Testo Cantato In Italiano-Inglese-The Vocal Score for Giacomo Puccini's wonderful opera Manon Lescaut. With this work Puccini confirmed his reputation and novel conception of melodrama. Puccini was set to be the successor in fame and renown to Verdi and with Manon Lescaut he rocketed to equal levels of success. To produce this level of attention the opera was staged in Turin rather than Milan and was staged just before Verdi's own opera ensuring all attention fell on Manon Lescaut instead. The theme and the melody take precedence over the lyrics inthis tragic drama of love between two humans.

Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano-Inglese)-The Vocal Score for Il Tabarro the one-act Opera by Giacomo Puccini. With a libretto by Giuseppe Adami Il Tabarro is the first of three operas that make up Puccini's triptych.   Along with 'Suor Angelica' and 'Gianni Schicchi' Il Tabarro is one of Puccini's most famous and best-loved works. Typically known as the 'tragic panel' of the triptych this work was composed in two stages - in 1913 and then between 1915 and 1916. Il Tabarro heralds a move towards an expressionist form of language and drama for Puccini a truly unique work ofart.

Testo Cantato In Italiano-Inglese-Full Vocal score of Giacomo Puccini's favourite opera Madame Butterfly. With Italian lyrics and synopsis in Italian English French and German. The definitive version which is reflected in this edition was produced in 1906 at the Opéra Comique in Paris and published by Ricordi the following year. Puccini thus invested considerable effort into the creation of this his favorite opera—and into shaping the fate of theheroine herself a manifestation of the extremes of patient waiting and steadfast love. The music is a complete and masterful expression of the pity and disillusionment that surround the figure of Cio-Cio-San: her absolute butmisguided hope her pathetic pretence in the name of love her miserable demise.

Vocal Score - Opera Completa per canto e pianoforte-Giacomo Puccini's La Bohème. Vocal score for voice with piano accompaniment.

Martin Banner's scholarly edition of Psalm 122 set by Giacomo Puccini (Great-great grandfather of the opera composer). Text is in Latin moderately advanced secondary level of difficulty. English translation located in the notes

Martin Banner's scholarly edition of Psalm 113 set by Giacomo Puccini (Great-great grandfather of the opera composer). Text is in Latin medium advanced level.English translation located in the notes

Vocal Score to Giacomo Puccini's Messa Di Gloria for mixed voice choir and Piano accompaniment.

Giacomo Puccini's O Mio Babbino Caro from his Opera Gianni Schicchi in the original key for Soprano with Piano accompaniment.

This unique and exciting series gives you the chance to learn some of the greatest arias of Giacomo Puccini with full orchestral backing tracks. 8 operatic showstoppers have been selected from works including Madama Butterfly La Boheme and Turandot presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full.An excellent rehearsal tool or the ideal wayto introduce your voice to the wonders and rigors of the Opera.

Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano

Par PUCCINI GIACOMO. Puccini’s first known sacred work was composed during his school days at the “Istituto Pacini” in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together./ Répertoire / Choeur et Orchestre

Giacomo Puccini: La Rondine UE9653B Lyric Comedy in 3 Acts Edition type: piano reduction Composer: Puccini Giacomo Version: 1. Fassung [Edition 1917] Languages: English, Italian

Par PUCCINI GIACOMO. Puccini wrote the short Requiem – actually the setting of the antiphon to the Introit of the Mass for the Dead – as a commission for the publisher Giulio Ricordi for the fourth anniversary of the death of Giuseppe Verdi, which occurred on 27 January1905. Today the work is often performed, since this setting for three voices can be easily performed by amateur choirs and requires only a viola and a harmonium [or organ] as accompanying instruments. / Requiem / Répertoire / Choeur STB, Alto Solo et Orgue

Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin on 1 February 1896. Giuseppe Giacosa and Luigi Illica based their libretto for this opera on Scènes de la vie de Bohème by Henry Murger. It took Puccini only a fewmonths to complete a score brimming with wonderful melodic invention and orchestrational genius. The music is a surprisingly supple and sensitive medium for depicting a variety of emotions that animate the young: reckless living full of stop-gapexpedients erratic feelings and sudden explosions of noble sentiment the driving ambitions of one?s art. Puccini?s musical imagery illuminates the different moments and moods of the story with a delicate yet intense lyrical quality; just as therapid decline and death of Mimì subtle yet invincible remind us of the universal reality that all things must inevitably come to an end.On the cover: ?Al Quartiere Latino? sketch by Riccardo Salvadori as a variation on the sketch by Adolf Hohenstein for the world premiere in Turin of Bohème 1896 © Archivio Storico Ricordi

Duetti d'amore pucciniani - Ed. P. Rossini - Per Voce E Pianoforte(Soprano-Tenore)