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Bach
VIOLONCELLO - CELLO
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano solo (4263)
Soli, Mixted choir and accompa… (2781)
Organ (949)
Divers (831)
Orchestra (727)
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Guitar (641)
Flute and Piano (514)
Violin and Piano (508)
Violin (420)
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Flute (378)
Concert band (355)
Parties Orchestrales (329)
String Quartet: 2 violins, vio… (294)
Cello (267)
Brass ensemble (209)
Guitar notes and tablatures (199)
Choral (176)
Piano, Vocal and Guitar (175)
Clarinet (171)
Chamber Orchestra (168)
Cello, Piano (163)
1 Piano, 4 hands (153)
Brass Quintet: 2 trumpets, hor… (152)
Marching band (138)
Trumpet (138)
String Orchestra (135)
Musical course - Solfege (127)
Viola (122)
Guitare (112)
Keyboard (110)
Soli (SATB), Choeur Mixte (SAT… (108)
Trumpet, Piano (99)
Easy Piano (96)
Chant (94)
Harpsichord (88)
Clarinet and Piano (83)
2 Pianos, 4 hands (82)
Viola, Piano (79)
Alto Saxophone (76)
Flute and Guitar (75)
Choral 3-part (73)
Ensemble A Vent (73)
Partition de Poche (70)
Voice solo (70)
2 Guitars (duet) (69)
Wind ensemble (68)
Lyrics and Chords (67)
Alto Saxophone and Piano (64)
Saxophone (62)
Choral 2-part (61)
Orchestre (60)
Piano Trio: piano, violin, cel… (59)
2 Cellos (duet) (59)
Trombone (56)
Solistes SAT, Choeur SATB, 2 F… (55)
French horn (55)
Accordion (54)
Soprano voice, Orchestra (54)
Oboe (52)
Conducteur (52)
Recorder (51)
Accessoire (50)
Treble (Alto) Recorder (50)
Flute, Basso continuo (50)
Clavecin Et Cordes (49)
Double Bass (49)
Clavecin Et Instruments A Cord… (48)
CD (48)
Oboe, Piano (duet) (48)
Flûte Traversière ou Hautbois … (47)
Harp (45)
Orchestre de Chambre (Flûte à … (44)
2 Flutes (duet) (44)
Solistes SATB, Choeur SATB, 2 … (43)
Organ, Trumpet (duet) (41)
2 Choeurs Mixtes (SATB Et SATB… (41)
2 Violins (duet) (41)
Soli (ATB), Choeur Mixte (SATB… (40)
Tenor Saxophone (39)
Saxophone Quartet: 4 saxophone… (38)
Solistes SATB, Choeur SATB, 2 … (38)
String Trio: violin, viola, ce… (37)
Solistes SATB, Choeur SATB, Fl… (36)
Solistes SATB, Choeur SATB, 4 … (36)
Woodwind Quintet: flute, oboe,… (35)
Bass guitar (35)
Choral TTBB (35)
Flute, Violin, Keyboard (basso… (34)
Partie Séparée (34)
Soprano voice, Piano (34)
Harpsichord and Strings (34)
Recorder Quartet (34)
Solistes SATB, Choeur SATB, Ha… (33)
High voice, Piano (32)
Carte Postale (32)
All Instruments (31)
Parties Supplémentaires (31)
Exemplaire Complet (31)
Trombone and Piano (31)
Ukulele (30)
Baritone voice, Piano (29)
Tuba and Piano (28)
Biography (28)
Brass Quartet (28)
Solistes SATB, Choeur SATB, 2 … (27)
Flûte Traversière, Hautbois, V… (27)
2 Saxophones (duet) (27)
2 Clarinets (duet) (27)
Flute, Orchestra (27)
Violin, Cello (duet) (26)
Solistes SATB, Choeur SATB, Tr… (26)
Brass Quartet: 4 trombones (26)
Descant (Soprano) Recorder (26)
Double bass, Piano (duet) (26)
Soprano, Basse, Choeur Mixte e… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 Recorders (duet) (25)
French Horn and Piano (25)
C Instruments (25)
Trio (25)
Solistes ATB, Choeur SATB, Flû… (24)
2 Violons, 2 Altos, Violon ou … (24)
Soprano voice (24)
2 Violons, Alto, Violoncelle e… (24)
Trompette, Instruments à Corde… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Soli (T (Evangelist), B (Jesus… (24)
School Ensemble (24)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
4 Guitars (Quartet) (23)
Choeur SATB/SATB, (Basse Conti… (23)
Cello, Orchestra (22)
Violon, Instruments A Cordes E… (22)
Bassoon (22)
Treble (Alto) Recorder, Basso … (22)
Low voice, Piano (22)
Violon, Alto et Basse Continue… (21)
Mezzo-Soprano voice (21)
2 Clavecins Et Cordes (21)
Partition D'Orchestre In 16 Po… (21)
Violon, Cordes et Basse Contin… (21)
Bassoon, Piano (duet) (21)
Medium voice, Piano (21)
Soli (STB), Choeur Mixte (SATB… (21)
Opera (21)
Clarinet Quartet: 4 clarinets (21)
Choeur SATB/SATB, ou Basse Con… (21)
Violin, Basso continuo (21)
