Cor En Fa Et Piano-French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Le Chasse De Saint Hubert for French Horn and Piano being no exception. As reflected in Le Chasse De Saint Hubert Büsser's compositional style was sophisticated yet true to the 19th Century French tradition. Elements of Le Chasse De Saint Hubert include chromaticism exploitation of tonality complex rhythms andsignificant tempo changes among other aspects. For all advanced French Horn players Büsser's Le Chasse De Saint Hubert is essential to a varied repertoire.

Junior Just Brass No. 9-David S. Morgan's Miscellany One edited by Philip Jones & Elgar Howarth for the Junior Just Brass series. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble seriesavailable. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have been specifically chosen andedited for young players. The pieces are scored for four or five players and in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instruments required.

Piano / Keyboard / Organ optional. Par BACH JOHANN SEBASTIAN. / Niveau : Elémentaire / Répertoire / 2 Cors en Mib et Piano ou Orgue

Piano / Keyboard / Organ optional. Par MENDELSSOHN-BARTHOLDY FELIX. / Niveau : Elémentaire / Répertoire / 2 Cors et Piano ou Orgue

Piano / Keyboard / Organ optional. Par MOURET JEAN-JOSEPH. / Niveau : Elémentaire / Répertoire / 2 Cors et Piano ou Orgue

Piano / Keyboard / Organ optional. Par ALBINONI TOMASO. / Niveau : Elémentaire / Répertoire / 2 Cors en Mib et Piano ou Orgue

Piano / Keyboard / Organ optional. Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / 2 Cors en Mib et Piano ou Orgue

Piano / Keyboard / Organ optional. Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / 2 Cors et Piano ou Orgue

Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazz

Piano / Keyboard / Organ optional. Par BACH JOHANN SEBASTIAN. / Niveau : Elémentaire / Répertoire / 2 Cors et Piano ou Orgue

This album offers a varied selection of solos from the Baroque period. Robert van Beringen has made a careful selection of the main repertoire from this period of composers including works by Purcell Handel Bach Hasse Rameau Tartini Lully and especially George Philipp Telemann. This publication comes with a play-along CD featuring complete performances together with organ accompaniments.

Par TYNDARE-GRUYER. Réédition de la célèbre méthode contenant les tons, fanfares d'ordonnance, et fantaisies nouvelles en trio, en quatuor et solos avec accompagnement de piano, précédés des principes nécessaires à la formation du sonneur et à l'organisation des sociétés de trompe. / méthode - études / Date parution : 1898-01-01/ Méthode / Trompe de Chasse

Mozart’s final year was a difficult one as his employment was precarious his financial situation usually quite desperate and his wife Constanze frequently in ill health and at the spa in Baden near Vienna for treatments. On one such occasion in June of 1791 Mozart visited her and while there composed a short sacramental anthem for his friend Anton Stoll organist and choirmaster of the Baden parish church. The exquisite Ave verum corpus (K.618) was the first piece of sacred music he had written in over eight years (and the last before his unfinished Requiem) and has proven to be one of his most beloved compositions. Within six months of its writing Mozart himself hadfallen seriously ill and died in December of that year.