D 821 - Ausgabe F. Vla. U. Git.. Par SCHUBERT FRANZ. Als einziger Komponist schrieb F. Schubert für das etwas kuriose und bald wieder verschwundene Streichinstrument, das 'Arpeggione' (Cello-Ähnlichkeit, jedoch 6 Saiten in Gitarrenstimmung und mit Bünden versehenes Griffbrett, konstruiert 1823 von Georg . . . / Niveau : Elémentaire / Date parution : 1824-01-01/ Répertoire / Guitare et Musique de Chambre

The cellist Friedrich August Kummer is one of the best-known virtuosos of the 19th century. Among his numerous compositions, arrangements and concert paraphrases are these catchy transcriptions of Schubert lieder. The present edition contains the most popular lieder, such as 'Die Forelle', 'Die Ungeduld', 'Ständchen', 'Wanderers Nachtlied' and many more. The arrangements are easily playable for the cello and rewarding concert pieces. / Violoncelle Et Piano

Schubertâ??s composition of a new string quartet begun in December 1820 was alas never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubertâ??s estate delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubertâ??s â??Posthumous Workâ?� â?? thus paving the way into audiencesâ?? hearts for this little gem. Schubertâ??s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubertâ??s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬â?? thus making Schubertâ??s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubertâ??s workshop the few measures of the second movement are included as a bonus! Schubertâ??s composition of a new string quartet begun in December 1820 was alas never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubertâ??s estate delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubertâ??s â??Posthumous Workâ?� â?? thus paving the way into audiencesâ?? hearts for this little gem. Schubertâ??s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubertâ??s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬â?? thus making Schubertâ??s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubertâ??s workshop the few measures of the second movement are included as a bonus!

Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basée sur l'Urtext de la ' nouvelle édition Schubert, ' vient de Schubert totalement charme Rondo en la majeur pour violon Solo et cordes. Le Rondo, daté de 1816 est une oeuvre d'un mouvement contenant solo lyrique ainsi que virtuose des passages et peut également être effectuée avec chaînes seul ou avec un plus grand ensemble à cordes. Notre nouvelle édition contient une introduction informative (Ger/Eng) par érudit de Schubert Michael Kube, qui est aussi l'arrangeur de la réduction du piano. -Une nouvelle édition de Schubert peut-être plus charmant des travaux pour violon - comprend idiomatique réduction pour piano - Urtext de la ' nouvelle édition de Schubert ' / Violoncelle Ou Contrebasse

After The Piano Sonata D 960. Par SCHUBERT FRANZ. Sonate dernier pour piano de Schubert dans une version de Symphonie de chambre pour octet classique : conscient qu'aucun travaux vraiment adéquate de l'instrumentation même n'existence qui pourraient compléter un programme de concert avec singulier Octet opus Schubert 166, Heribert Breuer a choisi la Sonate de Piano majeur en Bb majeur, publié à titre posthume, d'une nouvelle version de l'instrumentation. Breuer appelle sa version une 'Symphonie de chambre' pour exprimer l'idée de base symphonique de ce travail extraordinaire dans le titre. Il n'échappera pas à l'avis de l'expert qu'en instrumentation et articulation, un pont est construit dans le mouvement lent à l'adagio de la quintette à cordes également créé en 1828, l'année de la mort de Schubert: ' Fülle des Wohllauts './ Répertoire / Clarinette, Basson, Cor, 2 Violons, Alto, Violonce

The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody. / 2 Violons, Alto Et Violoncelle

The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience as the“Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because theautograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies as the parts exhibit some inaccuracies regarding the articulation anddynamics. They have had to be carefully resolved something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde which can be heardat the beginning of the Andante. Quite a few people might however be reminded of the Impromptu in B flat major op. post. 142 no. 3 in which Schubert later once again took up the beautiful melody.

The autograph of a composition always makes fascinating reading - and this is particularly true of Schubert's Trio in Eb major op. 100, as it underwent many changes during its composition. The manuscript, parts of which were greatly revised, bears eloquent witness to this and offers an opportunity to trace the intricacies of Schubert's phrasing and articulation. This source is in a private collection and our facsimile makes it accessible to the public for the very first time. It is, of course, in proven Henle quality, in lavish four-colour printing and with an extensive introductory text with in-depth information about the work. In a letter to his publisher in 1828, Schubert explicitly dedicated the work to 'no one, save those who find pleasure in it?. / Trio De Pianos

F. Schubert: Complete String Trios (Parts).D 471.D 581 First Version.D 581 Second Version.Fragment to D 111A.Fragment to D 471 Second Movement.Also available study score TP306.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

Arrangeur: Eric Vireton. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Vent : 1 Flûte 1 Hautbois 1 Clarinette Sib 1 Basson - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / Quatuor à vent

Arrangeur: Eric Vireton. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Trio - Instrumentation :Trio de Violoncelles : 3 Violoncelles - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 3 mn 05 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / 3 Violoncelles

Cello Trio. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Trio - Instrumentation :Trio de Violoncelles : 3 Violoncelles - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 3 Violoncelles

D. 51. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Trio - Instrumentation :Trio de Violoncelles : 3 Violoncelles - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 45 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 3 Violoncelles

D. 57. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Trio - Instrumentation :Trio de Violoncelles : 3 Violoncelles - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 3 Violoncelles

With Coda And 7 Trios. Par SCHUBERT FRANZ. Quant à la mélodie, l'harmonie, le paramètre de chaîne et particulièrement le traitement de la forme de miniature, le travail de la Schubert de seize ans montre toutes les caractéristiques du maître plus tard. Elle peut être effectuée par le Quatuor à cordes, quintette à cordes (avec contrebasse) ou orchestre à cordes./ Répertoire / Quatuor à Cordes et Quintette à Cordes ou Orchestr