String Trio: 2 violins, cello (20)
Solistes STB (SB/TB/SATB), Cho… (20)
Saxophone ensemble (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Violin, Viola (duet) (20)
Orgue Et Orchestre (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Recorder Ensemble (20)
2 Flutes, Piano (20)
Piano Accompaniment (20)
Tenor voice, Piano (20)
Solistes TB, Choeur SATB, 2 Fl… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Euphonium, Piano (duet) (19)
3 Recorders (trio) (19)
Tuba (19)
3 Clavecins Et Cordes (18)
Flûte Traversière, Violon et B… (18)
Alto, Choeur Mixte et Orchestr… (18)
Choral Unison (18)
Jazz Ensemble (18)
Solistes SATB, Choeur SATB, (C… (17)
Solistes SATB, Choeur SATB, (a… (17)
Solistes SATB, Choeur SATB, 2 … (17)
Solistes SATB, Choeur SATB, 3 … (17)
Solistes ATB, Choeur SATB, 3 T… (17)
Travaux Pour Choeurs (17)
Solistes SATB, Choeur SATB, (4… (17)
Soli (SAB), Choeur Mixte (SATB… (17)
Alto, Cordes et Basse Continue… (17)
Recorder, Piano (17)
Soli (SATB, Soprano Aussi Chor… (17)
Mandolin (17)
Melody line, (Lyrics) and Chor… (17)
Choeur SATB/SATB, 3 Trompettes… (16)
Solistes SATB, Choeur SATB, 2 … (16)
Hautbois, Basson et Piano ou O… (16)
Solistes SATB, Choeur SATB, (C… (16)
3 Guitars (trio) (16)
Solistes SSATB, Choeur SSATB, … (16)
Flûte Traversière, Clarinette … (16)
Choeur Mixte, Soprano et Orche… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Solistes ATB, Choeur SATB, 2 H… (16)
Choeur SATBB/SATBB, 4 Trompett… (16)
2 Violins, Piano (16)
2 Flûtes Traversières et Violo… (16)
Soli (SATB), Choeur Mixte (SAT… (16)
7 Instruments à Vent (16)
Trompette et Quatuor à Cordes (16)
Orchestra, Violin (16)
Soli (AT), Choeur Mixte (SATB)… (16)
Treble (Alto) Recorder, Piano (16)
Saxophone and Piano (16)
Descent (Soprano) Recorder, Pi… (16)
Cello Ensemble (16)
Flûte Traversière, Hautbois, V… (15)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Double Choeur Mixte, Soprano e… (15)
Solistes TB, Choeur SATB, 2 Ha… (15)
Solistes SATB, Choeur SATB, Ba… (15)
Choeur Mixte (SATB) Et Instrum… (15)
2 Violons, Alto, Violoncelle o… (15)
Solistes STB, Choeur SATB, 3 C… (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Instruments Cuivre (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SAATB, 2 Hautbois, Haut… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Soli (ATB), Choeur Mixte (SATB… (15)
Basse, Choeur Mixte et Orchest… (15)
Solistes SATB, Choeur SATB, 2 … (15)
2 Euphoniums et Piano ou Orgue… (15)
Viola and orchestra (15)
Clavecin (15)
Soli (T (Evangelist), B (Jesus… (15)
3 Violons, Instruments à Corde… (14)
Solistes ATB, Choeur SATB, (Ct… (14)
Solistes STB, Choeur SATB, 2 C… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Flûte Traversière, Violon, Ins… (14)
Solistes STB, Choeur SATB, Tro… (14)
Solistes SATB, Choeur SATB, 3 … (14)
Solistes ATB, Choeur SATB, 2 H… (14)
Solistes ATB, Choeur SATB, (Tr… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solistes STB, Choeur SATB, (Co… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Flûte Traversière, Cordes Et B… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Choeur de Femmes (14)
Choeur Mixte (SATB/SATB) Basse… (14)
Solo S, Flûte Traversière, 2 V… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Alto, Ténor, Choeur Mixte et O… (14)
Solistes ATB, Choeur SATB, 2 F… (14)
Flute, Harpsichord (14)
Solistes ATB, Choeur SATB, Tro… (14)
Tenor Saxophone and Piano (14)
Solistes STB, Choeur SATB, Cor… (13)
Soprano (13)
Solistes STB, Choeur SATB, Cor… (13)
Solistes SAB, Choeur SATB, 2 F… (13)
Choeur SATB/SATB (2 Hautbois, … (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Flûte Traversière, Violon, Alt… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes ATB, Choeur SATB, 2 F… (13)
Solistes AT, Choeur SATB, Trom… (13)
Basse, Choeur Mixte (SATB) Et … (13)
Solo B, Choeur SATB /2 Hautboi… (13)
Soli (STB), Choeur Mixte (SATB… (13)
Flute, Clarinet (duet) (13)
Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes SAB, Choeur SATB, (2 … (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes ATB, Choeur SATB, 2 H… (13)
Solistes SATBar, Choeur SATB, … (13)
Solistes ATB, Choeur SATB, Tro… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Choeur SATB, 3 Trompettes, Tim… (13)
Solistes ATB, Choeur SATB, Hau… (13)
Flute Quartet: 4 flutes (13)
Guitare, Violon, Alto (12)
Solistes SBar, Choeur SSATB, 2… (12)
Solistes AT, Choeur SATB, Cor … (12)
Ensemble de Vents (12)
Flûte à Bec F1, Violon et Bass… (12)
Choeur SSAM, (4 Instruments Co… (12)
Piano, Flûte Traversière, Alto… (12)
2 Violins and Basso (12)
Solistes SATB, Choeur SATB, Tr… (12)
Flûte Traversière, 2 Clarinett… (12)
Solistes ATB, Choeur SATB, (Ct… (12)
Solistes SATB, Choeur SATB, Co… (12)
Guitar Ensemble (12)
Piano Quartet: piano, violin, … (12)
Solistes SATB, Choeur SATB, 2 … (12)
Solistes SATB, Choeur SATB, (C… (12)
Choeur Mixte (SATB, Partie(s) … (12)
Solistes STB, Choeur SATB, (Ct… (12)
Solistes SAB, Choeur SATB, Cor… (12)
String Quintet: 2 violins, 2 v… (12)
Solistes SAB, Choeur SATB, 2 H… (12)
Soli (SSTB) Et Orchestre Choeu… (12)
Trompette, Trombone et Piano (12)
Solistes SATB, Choeur SATB, 2 … (12)
4 Cellos (12)
2 Violons Et Orchestre (12)
Mezzo-Soprano voice, Piano (12)
Clavecin, 2 Violons, Alto et V… (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Piano and Orchestra (12)
Solistes ATB, Choeur SATB, 2 H… (12)
Cordes et Basse Continue (12)
Flûte Traversière, Violon et O… (12)
Cor ou Hautbois et Trompette, … (12)
Cello, String Bass (duet) (12)
2 Violons, Basse Continue et O… (12)
Soprano, Trompette, 2 Violons,… (12)
Bass Trombone and Piano (12)
Solistes ATB, Choeur SATB, Flû… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Choeur SATB, 2 Hautbois, 3 Tro… (11)
Choeur SATB, 2 Hautbois, 2 Cor… (11)
Choeur SATB/SATB, 2 Hautbois (… (11)
Solistes SATB (Solo T, Auswahl… (11)
Solistes SAT, Choeur SATB, 2 H… (11)
Choeur SSATB, 2 Clarines, 2 Vi… (11)
4 Parties Solo, Choeur Et Orch… (11)
Solo B, Choeur SATB, 2 Flûtes … (11)
Solistes SAT, Choeur SATB, 2 H… (11)
Solistes SATB, Choeur SATB, Tr… (11)
Solistes STB, Choeur SATB, 2 H… (11)
Choeur SATB/SATB, (2 HautboiSB… (11)
Choeur SATB/SATB, 2 Hautbois, … (11)
Soli (AB), Choeur Mixte (SATB)… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Solistes SATB, Choeur SATB, Ha… (11)
Choeur SATTB et Basse Continue… (11)
3 Clarinets (trio) (11)
Tenor voice (11)
Marimba (11)
Flute ensemble (11)
Ensemble à Cordes (11)
Banjo (11)
Solistes SATB, Choeur SATB, 2 … (10)
Pocket, Study conductor (10)
Solo S, Choeur SATB, 2 Cors, 2… (10)
Solistes (STB), Choeur Mixte (… (10)
Soprano, Choeur Mixte et Piano… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Choeur SSATTB et Basse Continu… (10)
Choeur SATB, 2 Trompettes, Tim… (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Choeur SSATTB, 2 Trompettes, 4… (10)
Solistes SB, 2 Hautbois, Taill… (10)
4 Clavecins Et Cordes (10)
Orgue, 2 Hautbois, Cor Anglais… (10)
Solistes SAB, Choeur SATB, 2 F… (10)
Choeur SATB/SATB (8 Instrument… (10)
Clavecin, 2 Flûtes A Bec Et In… (10)
Solistes et Choeur SSATTB, 2 V… (10)
Violon 3 (Partie Séparée) (10)
2 Trompettes, Cordes Et Basse … (10)
Ensemble Instrumental Et Petit… (10)
Clarinet, Orchestra (10)
Clavecin ou Piano et Instrumen… (10)
Hautbois, Cordes et Basse Cont… (10)
Descant (Soprano) Recorder, Ba… (10)
Guitare et Musique de Chambre (10)
Music Theory (10)
Piano Quintet: piano, violin, … (10)
Partition D'Orchestre (10)
Solo S, Choeur SATB, Hautbois,… (9)
Alto (Partie séparée) (9)
Choeur SATB/SATB, (Instruments… (9)
Violon, Violoncelle Et Orchest… (9)
Solistes ATB, Choeur SATB, Hau… (9)
Solistes SATB, Basson, 2 Violo… (9)
Choeur SATB et Basse Continue (9)
Clavecin, Flûte Traversière, V… (9)
Choeur SSATB, Violon, Orgue (C… (9)
2 Violons, Instruments A Corde… (9)
Tenor, Basse, Choeur Mixte Et … (9)
Solistes, Choeur SATB, 2 Flûte… (9)
Solistes ATB, Choeur SATB, Tro… (9)
Solo S, Trompette, Instruments… (9)
Solistes STB, Choeur SATB, 3 T… (9)
Solistes SATB, SATB et Orchest… (9)
3 Parties Solo, Choeur Et Orch… (9)
Hautbois, Violoncelle Et Orche… (9)
2 Flûtes A Bec Alto, 2 Hautboi… (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Voice, Guitar (9)
Solistes SB, Choeur SATB, Haut… (9)
Contrebasse (Partie séparée) (9)
Solistes SATB, Choeur SATB, Fl… (9)
Musical Awakening (9)
Violon Solo, 2 Violons, Alto, … (9)
Conducteur et Poche (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes S (A) TB, Choeur SATB… (9)
Choeur De Chapelle, Choeur Mix… (9)
Accordion ensemble (9)
3 Euphoniums et Piano ou Clavi… (9)
Clavecin (Ou Flûte Traversière… (9)
Alto et Orchestre (9)
Violoncelle (Partie Séparée) (9)
Basse et Orchestre (9)
Euphonium (9)
Quatuor Variable (9)
Livret (9)
Drums (9)
Baryton (9)
Flûte Et Clavecin (9)
Choeur SATTB, Cornet à Bouquin… (8)
2 Trompettes Sib, 1 Cor, 1 Tro… (8)
Hautbois et Quatuor à Cordes (8)
Flute, Clarinet, Horn and Bass… (8)
2 Flûtes Traversières ou Flûte… (8)
Trompette, Cor et Piano ou Org… (8)
Hautbois, Violon (2 Violons) E… (8)
2 Trompettes Et 2 Trombones (8)
Soli (SSATB), Choeur Mixte (SA… (8)
Flûte Traversière, Violon et C… (8)
Flûte Traversière et Trio à Co… (8)
Solistes SATB, Choeur SATB, (2… (8)
Solistes (SATB), Choeur Mixte … (8)
Choeur SSATB, (5 Instruments e… (8)
Flûte Traversière et 4 Clarine… (8)
Hautbois, Violon, Instruments … (8)
Flûte Traversière (Ou Violonce… (8)
Solistes STB, Choeur SATB, (Co… (8)
Solistes SB, Choeur SATB, Haut… (8)
Solistes TB, Choeur SATB, Flût… (8)
Choeur SATB et Basse Continue,… (8)
2 Trumpets, Keyboard (piano or… (8)
Solo Baryton, Choeur SATB, 2 H… (8)
Flute, Cello, Piano (trio) (8)
Flûte Traversière, 2 Violons, … (8)
Choeur SATB (4 Instruments) et… (8)
Trombone, Organ (8)
Hautbois, Instruments à Cordes… (8)
Hautbois et 4 Clarinettes (8)
Guitare, Flûte Traversière Alt… (8)
Flute, Violin and Violoncello (8)
Choeur Mixte (SATB, Partie(s) … (8)
Hautbois, Instruments à Cordes… (8)
Clarinette et Quatuor à Cordes… (8)
Alto, Basse, Choeur Mixte et O… (8)
Orgue, Soprano, Alto, Tenor, B… (8)
Choeur SSATB, 2 Violons (Corne… (8)
2 Violons Et Instrument(s) A C… (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Trio à Cordes (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Organ and Brass Quartet (8)
Solistes SATB, Choeur SATB, Fl… (8)
Violoncello, Basso continuo (8)
Flûte Traversière et Quatuor à… (8)
Flûte Traversière ou Violon), … (8)
Choeur Mixte (SSATB) Et Instru… (8)
Trompette ou Cornet, Trombone … (8)
Ensemble (8)
String Trio: 3 violins (8)
Solo instrument and Organ (8)
Viola da Gamba, Harpsichord (8)
Solo A, 2 Violons, 2 Altos et … (7)
Solistes SATB, Choeur SATB, Vi… (7)
Hautbois, Hautbois D'Amour et … (7)
Choeur Mixte (SATB), Choeur De… (7)
Cor en Fa (7)
Solistes SSATB, Choeur SSATB, … (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Choeur SATB/SATB ou Basse Cont… (7)
2 Hautbois, Cor Anglais et Bas… (7)
Flûte à Bec C2, F1, C1 et F (4… (7)
Solistes SATB, Choeur SATBB, 2… (7)
Solistes SAB, Choeur SATB, ou … (7)
Choeur Mixte (SATB, Partie(s) … (7)
Flûte à Bec Alto ou Flûte Trav… (7)
4 Euphoniums (7)
Oboe, Clarinet, Bassoon (trio)… (7)
Solistes SATTB, 2 Violons, 2 A… (7)
Flûte Traversière Solo (7)
2 Hautbois, Hautbois D'Amour e… (7)
Hautbois, Cor Anglais et Basso… (7)
Vibraphone (7)
Bass Clarinet (7)
Solistes SATB, 2 Violons, 2 Al… (7)
CD only (7)
Ténor (7)
Soli (SB) Et Orchestre (7)
Solistes ou Choeur SATB, c.-f.… (7)
Soprano et Mezzo-Soprano (7)
Ensemble à Vents (7)
Hautbois ou Flûte Traversière)… (7)
Flûte Traversière et Clavecin … (7)
Solistes SSATB, Choeur SATB, B… (7)
Livre Musical (7)
Soprano, Flûte Traversière et … (7)
Cello, Guitar (duet) (7)
2 Hautbois, Basson, 3 Trompett… (7)
Concert band, Choral (7)
2 Trombones (duet) (7)
Choeur et Orchestre (7)
Clarinet Ensemble (7)
Bb Instruments (7)
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Bach Favourites Arranged For Solo Violoncello
Cello
Musicland
Peter Freyhan a pris cinq oeuvres, principalement de morceaux de clavier, par J....
