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14 Classical 2 Part Songs By Various Composers: Vocal Score
[Vocal Score]
Novello & Co Ltd.
14 Classical 2 Part Songs By Various Composers
10.99 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Stabat Mater Op. 58: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Among all Stabat Maters ever set to music by various composers over the centurie...
(+)
Among all Stabat Maters ever set to music by various composers over the centuries this one holds a special place as the most symphonic one and as the one that was the most clearly written by a classical orchestral composer. Arranged for Soli SATB Chorus and Piano reduction.
17.99 GBP - Sold by Musicroom UK
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Opera Arias for Soprano: High Voice: Vocal Score
Soprano voice, Piano
[Sheet music]
Peters
Opera Arias for Soprano includes 36 Arias from various composers such as Beethov...
(+)
Opera Arias for Soprano includes 36 Arias from various composers such as Beethoven Gluck Handel and Mozart. Arranged for High voice with Piano accompaniment.
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Arie Antiche: 30 Arie Vol. 1: Medium Voice: Vocal Album
Piano, Voice
[Sheet music]
Ricordi
Raccolte ed elaborate da A. Parisotti - Collezione completa-Volume 1 of this fab...
(+)
Raccolte ed elaborate da A. Parisotti - Collezione completa-Volume 1 of this fabulous Aria collection contains 30 arias by various composers for Voice and Piano as compiled and edited by A. Parisotti.
19.50 GBP - Sold by Musicroom UK
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Alison Hedger: Sing Song: Piano Vocal Guitar: Script
Children choir
[Script]
Golden Apple Productions
A collection of 25 new Christmas songs by various composers for use in primary s...
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A collection of 25 new Christmas songs by various composers for use in primary schools youth choirs and Sunday schools. Ideal for Christmas concerts and Nativity plays or sung in class for the fun of it!
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This Is Your Life Santa Claus!: Piano Vocal Guitar
Choral 2-part
2-part
[Sheet music]
Shawnee Press
Performer's Part-A superb and festive Christmas Television Special for Two-Part ...
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Performer's Part-A superb and festive Christmas Television Special for Two-Part Voices. Music by various composers script by Jan Steqwart and compiled and edited by Sally K. Albrecht.
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Arie Antiche: 30 Arie Vol. 2: Medium Voice: Vocal Album
Piano, Voice
Ricordi
Raccolte ed elaborate da A. Parisotti - Collezione completa-Volume 2 of this fab...
(+)
Raccolte ed elaborate da A. Parisotti - Collezione completa-Volume 2 of this fabulous Aria collection contains 30 arias by various composers for Voice and Piano as compiled and edited by A. Parisotti.
19.50 GBP - Sold by Musicroom UK
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Alison Hedger: Sing Song: Piano Vocal Guitar: Classroom Musical
Piano, Vocal and Guitar
[Sheet music]
Golden Apple Productions
A collection of 25 new Christmas songs by various composers for use in primary s...
(+)
A collection of 25 new Christmas songs by various composers for use in primary schools youth choirs and Sunday schools. Ideal for Christmas concerts and Nativity plays or sung in class for the fun of it! There is ample music tocreate a tailor-made nativity. Script available in student book.
10.99 GBP - Sold by Musicroom UK
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Nico Muhly: Choral Collection: Mixed Choir: Vocal Score
Choral
[Vocal Score]
St Rose Music Publishing
This exclusive collection brings together 12 of Nico Muhly?s sacred works for mi...
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This exclusive collection brings together 12 of Nico Muhly?s sacred works for mixed-voice choir. These vivacious fresh and dramatic pieces will make an impact whether in the church or in the concert hall and range from the intimate Lord keep us modest when we claim to the effervescent Bright Star Carol alongside service music such as Muhly?s Third Service. All are accessible to learn and offer choirs a new slant on contemporary choral music at its very best. 'Choral music has always been at the emotional core of my musical output. Even when I?m writing large-scale orchestral works (or indeed chamber music) I alwaysfind myself returning to techniques and textures I?ve greedily stolen from centuries of music from Tye to Howells early and recent. I try to design my own choral music primarily for use in worship where the measure of the success of the piece is if it helps guide the listeners? ears upwards and elsewhere as sacred architecture and the various rituals of the church themselves are meant to do. The specificity of music heard only in certain seasons is for me an important and thrilling element of the choral tradition: a Beethoven Symphony is welcome at any point in the year but an anthem for Candlemas works only then at a certain time of day and on a certain day of the year. With this functional spirit at the heart of the compositional process I hope that the music collected here makes equal sense in a concert setting. These works range from ordinaries of the mass to hymns to motets and represent a decade and a half of output.' - Nico Muhly
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Cantolopera: Capolavori Sacri per Soprano: Soprano: Vocal Work
Soprano voice
[Sheet music + CD]
Ricordi
Sacred Masterpieces for Soprano Vol. 3-CANTOLOPERA is a publishing project that ...
