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claude-debussy\\\\\\\"
VIOLONCELLO - CELLO
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Claude Debussy: Nocturne Et Scherzo: Cello: Score
Cello, Piano
Durand
pour violoncelle et piano - tiré à part de l'édition critique de Claude Debus...
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pour violoncelle et piano - tiré à part de l'édition critique de Claude Debussy-Claude Debussy's Nocturne Et Scherzo for?Cello and Piano in D major.
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Claude Debussy: La Mer: Orchestra: Part
Cello
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
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Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Claude Debussy: The Girl With The Flaxen Hair: String Quartet: Score & Parts
String Quartet: 2 violins, viola, cello
Fentone Music
Composés entre 1909 et 1912 les deux livres de Préludes pour Piano comptent p...
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Composés entre 1909 et 1912 les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Elles révèlent une grande diversité de styles de textures de climats et d?émotions et constituent un condensé de toutes les particularités du langage de Debussy. La Fille aux Cheveux de Lin est le huitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin mais cette miniature merveilleusement subtile réveille notre imaginaire.
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Claude Debussy: Intermezzo Pour Violoncelle Et Piano - Extrait Du: Cello: Score
Cello, Piano
Durand
extrait du - excerpt from Série III Vol. 1 - Set-Claude Debussy's Intermezzo Po...
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extrait du - excerpt from Série III Vol. 1 - Set-Claude Debussy's Intermezzo Pour Violoncelle Et Piano.
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Claude Debussy: Premier Quatuor: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Durand
Claude Debussy's Premier Quatuor for 2 Violins Viola and Cello. Study score.
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Claude Debussy: Quatuor pour deux violons alto et violoncelle: String Quartet:
String Quartet: 2 violins, viola, cello
Durand
extrait du - excerpt from Série III Vol. 1 - Score-Claude Debussy's Quatuor for...
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extrait du - excerpt from Série III Vol. 1 - Score-Claude Debussy's Quatuor for two Violins Viola and Cello.
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Claude Debussy: Trio pour piano violon et violoncelle: Piano Trio: Parts
Piano Trio: piano, violin, cello
[Sheet music]
Durand
extrait du - excerpt from Série III Vol. 1 - Set of Parts-Claude Debussy's Trio...
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extrait du - excerpt from Série III Vol. 1 - Set of Parts-Claude Debussy's Trio Pour Piano Violon Et Violoncelle. Parts.
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Claude Debussy: Quatuor pour deux violons alto et violoncelle: String Quartet:
String Quartet: 2 violins, viola, cello
Durand
extrait du - excerpt from Série III Vol. 1 - Set of Parts-Claude Debussy's Quat...
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extrait du - excerpt from Série III Vol. 1 - Set of Parts-Claude Debussy's Quatuor for 2 Violins Viola and Cello. Set of parts.
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Claude Debussy: Sonata d-minor: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Durand
pour violoncelle et piano-Original Durand edition of Claude Debussy's Sonata for...
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pour violoncelle et piano-Original Durand edition of Claude Debussy's Sonata for Cello and Piano.
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Claude Debussy: Premier Quatuor Op. 10: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
Durand
Claude Debussy's Premier Quatuor Op. 10 for 2 Violins Viola and Cello. Score an...
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Claude Debussy's Premier Quatuor Op. 10 for 2 Violins Viola and Cello. Score and parts.
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Claude Debussy: La Fille Aux Cheveux De Lin: Cello: Score
Cello, Piano
[Sheet music]
Durand
transcription pour violoncelle et piano-Claude Debussy's La Fille Aux Cheveux De...
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transcription pour violoncelle et piano-Claude Debussy's La Fille Aux Cheveux De Lin arranged by Louis R. Feuillard for Cello with Piano accompaniment.
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Claude Debussy: Trio pour piano violon et violoncelle: Piano Trio: Score and
Piano Trio: piano, violin, cello
[Sheet music]
Durand
extrait du - excerpt from Série III Vol. 1 - Set-Claude Debussy's Trio for Viol...
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extrait du - excerpt from Série III Vol. 1 - Set-Claude Debussy's Trio for Violin Cello and Piano. Score and parts.
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Claude Debussy: String Quartets: String Quartet: Score
String Quartet: 2 violins, viola, cello
Dover Publications
Claude Debussy's 'Quartet in G Minor Op 10' and Maurice Ravel's 'Quartet in F M...
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Claude Debussy's 'Quartet in G Minor Op 10' and Maurice Ravel's 'Quartet in F Major'. Authoritative editions.
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Claude Debussy: Romance - Transcription Pour Violoncelle Et Piano: Cello: Score
Cello, Piano
[Sheet music]
Durand
transcription pour violoncelle et piano-Claude Debussy's Romance arranged for Ce...
