After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.

Early piano quintet for Piano 2 Violins Viola VioloncelloIn 1887 Anton n Dvorák revised several of the works he had composed in the 1860s and 1870s most of which he then published for the first time.In this context he asked the music critic Ludev t Procházka to return a manuscript copy of the Piano Quintet in A major Op.5 (B 28) composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead he wrote a new piano quintet in the same key the famous Op.81. And so the manuscript copy he requested from Procházka remains the sole source for this early piece of chamber music.Dvorák?s first Piano Quintet in A majorwas never published during his lifetime. This edition presents the musical text from the ?Complete Edition of the Works of Anton n Dvorák? Volume IV/11.Now with a new detailed Foreword (Eng/Cz/Ger) by David R. Beveridge

Study score also available TP540.Like Dvo ák?s third and fourth quartets (in D major and E minor respectively) String Quartet No. 2 in B-flat was probably composed between 1868 and 1870 when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvo ák destroyed them. But copies of the parts resurfaced in the archive of the Prague Conservatory and have served as the principal source for this new publication.This edition presents the musical text from theAnton n Dvo ák Complete Edition together with a new foreword by Hartmut Schick (Ger/Cz/Eng).

Editée il y a moins de 10 ans par les éditions Billaudot sous la référence GB8803, cette partition de musique Légende, Opus 95 du compositeur Dvo?ák Antonín a été composée pour Violoncelle. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Violoncelle / Partition

Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jir Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák?s ideal sound Gemrot based his arrangements on the composer's orchestral score.Dvorák?s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Anton n Dvorák Volume IV/3 (Compositions for Violoncello).First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jir GemrotIncludes Dvorák?s own arrangement of Dance No.8With fingering and bowing by Tomá? Jamn kForeword (Cz/Eng/Ger) by Eva Velická

New detailed foreword by Dvo ák scholar David Beveridge (Eng/Cz/Ger).Dvo ák?s String Quintet in G Op.77 had five movements when it was premiered on 18 March 1876. Its second movement was the Intermezzo from his String Quartet in E minor (1870). Later Dvo ák removed this movement from the Quintet expanded it and published it as a separate Notturno for String Orchestra Op.40. The Intermezzo is included in its original version in the appendix of the score.This edition is based on the Complete Edition of the Works of Anton n Dvo ák the principal source being the first edition of 1888 for which Dvo áksubjected the work to revision.

Features a new detailed foreword (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch. Includes a newly-engraved Violoncello part.The third of Dvorák?s Piano trios was written in 1883 in Prague; a revised version appeared in the autumn of 1883 published by Simrock in Berlin based on the direct collaboration with the composer. The principal source of this present edition based on the ?Complete Edition of the Works of Anton n Dvorák? is this Simrock publication which presents the final version of the work.

Piano Quintet in A major op. 81. Very few really important works have been written for piano quintet ? alongside the famous works by Schubert, Schumann und Brahms, the quintet that Antonín Dvorák composed in 1887 certainly numbers amongst them. It shows the mature master at work, who knew how to combine formal unity with melodic ingenuity and sweeping rhythms. With its ethnic-inspired themes the piano quintet has become one of Dvorák?s best-loved chamber music works, indeed even of Romantic literature in music. So it was high time for a Henle Urtext edition ? 60 years after the Czech Complete Edition was published, it was time for a fresh look at the sources, including the autograph in the National Museum in Prague.

The collection of twelve pieces for String Quartet Cypresses is a loose paraphrase of the original cycle of love songs bearing the same name which Dvorak produced when he was twenty-four. Later on he re-wrote some of the songs and incorporated them into other song cycles; he took a larger selection and recreated them in 1887 as lyrical miniatures for string quartet. Cypresses in this form less still the original song version were never published during the composer's lifetime. This pocket score was published as part of the first Complete Critical Edition of Works by Antonin Dvorak. Also available set ofparts H6663.

Antonin Dvorak's 1891 composition transcribed and edited for Cello and Piano by Nathan Stutch.

Cello & Piano book I and book II (Z14637) contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto) and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson's Dance of the sylphids thelighter kind include Joplin’s Ragtime. This colourful ample selection provides a good basis for a music-lover's library. Book I Contents: 1. Corelli Arcangelo: Sonate Op. 5 No.8 2. Scarlatti Domenico: Sonata 3. Jacchini G. M.: Sonata 4. Vivaldi Antonio: Concerto RV 411 5. Telemann Georg Philipp: Sonata aus ''Der getreue Musikmeister'' 6. Bach Johann Sebastian Marcello Alessandro: Adagio BWV 974 7. Haydn Joseph: Scherzando Hob. XI:70 8. Mozart Wolfgang Amadeus: Menuet KV 334 9. Cherubini Luigi: Ave Maria 10. Romberg Bernhard: Rondo Op. 38 No. 1 11. Beethoven Ludwig van: Menuet WoO 10 No. 212. Beethoven Ludwig van: Tema con variazioni Op. 105 No. 1 13. Rossini Gioacchino Antonio: Pour Album 14. Schubert Franz: Morgenständchen D 889 15. Schubert Franz: Grätzer Galopp D 925 16. Schumann Robert: Arabeske Op. 18 17. Bizet Georges: Agnus Dei 18. Tchaikovsky P. I.: Valse sentimentale Op. 51 No. 6 19. Dvo ák Antonín: Humoresque Op. 101 No. 7 20. Dvo ák Antonín: Gipsy Melody Op. 55 No. 4 21. Fauré Gabriel: Mandoline Op. 58 No. 4 22. Joplin Scott: The Strenuous

Zusammen Mit Föderl, K., Mei Krankenkassa Is In Sievering. Par PILLINGER ANTON. Schrqu/ Répertoire / Musique de Chambre

La durée de vie de Josef Suk (1874-1935), le célèbre compositeur et violoniste professionnel, a été fortement influencé par son appartenance à la célèbre 'Quatuor tchèque' (fondée en 1892). Suk faisait partie du quatuor jusqu'en 1933, se produisant dans près de quatre mille concerts.Le Quatuor à cordes n o 1 en si bémol majeur op. 11 (1896) est la première composition aux côtés de l'op Serenade. 6, qui a été publié par Simrock à la suite de la médiation par Suk père-frère, Antonín Dvorák. Dvorák a examiné ce travail du jeune musicien à être 'le meilleur que je connaisse de lui.' Suk a réécrit le quatrième mouvement, vingt ans après son achèvement, parce qu'il n'était pas satisfait de la version originale. En dépit de son utilisation du même matériau thématique, la nouvelle version se distingue donc nettement que ce mouvement est souvent effectué sur lui-même.La principale source de la forme originale du quatuor était la deuxième édition de Simrock. Pour la version alternative de la Finale de la présente édition est basée sur une partition et les parties marquées avec des corrections Suk.- Avec une préface commentaires (Cz / Eng / Ger) et critique (Eng)- Comprend également la dernière version du quatrième mouvement de 1915 / 3 Violons, Alto Et Violoncelle

Für 2 Violinen, Viola, Violoncello. Par ZIMMERMANN ANTON. Der gebürtige Schlesier wirkte den Großteil seines Lebens in Pressburg (Bratislava) und hinterließ ein umfangreiches kompositorisches oeuvre. Zwar ist in seinem kammermusikalischen Schaffen die Nähe zu Joseph Haydn unverkennbar, doch gelangt er durch die Verwendung orchestraler Stilmerkmale die Bildung zu durchaus eigenwilligen Schöpfungen, die sich vom gängigen galanten Kammerstil seiner Zeit abheben./ Répertoire / Musique de Chambre