Für Klarinette Bassetthorn (2 Klarinetten) und Klavier-?Favourite dish in exchange for favourite music? this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the Basset Horn stopped to pay avisit to Felix Mendelssohn Bartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of ?Dampfnudeln? (steamed dumplings) and ?Rahmstrudel? (sweet-cheese strudel)that Mendelssohn was mad about if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in dminor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

Instrumentation : Flute, Clarinet, French Horn and Bassoon Version : set of parts Contenu : No. 4-6 Date de parution : 15/05/1980 Nombre de pages : 64

Par HUMMEL BERTOLD. Hummel wrote three versions of the four-minute fantasias: the original version for basset horn as well as versions for solo bass clarinet and solo bassoon. The most effective version undoubtedly is the version for basset horn with its mystically transfigured sound which even Mozart had used for the musical reference to the world to come. Each of the three fantasias begins with a Gregorian song in praise of the Virgin Mary followed by an elaborate fantasia on this tune. Thus, Hummel bridges the period from the 17th century to the present time, from the old-fashioned religious melody to 20th-century music. 'Marianische Fantasien' are pieces of moderate difficulty, yet full of charming beauty. They will enthuse the audience both in the concert hall and in church./ Répertoire / Cor de Basset [Ou Clarinette Basse ou Basson] Solo

La partition Quintette de Gabaye a été composée pour Musique de Chambre et plus particulièrement pour Flûte, Hautbois, Clarinette, Cor Et Basson. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte, Hautbois, Clarinette, Cor Et Basson / Parties

La partition Quintette de Migot a été composée pour Musique de Chambre et plus particulièrement pour Flûte, Hautbois, Clarinette, Cor Et Basson. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte, Hautbois, Clarinette, Cor Et Basson / Parties

La partition Quintetto de Di Domenico a été composée pour Musique de Chambre et plus particulièrement pour Flûte, Hautbois, Clarinette, Cor Et Basson. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte, Hautbois, Clarinette, Cor Et Basson / Parties

L'oeuvre musicale qui a pour support une Partition a pour titre Quintetto. C'est une partition musicale composée par Di Domenico et qui est destinée aux joueurs de Musique de Chambre. Le détail de l'instrumentation Flûte, Hautbois, Clarinette, Cor Et Basson vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Flûte, Hautbois, Clarinette, Cor Et Basson / Partition

Cor Solo, Flute, Hautbois, Clarinette, Basson et Piano. Par DEVIENNE OLIVIER. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Romance (cor Solo, flûte, hautbois, clarinette, basson et piano) de Devienne Olivier qui a été composé pour Cor / Niveau : Fin de 1er Cycle. Cor Solo : 2ème Cycle, 2ème Anné / Répertoire / Cor en Fa

La partition Quatuor du Printemps ( cor, clarinette, violoncelle, piano ) de Hulin Eric a été composée pour Cor et plus particulièrement pour Cor Et Autres Instruments. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Cor Et Autres Instruments / Partition

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime Concerto is superbly arranged here for Horn Quartet Trumpet Quartet or Clarinet Quartet by Robert King. King's arrangement of the Concerto for Horn Trumpet or Clarinet Quartet includes all three movements; 1) Adagio and Allegro 2) Grave and 3) Allegro. For all Horn Trumpet and Clarinet Quartets King's rearrangement ofTelemann's popular Concerto makes works by the popular composer more accessible and versatile.

A selection of Christmas Carols and Traditional Classics with backing CD. This instrumental series is arranged for Flute Trumpet Clarinet Alto Saxophone Tenor Saxophone Horn in F and Trombone. The instrumental parts can be used along with the CD or in any combination.

The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.

Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However