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Peter Freyhan a pris cinq oeuvres, principalement de morceaux de clavier, par J.S. Bach et leur arrangé pour violoncelle non accompagné. Bach était lui-même un arrangeur invétéré de sa propre musique d'autres personnes, y compris les concertos pour violon Vivaldi dont il a organisé pour la harpe sichord - l'habileté est en rendant les arrangements aussi crédible que les originaux. Freyhan le fait avec son habileté - par exemple, son arrangement de Jesu joie de l'homme désirant donne l'impression de la mélodie de la chorale et de le oeuvre sont jouées simultanément. / Violoncelle
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25 Bach Duets From The Cantatas
2 Cellos (duet)
[Sheet music]
Schott
Nouveau transcriptions de cantates de Bach airs de niveau intermédiaire à viol...
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Nouveau transcriptions de cantates de Bach airs de niveau intermédiaire à violoncellistes de niveau avancé. Autres instruments clef de fa comme le basson, trombone, cor français, tuba, clarinette basse et peut-être trouver ce livre utile. / 2 Violoncelles / 64 pages / niveau : Intermédiaire / Avancé / Partition
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The Student Cellist: Bach (DUNCAN CRAIG)
Cello
Mel Bay
Par DUNCAN CRAIG. Cette collection comprend les deux compositions didactiques de...
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Par DUNCAN CRAIG. Cette collection comprend les deux compositions didactiques de J.S. Bach ainsi que des arrangements faciles de plusieurs de ses oeuvres les plus populaires. Le livre commence avec des plus facile et progresse dans son niveau de difficulté. Tous les morceaux sont joués en première position. La plupart des pièces piano double du violoncelle pour aider à la performance. Les titres comprennent: ' Bouree I' français Overture - et les autres favoris. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Violoncelle
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Six Suites for Violoncello solo BWV 1007-1012 Set 2 Volumes (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. In this two-volume edition of BachÂ’s cello suites, A...
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Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident. Andrew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time./ Répertoire / Violoncelle
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Johann Sebastian Bach: Cantata No.143 Lobe den Herrn meine Seele: Mixed Choir:
Cello, String Bass (duet)
Barenreiter
Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise th...
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Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise thou the Lord o my spirit) BWV 143Little is known about the genesis of “Lobe den Herrn meine Seele” (Praise thou the Lord o my spirit BWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material.  Recently however a copy of the score from 1762 has become available.  It offers a more reliable musical text rendering a complete revision of the cantata necessary.On the basis of this new source the work is presented here as part of the“New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets.  This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. Revised Urtext edition of the Weimar Cantata Urtext of the New Bach Edition Performance material (BA10143) vocal score (BA10143-90) & study score format 22.5 x 16.5cm (TP1143) available for sale
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Johann Sebastian Bach: Concerto For Violoncello String And BC A Minor: Cello:
Cello, Piano
-
Intermediate
Barenreiter
Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement...
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Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.
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Six Suites for Violoncello solo BWV 1007-1012 Synoptic Facsimile (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, wit...
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Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing. This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bach’s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources./ Répertoire / Violoncelle
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Musikalisches Opfer (BACH JOHANN SEBASTIAN)
2 Violons, Alto, Violoncelle, Contrebasse, Orgue,
[Set of Parts]
Schott
Par BACH JOHANN SEBASTIAN. Originalausgabe Nach Bachs Erstdruck Von 1747/ Réper...
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Par BACH JOHANN SEBASTIAN. Originalausgabe Nach Bachs Erstdruck Von 1747/ Répertoire / 2 Violons, Alto, Violoncelle, Contrebasse, Orgue,
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6 Suites For Violoncello Solo Bwv 1007-1012
Cello
Barenreiter
Urtext edition with articulation markings - Soft-cover performing editionWhen yo...
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Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle
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Johann Sebastian Bach: Six Suites For Violoncello Solo: Cello: Instrumental
Cello
Barenreiter
Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing ...
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Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical
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Johann Sebastian Bach: Sonate G (J.Chr.): Cello: Score and Parts
Cello, Piano
Barenreiter
Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian...
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Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian Bach and his second wife Anna Magdalena Wulcken; he was born in Leipzig in 1732. His father gave him his first music instruction. After his initial studies in law he devoted himself entirely to music. In 1750 he entered the services of Count Wilhelm zu Buckeburg where he first of all was engaged as the Count's chamber musician (Hochgraflicher Schaumburg-Lippischer Cammer-Musicus) later as orchestral director a post which he held until his death in 1795. The 'Buckeburg Bach' is described as an amiable and devout person who was highly respected and esteemed for his 'rectitude greatness of soul readiness to oblige and kindness' (Schlichtegroll Nekrolog). He was an exceedingly industrious and gifted composer in whom one couldnot fail to recognise that the spirit of his great father had also been communicated to him' (Dulon). Johann Christoph Friedrich Bach's Sonata A Violoncello Solo Col Basso appears in print for the first time with this edition. The autograph which served as source was held at the time in the University Library at Tubingen depot of the former Prussian State Library under the call-mark Mus. ms. autogr. Bach P 382 which has subsequently been moved to the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. For practical use the accompaniment has been realised from the unfigured Bass. - Piano reduction and separte parts for Cello and Basso continuo.
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Quartet in C minor, arr. from Concerto for violin andamp; oboe (BACH JOHANN SEBASTIAN)
String Quartet: 2 violins, viola, cello
[Sheet music]
SJ Music
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this str...
