Comme c'est le cas avec 'Trauermusik', il existe maintenant une version d'orgue de son travail de soeur. Heribert Breuer, directeur de choeur et professeur à Berlin, organisé le score pour l'orgue, ouvrant ainsi de nouvelles possibilités pour ce morceau expressif. Il est parfaitement adapté pour les concerts dans les églises et peut être effectuée sans grande difficulté. / Violoncelle Et Orgue

Set 1 - Violin, Bass Viol and Organ. Par LAWES WILLIAM. Strings/ Répertoire / Violon, Viole de Gambe et Orgue

For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ Répertoire / Flûte Traversière Clarinette, Violon, Violoncelle

Par HAYES MORGAN. / Répertoire / Clarinette, Trompette, Trombone, Piano, Alto et Ba

Media Type : Book Level : Beginning-Intermediate Musical Genre : All Styles Number of pages : 40 Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. The discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. The examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.

These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 1 (Cello) includes Amazing grace Ave Maria Can Can from 'Orpheus in Underworld' Cocklesand Mussels Early One Morning Hallelu! Hornpipe form 'Water Music' Jupiter from 'The Planets' Largo from 'New World' Symphony Marche Militaire Waly Waly Prelude form 'Te Deum' Spring from 'The Four Seasons' The Entertainer and When the Saints Go Marching In.

This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.

Par GUILLOU JEAN. Jean Guillou, one of the most important organ composers of our time, studied with Marcel Dupré, Maurice Duruflé and Olivier Messiaen at the Paris Convervatoire. Following a several-year stay in Berlin (1958-63), he has been a titular organist at St. Eustache in Paris since 1963 and made appearances as a much sought-after concert organist and teacher of master classes. Written in 1955, the composition 'Fête' for clarinet and organ Op. 55 is a 20-minute virtuoso concertante piece which is aimed at professional players./ Répertoire / Clarinette en Bb [Violon] et Orgue

Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi