Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle

Opus 81 has long been one of the pieces of chamber music most frequently played internationally.

The present edition is based on the ?Complete Edition of the Works of Antonín Dvorák?, the new detailed foreword is by David Beveridge.

? One of the most frequently played chamber music works
? New detailed foreword by David Beveridge (Cz/Eng/Ger) / [Quintet pour Piano La Majeur Opus 81] / Classique / Partition / Agrafé /

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Alto. Si l'instrumentation Alto Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Alto Et Piano / Chanson En Séparée

'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

per viola e pianoforte (orig. per violoncello, archi e cembalo) piano score Édité par Nagy Olivér, Bársony László Instrument: Alto et piano Genre: Baroque Pages: 16 pp Date du parution: 1983

arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.

Per Viola E Pianoforte. Par RENOSTO P.. / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Alto ou 2 Violes et Piano

Per Viola E Orchestra (1964) - Riduzione Per Viola E Pianoforte. Par ZAFRED MARIO. / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Alto ou 2 Violes et Piano

Composer: Milhaud Darius Title: Concerto op. 108 Scored for: for viola and orchestra or viola and 15 instruments Edition type: piano reduction Edition: Edition for Viola and Piano ISBN: 978-3-7024-6322-9 ISMN: 979-0-008-01009-5 Order number: UE3718

Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and piano Nombre de Pages : 64 The genesis of the viola sonata reflects the eventful life of Hindemith in the winter of 1938/39 and owes its completion to Hindemith's ability to compose even while travelling, especially on trains. Hindemith himself said about his viola sonata: '... It is a powerful, well-fed piece with durable lining for cold weather. Second movement with a tricky rhythm to which one has to creep up carefully in order to master it. In the last movement which consists of two variations on an already fully developed rondo movement...' Hindemith shows again the wide range of his compositional and formal brilliance. New edition based on the text of the Hindemith Complete Edition.