Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Partition

Pour 2 violons, alto, violoncelle et piano
Conducteur et parties séparées.
/ Classique / Partition / Agrafé /

Opus 81 has long been one of the pieces of chamber music most frequently played internationally.

The present edition is based on the ?Complete Edition of the Works of Antonín Dvorák?, the new detailed foreword is by David Beveridge.

? One of the most frequently played chamber music works
? New detailed foreword by David Beveridge (Cz/Eng/Ger) / [Quintet pour Piano La Majeur Opus 81] / Classique / Partition / Agrafé /

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission he then adapted this sonorous romance accompanied by two pianos in the original for Violoncello and onePiano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print thus permitting a comparison of the two versions. Two Cello parts are provided onewith markings and one without.

arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.

Musical Category : violoncello o 2 violoncelli e pianoforte pour violoncelle et piano

Musical Category : violoncello o 2 violoncelli e pianoforte transcription pour violoncelle et piano par m. marechal

Musical Category : violoncello o 2 violoncelli e pianoforte per violoncello e b.c. - volume i

Ernest Chausson's Piano Trio In G Minor Op. 3. Score and parts. Following his early elimination from the Paris Conservatoire's sought-after award for students of composition the “Prix deRome” Ernest Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance so to speak. During his lifetime the trio remained an insider’s tip amongst thoseclose to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of its time. ThePiano Trio In G Minor Op. 3 is closely based on Franck’s principle of the cyclic interleaving of all motives yet still has dark and melancholy inflections all of its own. The Henle Urtext edition is thefirst critical edition and is a welcome addition to their collection of French music.

This book offers 29 well-known and beloved hymns and spirituals contains inspirational music arranged at beginning and intermediate levels for cello and piano.The cello part is mostly within first position. The bookincludes the text as well as music so that it can be used for the musicians' individual meditation or prayer as well as for congregational and group use.Both the cello part and the piano part are written with ease ofperformance in mind so that the words of the hymns and gospel tunes can also be a part of the player's experience. Book includes audio with the arrangers performing all tunes. Includes access to online audio and separate pianopart PDF.