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Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this Bach concerto arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s organ Passacaglia and Fugue for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes
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Johann Sebastian Bach: Suite I G Major BWV 1007: Cello: Instrumental Album
Cello
Wiener Urtext
This separate edition of the first suite for Cello solo by Johann Sebastian Bach...
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This separate edition of the first suite for Cello solo by Johann Sebastian Bach contains the musical text of the well-regarded Wiener Urtext edition with all six Cello suites of Bach by Ulrich Leisinger. Thanks to new findings Leisinger managed to re-evaluate the sources which did not leave the structure of the musical text and the associated delicate problem of the slurs untouched. His re-evaluation gave reasons for a stronger freedom from the manuscript copy of Anna Magdalena Bach which had always been cited as main source until then despite its being very unreliable with regard to the articulation; thus the new edition leads to moreconvincing solutions. This separate edition is the perfect starting point to study Bach's suites for Cello solo in class and provides amateurs with a technically accessible masterpiece in Cello literature.
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Passacaglia and Fugue, BWV 582 (BACH JOHANN SEBASTIAN)
String Quartet: 2 violins, viola, cello
[Sheet music]
SJ Music
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arr...
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Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arrangement of his organ work (BWV 582) for string quartet by John Cooley, as it conveniently has four contrapuntal parts, and he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Moreover, the parts mostly fit well within the ranges of violin, viola and cello, although notes have been raised by an octave in a few places. This quartet version is therefore simply the four parts written out separately, following Bach?s original version note for note. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this organ piece arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s concerto for violin and oboe for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes
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Suite I G Major Bwv 1007
Cello
[Singles]
Wiener Urtext
Cette édition séparée de la première Suite pour violoncelle solo de Johann S...
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Cette édition séparée de la première Suite pour violoncelle solo de Johann Sebastian Bach contient le texte musical de l'édition de Wiener Urtext réputé avec tous les six suites violoncelles de Bach par Ulrich Leisinger. Grâce à nouvelles découvertes, Leisinger géré de réévaluer les sources qui n'ont pas quitté la structure du texte musical et le problème délicat associé des insultes intacte. Sa réévaluation a motivé une liberté plus forte de la copie manuscrite de Anna Magdalena Bach, qui avait toujours citée comme source principale jusqu'alors malgré qu'il soit très peu fiable à l'articulation - donc la nouvelle édition mène à des solutions plus convaincantes. Cette édition séparée est le point de départ idéal pour l'étude des suites -s Bach
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Johann Christian Bach: Quintet in E flat Major op. 11-4: Chamber Ensemble: Score
Amadeus Verlag
Bachs sechs Quintette op.11 gehören heute zum 'Kulturerbe' dieser Gattung in i...
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Bachs sechs Quintette op.11 gehören heute zum 'Kulturerbe' dieser Gattung in ihrer Bedeutung kaum zu überschätzen. Sie sind dem Kurfürsten Karl Theodor von der Pfalz gewidmet. Auch ohne Tasteninstrument realisierbar. Leicht.
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Johann Sebastian Bach: Bach - 10 Fugues: String Quartet: Score
String Quartet: 2 violins, viola, cello
Spartan Press
For String Quartet Volume 1-The idea for these arrangements came to me whilst li...
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For String Quartet Volume 1-The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets' Op. 20. The spirit and influence of J.S. Bach in particular his Well Tempered Clavier Book II courses through these three miraculous Haydn fugues. Like the viol consort the string quartet suits this kind of composition (the fugue) with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content telling yousomething about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations there's little fugal writing for string quartet at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire – lightness of sound and rhythmic fluidity for example - willbe very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces mostly fast bright and in major keys show Bach at his most playful funny and mischievous composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues written by my favourite composer - a violinist and violist himself but above all a
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Johann Sebastian Bach: Six Suites For Cello Solo BWV 1007-1012: Cello:
Cello
[Sheet music]
-
Intermediate/advanced
Barenreiter
Six Suites for Violoncello BWV 1007-1012-August Wenzinger's edition of Johann Se...
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Six Suites for Violoncello BWV 1007-1012-August Wenzinger's edition of Johann Sebastian Bachs famous cello suites has become the recognized edition for cellists today. Wenzinger's year-long experience in the field of the performance practice of early music has left its mark on this edition and makes an outstanding guide for an authentic interpretation.
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Johann Christian Bach: Concerto C-Minor: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Salabert
This Concerto en Ut mineur for cello and piano was first published in 1947 by Ed...
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This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French English and Italian
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Chorals Vol.2 (BACH JOHANN SEBASTIAN / BOURIN ODILE (Arr)
Français
4 Cellos
[Sheet music]
Lemoine, Henry
Par BACH JOHANN SEBASTIAN / BOURIN ODILE (Arr.). Chorals de Johann Sebastian Bac...