(+)
Sacred Masterpieces for Soprano Vol. 3-CANTOLOPERA is a publishing project that offers a completely new way of approaching the great vocal repertoire. CANTOLOPERA is made up of various series: the Favourite Opera Collection dedicated to operatic works organized by voice category; theComposers Collection devoted to individual composers; and the Songs Collection consisting of lyric songs romanzas an d traditional songs.The editions include a vocal score and one or more CDs containing for each number a complete versionand the respective orchestral accompaniment over which students enthusiasts and professionals can practise. Each volume also contains the texts to be sung in both ltalian and English accompanied by a note on their context as well as informationon the performers and the Compagnia d Opera Italiana with its orchestra of over 130 instrumentalists.
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Various: Music About Us: Transport: Vocal: Classroom Musical
Chant
[Sheet music]
Faber Music Limited
The Music About Us Series provides a library of topical resource material for ke...
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The Music About Us Series provides a library of topical resource material for key stage one and two with ideas for performing composing listening and appraising. Sing and learn with a collection of carefully selected and arranged songs respond to music through actions and movement games learn to recognise and explore musical elements.
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Johann Kuhnau: Der Gerechte kommt um: SATB
Choral SSATB
SSATB, Orchestra, Basso continuo
[Sheet music]
Carus Verlag
Adaptation of the motet 'Tristis est anima mea' attributed to Johann Kuhnau. Th...
(+)
Adaptation of the motet 'Tristis est anima mea' attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. According to the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted ? most likely by Bach ? with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. From the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted?most likely by Bach?with a new text and the addition of insturmental parts.
14.80 GBP - Sold by Musicroom UK
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
3.90 EUR - Sold by LMI-partitions
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Sheet music]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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A Gaelic Blessing
Choral 3-part
SSA
Novello & Co Ltd.
A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will...
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A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Craig McLeish began his musical life as a chorister at St Paul's Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul's as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon, and played bass guitar for various groups. This led to a spell in the cult pop band 'Fat and Frantic', who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus). In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers, performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane, Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children's collections (Big Blue Planet, Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh, Kim Hill, Matt Redman). He is also well known as a conductor and arranger for Songs of Praise. Recently Craig has collaborated with composer Tolga Kashif writing orchestrations for the RPO's Seo Taiji Symphony, the Classic FM chart-topping CD by saxophonist Tyler Rix, and the Genesis Suite which was premiered at the Barbican. He has been musical director of Young Voices UK for 13 years, bringing large school choirs together to play with a live band and solo artists, and currently conducts the Milton Keynes Community Choir, Hart and Soul Community Choir and the Milton Keynes Youth Choir. / Choeur SSA
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Craig McLeish: A Gaelic Blessing: SSA: Vocal Score
Choral 3-part
SSA
[Sheet music]
Novello & Co Ltd.
Novello New Choral Series-A Gaelic Blessing is a simple and catchy piece by Crai...
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Novello New Choral Series-A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school junior and community choirs and a tuneful introduction to singing simple contrapuntal lines.The second soprano part repeats the tune at bar 33 and should dominate here; the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to moreexpansive yet accessible repertoire in an exciting variety of styles.Craig McLeish began his musical life as a chorister at St Paul’s Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul’s as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon and played bass guitar for various groups. This led to a spell in the cult pop band ‘Fat & Frantic’ who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus).In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children’s collections (Big Blue Planet Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh
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Cantolopera: Capolavori Sacri Per Basso
Low voice, Piano
Ricordi
Latin texts with Italian and English translations and CD with instrumental and v...
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Latin texts with Italian and English translations and CD with instrumental and vocal versions. Cantolopera is made up of various series: the Favourite Opera Collection, dedicated to operatic works, organized by voice category- the Composers Collection, devoted to individual composers- and the Songs Collection, consisting of lyric songs, romanzas and traditional songs. / Voix Et Piano
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Cantolopera: Rarities - Arie Per Soprano Vol. 2: Soprano: Vocal Work
Soprano voice, Piano
[Vocal Score]
Ricordi
Per Voce E Pianoforte-Rarities - Arie per Soprano Vol. 2 contains an exclusive s...
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Per Voce E Pianoforte-Rarities - Arie per Soprano Vol. 2 contains an exclusive selecion of arias that discovers a less known and yet important repertoire. Also included: original texts with English translations and CD with instrumental and vocal versions.The Cantolopera series is made up of various collections: the Favourite Opera Collection dedicated to operatic works organized by voice category; the Composers Collection devoted to individual composers; and the SongsCollection consisting of lyric songs romanzas and traditional songs.
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Cantolopera: Arie Per Tenore Lirico Leggero: Tenor
Tenor voice, Piano
Ricordi
Arias for Light Lyric Tenor with piano/ Per Voce e Pianoforte-First volume of Ca...