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transcription pour violoncelle et piano-Claude Debussy's Romance arranged for Cello and Piano by Ferdinand Ronchini.Â
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Six préludes (DEBUSSY CLAUDE / LOUVIER ALAIN (Arr)
Français
Flute and Strings Trio
[Sheet music]
Billaudot
Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je su...
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Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je suis depuis la plus rendre enfance, toucher à ces merveilles que sont les Préludes de Claude Debussy fut un cas de conscience. Le séduisant quatuor avec flûte, avec son trio à cordes, permet à un orchestrateur de métier d'infin ies nuances et dégradés : quatre instruments virtuoses, souvent polyphoniques, aux nombreuses irisations de timbre... Cependant, nous n'avons aucun modèle chez Debussy lui-même d'un tel travail, sinon son Quatuor à cordes (très antérieur) et sa Sonate pour flûte, alto et... harpe ! Sans ajouter une harpe (qui possède l'étendue du piano), impossible d'imaginer La Cathédrale Engloutie ou La Terrasse des audiences du clair de lune ... les résonances graves du piano, si poétiques, quasi magiques, ne pourraient être traduites par quatre instruments non résonants. J'ai donc dû choisir peu de Préludes, ne voulant pas trahir Debussy. Après une écoute intérieure très exigeante, et en me permettant, à la rigueur, quelques brèves octaviations de l'extrême-grave du piano, je me suis limité à six, trois dans chaque livre: 1er livre : - Des Pas sur la neige (n° 6) - La Sérénade interrompue (n° 9) - Minstrels (n° 12) 2e livre: - Bruyères (n°5) - Hommage à Sir Pickwick PPMPC (n° 9) - Canope (n° 10) Très vite, j'ai compris que partir du son-piano était une erreur; il valait mieux imaginer le Debussy des années 1910 orchestrant ces pièces pour une grande formation (du type Ibéria ou Jeux), puis réduire pour un petit orchestre de quatre instruments. D'où l'emploi de batteries (même à la flûte), de trémolos, de doublures étranges pour simuler les timbres absents, créer des illusions de polyphonie, si prisées des orchestrateurs français. J'espère n'en avoir pas abusé; j'ai essayé de mettre dans ces transcriptions toute l'imagination - tous les sons improbables - que Debussy aurait lui-même recherchés. Alain WlMER/ Répertoire / Flûte et Trio à Cordes
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Petite Suite For Flute, Clarinet And Bassoon (DEBUSSY CLAUDE)
[Score and Parts]
Alry Publications
Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude D...
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Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude Debussy's charming Petite Suite arranged for Flute, Clarinet (in A) and Bassoon: En Bateau, Cortege, Menuet, Ballet. Originally composed as a suite for four-hand piano, it is also well-known in its orchestral form, with the orchestration completed by Debussy's friend, Henri Büsser./ Répertoire / Flûte Traversière, Clarinette et Basson
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1ère Arabesque (DEBUSSY CLAUDE)
Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Arrgt: Thierry Thibault. Par DEBUSSY CLAUDE. Formation : Musique de Chambre, Qua...
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Arrgt: Thierry Thibault. Par DEBUSSY CLAUDE. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 5 mn 45 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Claude DEBUSSY - Arrangeur : Thierry THIBAULT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba
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3 Préludes : 'Ondine - Canope - General Lavine-Eccentric ' (DEBUSSY CLAUDE)
[Sheet music]
Agir
Arr. Girard Anthony. Par DEBUSSY CLAUDE. Instrumentation de trois Préludes de C...
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Arr. Girard Anthony. Par DEBUSSY CLAUDE. Instrumentation de trois Préludes de Claude Debussy, pour flûte, harpe et trio à cordes./ Répertoire / Flûte Traversière Violon, Alto, Violoncelle et Har
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Schumann, Le Pensionnaire D'Endenich - Debussy, Lutter Avec Le Bleu Du Ciel - Théâtre Musical
Français
String Quartet: 2 violins, viola, cello
Delatour France
Avec Le Pensionnaire d'Endenich et Lutter avec le bleu du ciel, Jean-Philippe Gu...