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Par BACH JOHANN SEBASTIAN / BOURIN ODILE (Arr.). Chorals de Johann Sebastian Bach choisis et adaptés pour 4 violoncelles par Odile Bourin. Dans ce second volume de Chorals de Bach pour 4 violoncelles, les premières voix explorent les 5e, 6e et 7e positions ainsi que la position du pouce - les autres, les positions intermédiaires. Dans chacun des Chorals, une des voix est plus simple permettant des ensembles d'âges variés et de niveaux différents. Les harmonies plus complexes que celles du 1er volume ont guidé notre choix. Nous espérons que les violoncellistes plus avancés de même que leurs professeurs auront plaisir à les découvrir et en feront leur miel. Nous proposons le Choral BWV 367 dans 2 tonalités - sol mineur et la mineur - qui correspondent à des niveaux différents. Les instrumentistes pourront apprécier les 2 couleurs musicales. On rapprochera utilement les chorals BWV 89 et 367 (cf BWV 21 et 270 du 1er volume) et BWV 126, 267 et 295. Odile Bourin/ Répertoire / 4 Violoncelles
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Johann Sebastian Bach: 10 Fugues For String Quartet - Book 2: String Quartet:
String Quartet: 2 violins, viola, cello
Spartan Press
10 Fugues For String Quartet Vol. 2-The idea for these arrangements came to me w...
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10 Fugues For String Quartet Vol. 2-The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets' Op. 20. The spirit and influence of J.S. Bach in particular his Well Tempered Clavier Book II courses through these three miraculous Haydn fugues. Like the viol consort the string quartet suits this kind of composition (the fugue) with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations there's little fugal writing for string quartet at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire – lightness of sound and rhythmic fluidity for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces mostly fast bright and in major keys show Bach at his most playful funny and mischievous composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues written by my favourite composer - a violinist and violist himself but above all a master
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6 Suites Bwv 1007-1012
Cello
Zen-on
Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ...
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Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ', Maurice Gendron, ayant rédigé ces, met principalement l'accent sur l'utilisation de l'archet comme sur les schémas de doigté. La principale demande qu'il phrases doit être correcte avec les instructions sur l'utilisation de l'archet. Selon sa déclaration c'est comment la 'pureté du style de Bach' continue d'exister. Gendron édité les Suites sur les patrons de doigté pour être jouable pour chaque violoncelliste. Sur ce compte, il tente d'éviter ' extensions de doigt inutiles '.Dans la notation originale, Bach forbeard de donner des instructions sur la dynamique des romantique comme crescendo ou diminuendo. Pour cette raison, Maurice Gendron a seulement ajouté quelques suggestions dynamiques dans les 1 à 5 de Suites. Tout aussi important que l'évitement de la dynamique romantique est, selon sa propre déclaration, d'éviter les ' un vide de sens rubato '. Il est particulièrement important pour lui que les violoncellistes voient l'importance de ' prendre le temps de changer sans heurt ' d'un... / Violoncelle
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Rêverence A Jean-Sebastien Bach
Français
Cello, Guitar (duet)
Billaudot
?Révérence à Jean-Sebastien Bach? pour commémorer le 300e anniversaire de sa...
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?Révérence à Jean-Sebastien Bach? pour commémorer le 300e anniversaire de sa naissance (1685-1985)J'ai rencontré Henri Sauguet au début des années 1980. J'avais pris l'habitude d'aller le visiter régulièrement à son domicile du 36 rue la Bruyère à Paris dans le 9e arrondissement, jusqu'à sa disparition, pendant cette nuit du 21 au 22 juin 1989. J'avais en projet l'enregistrement de ses oeuvres pour guitare ainsi que deux oeuvres de Georges Migot, qu'il avait bien connu. Il me fit le plaisir d'écrire à cette occasion une cadence pour guitare seule qui est arrivée par voix postale chez moi, le 3 septembre 1985, jour de mon anniversaire. Entre temps, la célèbre ?Revue Musicale? lui avait demandé également d'écrire une oeuvre en hommage à Johann-Sebastian Bach pour le tricentenaire de sa naissance (1685-1985). Cette oeuvre devait être crée au Festival international de Violoncelle de Massy-Verrières. Henri a donc souhaité à cette occasion écrire cette oeuvre pour violoncelle et guitare ?Révérence à Jean-Sebastien Bach?. Il n'y pas de pastiche de l'oeuvre du cantor et c'est bien une oeuvre d'Henri Sauguet, fidèle à son écriture, souple et inventive, qui alterne les tempos lent et plus ou moins rapides. J'ai eu le plaisir de créer cette oeuvre avec l'excellent violoncelliste, Alain Meunier, le 22 septembre 1985, en présence du compositeur. Alain Prévost / Duos
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Johann Sebastian Bach: Trio Sonata In G BWV 1038: Flute & Violin: Score and
Flute, Cello, Piano (trio)
G. Henle
für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Vi...
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für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.
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Trio Sonata In G Major Bwv 1038
Chamber Orchestra
Breitkopf & Härtel
Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour ...
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Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour flûte de Johann Sebastian Bach que Barthold Kuijken a préparé. Les chercheurs ont longtemps douté de la paternité de ce travail pour des raisons stylistiques, même si les pièces de performance de la principale source ont été écrits par Bach lui-même, mais malheureusement il a oublié, ou n'ont pas jugé nécessaire, d'ajouter son nom à la musique. Kuijken roule quelques arguments convaincants qui réfutent la thèse selon laquelle le jeune Carl Philipp Emanuel Bach a travaillé sur la version trio de la Sonate pour violon BWV 1022. L'édition examine également une variété de nouvelles découvertes sur l'origine de l'oeuvre dans la préface, et offre un Urtext irréprochable avec une partie style magistralement réalisé continuo, tous reflétant les normes les plus élevées de rédaction. / Musique De Chambre
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Adagios Et Fugues (6) (BACH JOHANN SEBASTIAN)
Français
Delrieu
Par BACH JOHANN SEBASTIAN. L'origine de ces pièces rassemble des avis divers, s...
