Haydn presumably wrote his ?Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ?Little Organ Mass? from the Organ solo in the ?Benedictus?.- Urtext based on the Henle Complete Edition of the Works of ?Joseph Haydn?- Full score and parts (BA4653) vocal score (BA4653-90) and study score (TP95) available for sale

Cantata for the Sundays after Trinity-72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Cantatas For The Sundays After Trinity - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied byseparate parts for solo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

Judith Clurman Choral Series-This cycle of three psalms captures key ritual moments in the Jewish life cycle. Birth marriage and death are the powerful milestones that frame our existence. Composed by Bruce L. Ruben Director of the Debbie Friedman Schoolof Sacred Music at Hebrew Union College and arranged by Broadway composer and arranger Larry Hochman this setting of the Psalms for SATB Choir Solo Piano Clarinet Violin and Cello works equally well in worship or concert.Baruch Haba (Psalm 118); Adonai Maon (Psalm 90); Ivdu Adonai (Psalm 100).

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

This 16 pages book is composed of 5 illustrated scores (including music tracks). The story and the educational aspect of it should please both children and teens.For all ages.Moussa's inviting you into his story, in the ancient empire of Mandé, where dreams and reality meet... Let traditional malian rythms and musics carry you away. This book is perfect for children from their 6th month of playing the violin. / Chant Et Guitare

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Few baroque composers were ever able to create work as sunny as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715 during his fruitful time at the Ospedale della Piet . In his lifetime this priest composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn’t until 1957 that the restored work was heard again in its entirety. Since that time this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.

Originally recorded by Point of Grace this song of commitment is perfect for commissioning and missions-themed services. Down any road at any cost. Wherever You lead we will follow.Available separately: SATB SSA Instrumental ePak (parts for Flute F Horn Percussion Rhythm Violin 1 & 2 Viola and Cello) and BonusTrax CD (08745149). Performance Time: Approx. 4:20

This favorite worship song of gratitude and devotion is accessible to most SATB or SAB choirs. From “I know You had me on Your mind when You climbed up on that hill” to “I'll gladly lay down all my crowns for thename by which I'm saved ” the lyrics express the profound love of Christ for us and our willing response to that love. Performance Time: Approx. 3:55.Available separately: SATB SAB SSA ChoirTrax CD and Instrumental ePak(Parts for Violin I & II Viola Cello and String Bass).

This favorite worship song of gratitude and devotion is accessible to most SATB or SAB choirs. From I know You had me on Your mind when You climbed up on that hill to I'll gladly lay down all my crowns for the name bywhich I'm saved the lyrics express the profound love of Christ for us and our willing response to that love. Performance Time: Approx. 3:55.Available separately: SATB SAB SSA ChoirTrax CD and Instrumental ePak (Parts forViolin I & II Viola Cello and String Bass).

Originally recorded by Point of Grace this song of commitment is perfect for commissioning and missions-themed services. Down any road at any cost. Wherever You lead we will follow.Available separately: SATB SSA Instrumental ePak (parts for Flute F Horn Percussion Rhythm Violin 1 & 2 Viola and Cello) and BonusTrax CD (08745149). Performance Time: Approx. 4:20

Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicated Lore Lixenberg. Text: Anon.Programme note: 'Three stones is written on request by Lore Lixenberg to whom the little piece is dedicated. It is three very small songs for solo voice but the singer is also - while singing - playing on 'traces of instruments' - Antique cymbal violin and stones. The texts for all three songs are anonymous - the second song use an anonymous english love poem. In the first and the third songs the text is taken from estruscan writing on stones. What the text is about nobody knows. Enigmas written in stone!'Bent Sørensen