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Avec Le Pensionnaire d'Endenich et Lutter avec le bleu du ciel, Jean-Philippe Guye présente deux textes de théâtre musical, autour de la vie et de l'oeuvre de Robert Schumann et de Claude Debussy. Chaque spectacle est composé de six lettres ou monologues imaginaires, qui s'intercalent entre des pièces de musique de chambre avec piano et si possible voix. Le choix des oeuvres, leur ordre, la succession des mouvements, leur répartition, dépendent des musiciens comme des propositions de la mise en scène. Si les instrumentistes prêtent leur image aux évocations du personnage, des incarnations muettes peuvent surgir de ses mots : le docteur Richarz, Brahms et Clara, Chouchou, Emma ou le fidèle Jacques Durand.On veillera surtout à l'équilibre des situations théâtrales et de la musique, à l'équivalence et à la justesse de leurs résonances. Textes complémentaires : Jean-Jacques CESBRON, Philippe ANDRE, Frank LANGLOIS / Livre
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Debussy/ravel - String Quartets
String Quartet: 2 violins, viola, cello
Maurice Ravel : Quartet in G Minor Op. 10 Claude Debussy : Quartet in F Major S...
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Maurice Ravel : Quartet in G Minor Op. 10 Claude Debussy : Quartet in F Major Superb one-volume edition of two influential compositions noted for individuality, unique interpretations of the medium, delicate and subtle beauties. Based on authoritative French editions, this clearly printed volume is sturdily bound for long life on the music stand.
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Claude Debussy: Piano Trio In G: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Score and Parts]
G. Henle
Debussy composed this work in summer 1880 in Fiesole Italy when he was 18 year...
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Debussy composed this work in summer 1880 in Fiesole Italy when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck Tschaikowsky’s famous patroness. Most of the autographmaterial was thought to have been lost and was only discovered over 100 years later in 1982 in the estate of Debussy’s pupil Maurice Dumesnil. When Henle published the first edition in 1986 the music world welcomed theTrio with open arms. Ensembles rushed to play it and numerous recordings followed. Although formal conventions prevail the work displays a melodic freshness as well as inflections and phrases that are typical ofDebussy.
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Claude Debussy: Sonata For Cello & Piano: Cello: Score
Cello, Piano
[Score and Parts]
Barenreiter
Debussys ?Sonate für Violoncello und Klavier? entstand im Sommer 1915; es war d...
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Debussys ?Sonate für Violoncello und Klavier? entstand im Sommer 1915; es war die erste einer geplanten Reihe mit sechs Sonaten für verschiedene Instrumente von denen Debussy schließlich nur drei vollendete. Durch seinen unverwechselbaren Charme etablier
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Maurice Ravel: Sonata For Violin And Violoncello: Violin & Cello: Score and
Violin, Cello (duet)
Barenreiter
In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issu...
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In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel?s Sonata as well as works contributed by Debussy?s friends Stravinsky Satie Dukas Bartok and de Falla to name only a few. This 1st movement of Ravel?s Sonata of which the autograph is lost then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter?s scholarly-critical edition the first ever of this masterpiece presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel?s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this workTwo performing scores (format 25 5 x 32 5 cm)The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turnInformative introduction to the genesis of the work (Ger/Eng/Fr)Critical commentary with facsimiles and appendices
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Claude Debussy: String Quartet - Study Score: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
Barenreiter
Debussy's only string quartet composed in 1893 was his first masterwork. Toget...
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Debussy's only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period Prélude l'après-midi d'un faune and Pelléas et Mélisande the quartet established the composer's position as the rising star of the French music scene.Discrepancies existed from the initial publication in 1894 between the score corrected and seen into print by the composer and the parts not corrected by him. At a later point Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.Thisscholarly-critical edition utilises all sources including the composer's letters which offer a valuable insight into the genesis of the composition.
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Claude Debussy: String Quartet - Parts: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Set of Parts]
Barenreiter
Debussy's only string quartet composed in 1893 was his first masterwork. Toget...
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Debussy's only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period Prélude l?après-midi d?un faune and Pelléas et Mélisande the quartet established the composer's position as the rising star of the French music scene.Discrepancies existed from the initial publication in 1894 between the score corrected and seen into print by the composer and the parts not corrected by him. At a later point Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.Thisscholarly-critical edition utilises all sources including the composer's letters which offer a valuable insight into the genesis of the composition.
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Claude Debussy: Intermezzo And Scherzo For Cello: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
G. Henle
All cellists are familiar with Debussy’s sonata which he only composed in...
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All cellists are familiar with Debussy’s sonata which he only composed in 1915 three years before his death. Debussy had however already written two works for Violoncello and Piano in 1882 when hewas only 20 years old. They largely remained hidden from the public eye because the autograph of the “Intermezzo” – the sole source for this work – was inaccessible for decades. Today Henle Publishers arein the fortunate position of being able to present an Urtext edition of the “Intermezzo” also including the “Scherzo” that was posthumously published in 1995. The fingerings and bowings were provided byJeffrey Solow (Violoncello) and Eckart Sellheim (Piano).