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Par BACH JOHANN SEBASTIAN. L'origine de ces pièces rassemble des avis divers, surtout pour ce qui concerne les Adagios dont la paternité reste inconnue. Il a été avancé que W.A. Mozart aurait à voir avec les transcriptions des Fugues, ce que n'atteste aucun manuscrit autographe ou copie contemporaine. Par contre, trois d'entre elles sont issues des 2 cahiers du Wohltemperiert Klavier, Das ('Le Clavier bien tempéré') et une quatrième est extraite de la Sonate en trio #2 en do mineur BWV 526 pour orgue. La sixième serait de W. F Bach. La présente révision des transcriptions des Adagios et Fugues (coups d'archets et articulations) proposée par le Trio à cordes Borsarello est le résultat d'une expérience et d'un choix visant à respecter le texte ainsi que le style original. Les nuances, très souvent absentes sur les partitions de l'époque, sont volontairement laissées à la liberté des interprètes. Le Trio à cordes Borsarello est constitué de trois frères d'une même famille de musiciens. Chacun d'eux est issu du CNSM de Paris: Jean-Luc - violon, Jacques - alto, Frédéric - violoncelle. Constitué depuis déjà plusieurs années, le Trio Borsarello a élargi son répertoire au fil des concerts et en 2000, à l'occasion du 250e anniversaire de la disparition de Jean-Sébastien Bach, il a enregistré l'intégrale des Adagios et Fugues pour trio à cordes. Une longue expérience sur ces oeuvres a incité le Trio à cordes Borsarello à soumettre aux Editions Delrieu sa propre révision des Adagios et Fugues ainsi que la réalisation d'un conducteur jusqu'alors inédit. / classique / Date parution : 2008-01-23/ Répertoire / Trio à Cordes
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Sinfonia No. 15 (BACH JOHANN SEBASTIAN)
String Orchestra
[Score and Parts]
Hal Leonard
for Strings Score and Parts. Par BACH JOHANN SEBASTIAN. Sinfonia No. 15 by Johan...
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for Strings Score and Parts. Par BACH JOHANN SEBASTIAN. Sinfonia No. 15 by Johann Sebastian Bach, originally for piano solo, is now available for string orchestras because of Shirl Jae Atwell\'s musical arrangement. Sinfonia No. 15 arranged in the original key of B minor, with an altered time signature from 9/16 to 9/8, is much more friendly for student musicians. Bach\'s Sinfonia No. 15, arranged by Atwell, is a great addition to string orchestra programs through dance-like eighth notes and flashy sixteenth-note arpeggiated sections creating an exciting Baroque experience. Teachers will love exploring the key of B minor, arpeggios galore for all instruments, bow distribution with 1/16ths as well as sustained notes, and the overall Baroque style found in this string orchestra arrangement by Atwell. Sinfonia No. 15 treats orchestras and audiences to the allure of the Baroque Era. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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6 Suites Bwv 1007-1012 Cello Solo (BACH)
Cello
[Sheet music]
EMB (Editio Musica Budapest)
Par BACH. Source of the cello suites composed c. 1720 in Cöthen is the manuscri...
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Par BACH. Source of the cello suites composed c. 1720 in Cöthen is the manuscript of Anna Magdalena Bach which, according to certain scholars, is supposed to be in Bach's own hand. The editorial additions to the present volume by Ede Banda, professor at the Academy of Music of Budapest, founding member of the Tátrai String Quartet are based on the editor's experiences as performing artist and teacher for nearly fifty years and on the development of the cello technique which took place in the field of fingering and ligatures in the meantime. The trilingual preface of the practical edition provides the performer with innumerable useful and concrete advice concerning bowing sings, fingering, dynamics, chords, trills, tempo, character and phrasing./ Répertoire / Violoncelle
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Badinerie Bwv 1067 - J. S. Bach - Hautbois Et Quatuor A Cordes (BACH JOHANN SEBASTIAN)
[Sheet music]
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Intermediate/advanced
FLEX Editions
Oboe and String Ensemble. Par BACH JOHANN SEBASTIAN. Formation : Musique de Cham...
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Oboe and String Ensemble. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Hautbois et Quatuor à Cordes : 1 Hautbois 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Hautbois et Quatuor à Cordes
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Johann Sebastian Bach: Bach J. S.: Duets For Two Cellos: Cello: Instrumental
2 Cellos (duet)
[Sheet music]
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Easy
Mel Bay
J. S. Bach’s two-part keyboard pieces form a significant body of musical li...
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J. S. Bach’s two-part keyboard pieces form a significant body of musical literature but only occasionally have they been arranged for strings. This carefully transcribed collection of cello duets and its two companion volumes Duets for Two Violins (MB # 21437) and Duets for Two Violas (MB # 21438) bring many additions taken from Bach’s suites preludes and inventions to the string player’s repertoire. Intermediate and advanced instrumentalistswill delight in the musical complexity contrapuntal dialogue and variety of moods in these pieces. Since bowing and fingering preferences vary greatly among string players editorial marks have been kept to a minimum. These arrangements are an attractive valuable addition to string ensemble work.
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