(from Meredith Willson's The Music Man). Meredith Willson's The Music Man is the hottest ticket on Broadway! This arrangement for concert choirs captures all the excitement of the stage and in addition to the classic melodies you can even imitate the sound of the marching band instruments with your singers! Available for SATB SAB and 2-Part. Performance Time: Approx. 3:55.

La guerre de Sécession, ce grand conflit fratricide qui a joué un rôle décisif dans l'élaboration de notre histoire et notre conscience nationale, il existe n'est plus dans les souvenirs de première main des hommes vivants. Parmi nos souvenirs, cependant, sont ces 48 chansons des guerre civile, les chansons marching agitateur et hymnes patriotiques, les ballades sentimentales allègrement et les comiques ditties, le proposant des chansons et chansons à boire et chansons combats et aimantes chansons des Etats-Unis le plus sanglant et lutte plus importante. Par le biais de ces chansons, un âge qui est passé est porté à la vie, et nous vivons avec les hommes et les femmes qui marchaient y a un siècle de cette terre qui est le nôtre. / Voix

Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection.La collection comprend de nombreuses marches Mars original avec des arrangements de thèmes célèbres mars. / Baryton

7 vocal selections including: Lovelier Than Ever · Make a Miracle · My Darling My Darling · The New Ashmolean Marching Society and Students Conservatory Band · Once in Love with Amy · Pernambuco · Where's Charley?

This is the sacred comedy among Manwell Davies' pieces of music-theatre. Brought on by a children's wind band in a 7/8 march the juggler presents himself at an abbey and is accepted by the abbot the only singing character.The other monks are the clarinettist percussionist and flautist all of whom play 'duets' with the juggler as he is put to mundane tasks; sweeping preparing food washing clothes all done with much horseplay. The same threemonks then present their offerings to the Virgin in the form of flamboyant instrumental arias. Left alone the juggler offers his own skills to the accompaniments of Renaissance dances for piano with cello (who also providesupport and commentary throughout). The other members of the community return and are appalled but the image of the Virgin suddenly springs to life as a violinist who plays her own solo acceptance. The abbot acknowledges herjudgement and the juggler is escorted boisterously out by the band.

Looking for a song that works for a holiday program but can be sung anytime from November through March? Featuring plenty of close harmony voicings and a swingin' big band feel this jazz standard will remain a favorite well into Spring.

For Baritone and String Quartet.Commissioned by Jo Boosey in memory of her husband Simon.First performance: 17th March 2012 at St. Mary's Church Pembridge Herefordshire by Marcus Farnsworth (Baritone) and the Alberni String Quartet.

Official theme song for 'Music In Our Schools Month' March 1989. This soprano/alto arrangement would be a great addition to any music library.2. Also sold with voicings of SATB - HMC1021 SAB - HMC10233. Instrumentation Sold As Follows:A. Band HMC1025a B. Orchestra HMC1025bC. Full Score HMC1025fs4. Instrumentation Sold Separately:HMC1025e01 Violin I HMC 025e02 Violin II HMC Viola HMC 1025e04 Cello HMC 1025e05 String Bass HMC 1025e06 Flute HMC 1025e07 Oboe HMC 1025e08 Clarinet I HMC 1025e09 Clarinet II HMC 1025e10 Clarinet III HMC 1025e11 Alto Clarinet HMC 1025e12 Bass Clarinet HMC 1025e13 Bassoon HMC 1025e14 F Horn I HMC 1025e15 F Horn II HMC 1025e16 Trombone I HMC 1025e17 Trombone II HMC 1025e18 Trombone III HMC 1025e19 Alto Saxophone I HMC 1025e20 Alto Saxophone II HMC 1025e21 Tenor Saxophone HMC 1025e22 Baritone SaxophoneHMC 1025e23 Coronet/Trumpet I HMC 1025e24 Coronet/Trumpet II HMC 1025e25 Coronet/Trumpet III HMC 1025e26 Baritone Treble Clef HMC 1025e27 Baritone Bass Clef HMC 1025e28 Basses HMC 1025e29 Timpani HMC 1025e30 Drums HMC 1025e31 Mallets (Bells)

Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Handel?s wedding serenata ?Parnasso in festa per gli sponsali di Teti e Peleo? (HWV 73) is based on the version used for the work?s first performances in March of 1734. Three appendices retrace the complex history of the work significantly different versions of which were used for revival performances in 1737 1740 and 1741. Included are abandoned and modified parts of the score as well as a documentation of changes made to the characters.Handel composed ?Parnasso in festa? for the wedding of Anne Princess Royal and Prince William of Orange which took place on March 14 1734 in London. As Handel?s contribution to the publicfestivities the serenata was performed the evening before the nuptials at King?s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set most likely by Giacomo Rossi most of the music was drawn from pieces of Handel?s earlier works among them ?Athalia? from ?Radamisto? (HWV 12a) ?Il trionfo del Tempo e del Disinganno? (HWV 46a) and ?Delirio amoroso? (HWV 99). Newly composed parts are limited to eight vocal pieces the sinfonia at the beginning of part 3 and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However composition scores of individual newly composed pieces have been preserved.New edition based on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work?s conception mythological background transmission reception and a survey of sources (Ger/Eng) with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score (BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire

Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano

Par DIAMOND EILEEN. Permet de Make Music Fun ! Est une série de recueils de chansons, pour la Fondation clés étape 2 enfants, par le célèbre compositeur Eileen Diamond. The Red Songbook contient des collections colorées de chansons traditionnelles et nouvellement formés, qui ont été sélectionnées pour développer les compétences musicales requis à chaque étape de l'enseignement primaire de la musique. On arrondit les chansons d'action, partie chansons, et certains peuvent être améliorées par des accompagnements à la percussion simple en classe. Chacun est fourni avec l'enseignement des idées et des notes sur le rendement pour satisfaire les exigences nationales en matière de programme d'études. Simple accompagnement Piano et cordes de guitare sont incluses comme une performance pleine CD et CD d'accompagnements. / Date parution : 2005-05-27/ Recueil / Chant

One hundred and one chansons pour les parties, les mariages, les anniversaires, les Noël et les autres occasions spéciales. / Chant Et Guitare / Partition