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Claude Debussy: Nocturne et Scherzo: Cello
Cello, Piano
Faber Music Limited
This piece dates originally from May 1882 when Debussy made his first public ap...
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This piece dates originally from May 1882 when Debussy made his first public appearance as a composer at a musical soiree in Paris accompanying the violinist Maurice Thieberg. Among the work performed on that occasion was a Nocturne and Scherzo for Violin and Piano by the 19-year-old composer which has since disappeared. In June Debussy made a new version for Cello and Piano which survives in autograph manuscript and is published here - in this new edition by the musicologist and cellist Neil Heyde - for the first time.Although the title implies two separate pieces the Nocturne et Scherzo is a hybrid piece in which the opening Scherzo material surrounds a cantabileepisode of nocturnal character.
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Claude Debussy: Prelude a lapres-midi dun faune: Orchestra: Parts
Cello
Barenreiter
Scholarly critical edition with many corrections in the score and orchestral par...
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Scholarly critical edition with many corrections in the score and orchestral parts.Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm.?Prélude A L?Aprés-Midi D?Un Faune? often referred to as the first composition of the ?modern? era is one of Debussy?s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter?s scholarly-critical edition.Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed.Bärenreiter?s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy?s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.
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Quatuor A Cordes #2
String Quartet: 2 violins, viola, cello
Jobert
A près de vingt ans de son premier essai pour Quatuor à cordes (Cinq Séquence...
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A près de vingt ans de son premier essai pour Quatuor à cordes (Cinq Séquences, en 1963), Maurice Ohana retourne à ce genre difficile, pour lequel il a gardé une secrète prédilection au long de ces années d'apparent éloignement (avec l'exception de Stream pour trio à cordes et voix de basse, composé en 1970).Une commande du Ministre de la Culture en 1977 (c'était, à l'époque, Madame Françoise Giroud), lui fournit le prétexte. L'oeuvre sera écrite entre 1979 et 1980. Une fois encore, Maurice Ohana cherche à échapper au trop grand sérieux que la plupart des compositeurs croient devoir observer en traitant l'assemblage des quatre instruments du quatuor. Les sous-titres, déjà , annoncent une oeuvre d'imagination plutôt que d'écriture ou de recherche: Sagittaire, Mood, Alborada, Faran-Ngô.On perçoit, ici et là , une guitare voilée, des rythmes qui font penser à une mystérieuse 'Nuit dans Grenade', plus tragique peut-être que la 'Soirée' de Claude Debussy.Sagittaire, après un appel initial, enchaîne des rythmes martelés et obsédants.Dans Mood, les réminiscences d'un Negro Spiritual semblent affleurer, comme dans d'autres ouvrages du compositeur où les Blues de sa jeunesse ont laissé un écho persistant.Alborada déploie le prisme d'harmonies lumineuses pulvérisées dans une brume sonore onirique. Faran-Ngô (composée de Farruca et Fandango) enfin est une fête nocturne aux guitares lointaines. / Quatuor A Cordes
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Quatuor A Cordes #2
String Quartet: 2 violins, viola, cello
Jobert
A près de vingt ans de son premier essai pour Quatuor à cordes (Cinq Séquence...
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A près de vingt ans de son premier essai pour Quatuor à cordes (Cinq Séquences, en 1963), Maurice Ohana retourne à ce genre difficile, pour lequel il a gardé une secrète prédilection au long de ces années d'apparent éloignement (avec l'exception de Stream pour trio à cordes et voix de basse, composé en 1970).Une commande du Ministre de la Culture en 1977 (c'était, à l'époque, Madame Françoise Giroud), lui fournit le prétexte. L'oeuvre sera écrite entre 1979 et 1980. Une fois encore, Maurice Ohana cherche à échapper au trop grand sérieux que la plupart des compositeurs croient devoir observer en traitant l'assemblage des quatre instruments du quatuor. Les sous-titres, déjà , annoncent une oeuvre d'imagination plutôt que d'écriture ou de recherche: Sagittaire, Mood, Alborada, Faran-Ngô.On perçoit, ici et là , une guitare voilée, des rythmes qui font penser à une mystérieuse 'Nuit dans Grenade', plus tragique peut-être que la 'Soirée' de Claude Debussy.Sagittaire, après un appel initial, enchaîne des rythmes martelés et obsédants.Dans Mood, les réminiscences d'un Negro Spiritual semblent affleurer, comme dans d'autres ouvrages du compositeur où les Blues de sa jeunesse ont laissé un écho persistant.Alborada déploie le prisme d'harmonies lumineuses pulvérisées dans une brume sonore onirique. Faran-Ngô (composée de Farruca et Fandango) enfin est une fête nocturne aux guitares lointaines. / Quatuor A Cordes
65.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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