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Arias for Light Lyric Tenor with piano/ Per Voce e Pianoforte-First volume of Cantolopera series dedicated to the light lyric tenor. Original texts with English translations and CD with instrumental and vocal versions. Cantolopera is made up of various series: the Favourite OperaCollection dedicated to operatic works organized by voice category; the Composers Collection devoted to individual composers; and the Songs Collection consisting of lyric songs romanzas and traditional songs. Songlist: Gioachino Rossini - Wilhelm Tell: In questo dolce asilo - O muto asil del pianto; Vincenzo Bellini - I puritani: A te o cara; Gaetano Donizetti - La favorita: Una vergine un angel di Dio; Jules Massenet - Manon:Je suis seul - Ah! Fuyez douce image; Ruggero Leoncavallo - I pagliacci: O Colombina; Pietro Mascagni - Silvano: Sâ??è spento il sol laggiù lontan; Nino Rota - Il cappello di paglia di Firenze: Io voglio quel cappello.
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Russian Choral Masterpieces: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
An original and exciting collection of anthems and other choral pieces written f...
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An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar they are all masterly. Designed to appeal to choirs of various levels the collection includes a Kontakion and Ikos for the funeral service anthems by Great Russian Romantics: Tchaikovsky Rachmaninov Grechaninov; andcomposers from our age: Stravinsky Schnittke or Arvo Part speaking for a tradition outside the Orthodox Church as well as settings of the Lord's Prayer in both Russian and English by John Tavener.
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Graham Ross: Lullay My Liking (Novello New Choral Series): 2-Part Choir: Vocal
Choral 2-part
2-part, Piano
Novello & Co Ltd.
Lullay my liking is scored for accompanied two-part choir allowing for various...
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Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.
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Patrick Hawes: The Call (from The Call) - Soprano/Harp: Soprano: Vocal Work
Soprano and Harp
[Vocal Score]
Novello & Co Ltd.
The Call is a ten-movement cantata for solo Soprano with Piano accompaniment co...
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The Call is a ten-movement cantata for solo Soprano with Piano accompaniment composed in the aftermath of the death of Diana Princess of Wales in 1997. The Call is the first movement of The Call. It is a setting of a poem by George Herbert and a petition to the various forms of the Trinity to permeate all our lives. It has been arranged here for Soprano solo and Harp.Patrick Hawes (b. 1958) is a contemporary British composer. He has been building a reputation as one of the foremost composers working in the UK today a position which was cemented when he was appointed as Classic FM’s Composer in Residence for2006-2007.
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Patrick Hawes: The Call (from The Call) - Soprano/Piano: Soprano: Vocal Work
SOP/PFA::Soprano, Accompagnement Piano
[Vocal Score]
Novello & Co Ltd.
The Call is a ten-movement cantata for solo Soprano with Piano accompaniment co...
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The Call is a ten-movement cantata for solo Soprano with Piano accompaniment composed in the aftermath of the death of Diana Princess of Wales in 1997. The Call is the first movement of The Call. It is a setting of a poem by George Herbert and a petition to the various forms of the Trinity to permeate all our lives. It is presented here for Soprano solo and Piano.Patrick Hawes (b. 1958) is a contemporary British composer. He has been building a reputation as one of the foremost composers working in the UK today a position which was cemented when he was appointed as Classic FM’s Composer in Residence for2006-2007.
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Nico Muhly: Sentences: Countertenor: Vocal Score
[Vocal Score]
St Rose Music Publishing
Vocal Score-Nico Muhly's Sentences for Countertenor and Chamber Orchestra. Com...
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Vocal Score-Nico Muhly's Sentences for Countertenor and Chamber Orchestra. Composed: 2014 Duration: 30 minutes Composers Note: Sentences is a thirty-minute meditation in collaboration with Adam Gopnik on several episodes drawn from the life and work of Alan Turing. Turing lived in a sense many different lives but at the heart of his work was I think a very musical set of anxieties. Even the idea of code-breaking is inherently musical; the French for score-reading is déchiffrage: deciphering. His wartime work on the Enigma code translated later in life to a more nuanced relationship to code in the form ofa primitive but emotionally (and philosophically) complicated artificial intelligence. The piece uses a single voice not to speak necessarily as Turing but as a guide through these various episodes. I’ve always felt that the question of sentient computers is wildly emotional: we anthropomorphise the Mars Rover imagining its solitude on that dusty planet. Any act of communication in which the second person is unseen can be a one-way conversation. An email sent can never be returned — did it arrive or did it not? — or a text message can be delivered but never read. The thrill of a fast response is immediately tempered with the harsh but empty rudeness of an out-of-office reply. Anybody who has made a condolence phone call only to hear the voice of the deceased on the outgoing answering machine message knows the complexities of what could be a simple binary communication.
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