegeben von Peter Anton Ling. Par . The Three Tenors Are Coming On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes. ?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling, editors) OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2023-03-11/ Recueil / Tenor et Piano

Canto e piano. Par PUCCINI GIACOMO. / Date parution : 2022-10-12/ Répertoire / Chant et Piano

La source la plus fiable au monde de grande littérature théâtrale pour les acteurs chanteurs. Les CD comprennent des accompagnements au piano. Le livre présente des éditions authentiques de chaque duo dans les tonalités originales. Les duos ont été choisis avec soin et sont issus d\'une large sélection de classiques et de spectacles contemporains. Contenu : THE ADDAMS FAMILY : Crazier Than You - AVENUE Q : Schadenfreude - CABARET : Money, Money - CANDIDE : Oh, Happy We - CHILDREN OF EDEN : In Whatever Time We Have - A CHORUS LINE : Sing ! - FIDDLER ON THE ROOF : Do You Love Me ? - THE FROGS : Invocation et instructions au public - GODSPELL : All for the Best - GREY GARDENS : Peas in a Pod - INTO THE WOODS : Agony, It Takes Two, No More - THE LIFE : My Friend - THE LIGHT IN THE PIAZZA : Statues and Stories, Say It Somehow - THE LION KING : Can You Feel the Love Tonight - A LITTLE NIGHT MUSIC : Every Day a Little Death - MONTY PYTHON\'S SPAMALOT : I\'m All Alone - MYTHES ET HYMNES : Come to Jesus - PARADE : All the Wasted Time - THE PRODUCERS : Où avons-nous fait fausse route ? - THE RINK : La pomme ne tombe pas très loin de l\'arbre - SPRING AWAKENING : The Word of Your Body - SUNDAY IN THE PARK WITH GEORGE : Move On - SWEENEY TODD : Kiss Me - WEST SIDE STORY : A Boy Like That/I Have a Love - WICKED : As Long as You\'re Mine, For Good - WOMAN OF THE YEAR : L\'herbe est toujours plus verte / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD