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At the End of the Day
VIOLA
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Ballads of Britain: String Quartet: Instrumental Album
String Quartet: 2 violins, viola, cello
-
Intermediate/advanced
Spartan Press
A selection of folk ballads from England Ireland Scotland and Wales.A ballad ...
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A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The
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Alain Boublil Claude-Michel Schönberg: Les Miserables: Viola Solo: Instrumental
Viola
[Sheet music + Audio access]
-
Intermediate
Hal Leonard
Instrumental Play-Along-Solo arrangements of thirteen songs from the beloved Bou...
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Instrumental Play-Along-Solo arrangements of thirteen songs from the beloved Boublil and Schonberg musical.Songs include At The End of The Day and Bring Him Home.
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Franz Joseph Haydn: Die Sieben Letze Worte Unseres Erlösers Am Kreuze: String
String Quartet: 2 violins, viola, cello
[Set of Parts]
Peters
Joseph Haydn's Die Sieben Letze Worte Unseres Erlösers Am Kreuze. The Seven Las...
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Joseph Haydn's Die Sieben Letze Worte Unseres Erlösers Am Kreuze. The Seven Last Words of Our Savior on the Cross' Op.51 In 1785 or '86 Haydn received a commission from the Canon of Cadiz for what would serve essentially as 'incidental' music for a Good Friday service (akin to the one centering upon The Stations of the Cross although there are twelve of those) in which the celebrant recites in turn each of Christ's utterances on the way to Calvary then gives a 'reflection' thereupon followed by music to accompany a brief interval of silent congregational prayer. To this Haydn added an introductory movement and a conclusiondepicting the earthquake that followed the passing of Jesus. The structure of the work then is: Introduction -- 'Father forgive them for they know not what they do.' -- Sonata 1 -- 'Verily I say unto thee today shalt thou be with me in Paradise.' -- Sonata 2 -- 'Woman behold thy son.' -- Sonata 3 -- 'My God my God why hast thou forsaken me?' -- Sonata 4 -- 'I thirst.' -- Sonata 5 -- 'It is finished.' -- Sonata 6 -- 'Father into thy hands I commend my spirit.' -- Sonata 7 -- Conclusion (Earthquake)
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Benjamin Britten: Two Portraits for Strings (1930): Viola: Study Score
Viola and orchestra
[Study Score / Miniature]
Chester
Britten's Two Portraits for strings - the composer himself called them 'Sketches...
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Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930 during the summer holidays preceding the sixteen-year-old composer's first term at the RoyalCollege of Music in London.Both are musical depictions of character the first portraying Britten's school friend David Layton and the second introducing a solo Viola (Britten's own string instrument) a self-portraitof the composer. According to Britten's diary he planned to compose a third portrait again for strings that was to depict another school friend Peter Floyd but this movement was not written. However David Layton was to beportrayed again though very differently in Britten's later quartet suite Alla Quartetto Serioso (1933) itself revised and re-titled in 1936 as Three Divertimenti.The Pencil manuscript score in theBritten-Pears Library at Aldeburgh although hastily written is very detailed ad dynamics and phrasing are carefully notated throughout. However in several places in the first 'Portrait' the notes themselves are either difficultto decipher or due to the highly chromatic nature of the music difficult to interpret - in some cases Britten has clearly made notational 'spelling' mistakes which have been silently corrected in this editon. A list ofthose places where the reading of the manuscript is doubtful may be obtained from the Britten-Pears Library Aldeburgh.As with virtually all orchestral music from his youth Britten did not hear either 'Portrait'performed. The first performance of Two Portraits was given by the Northern Sinfonia conducted by Martyn Brabbins broadcast by BBC Radio 3 on 5th December 1995 as part of a series entitled 'Britten's Apprenticeship'.The first concert performance of Portrait No.1 was given by the Britten Chamber Orchestra conducted by Andreas Mitisek at the Konzerthaus Schubert-Saal Vienna on 10th February 1996. The first concert performance of
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Hymn to Artemis Locheia (DAVIES PETER MAXWELL)
Clarinette et Quatuor à Cordes
[Score and Parts]
Schott
Par DAVIES PETER MAXWELL. Peter Maxwell Davies spent a day at a gynaecological c...
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Par DAVIES PETER MAXWELL. Peter Maxwell Davies spent a day at a gynaecological clinic in London at the invitation of Professor Ian Craft, who commissioned the piece in memory of his father. During his time there he met many people and shared in some of the deep emotions they experienced. Artemis Locheia is the Greek Godess of Fertility. In this one movement, 25 minute work, the joy and exuberance experienced by couples when pregnancy is confirmed is captured. There are many tempo changes and two extended cadenzas for the clarinet. The work was premiered by Dmitri Ashkenazy and the Brodsky Quartet./ Répertoire / Clarinette et Quatuor à Cordes
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Nico Muhly: My Days: Viol Consort: Parts
St Rose Music Publishing
Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Vio...
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Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Viols.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text isderived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly
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Nico Muhly: My Days: Men's Choir: Score
St Rose Music Publishing
Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Full score.This 16...
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Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Full score.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly
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3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...
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Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
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Atonement (LIEBMAN DAVID)
String Quartet: 2 violins, viola, cello
Advance Music
Par LIEBMAN DAVID. Atonement commemorates the holiest day of the year in the Jew...
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Par LIEBMAN DAVID. Atonement commemorates the holiest day of the year in the Jewish faith, called Yom Kippur. On that day an individual repents for transgressions which may have occurred during the past year. Fasting and prayer are the activities which begin at sundown with the chanting of Kol Nidre and end twenty four hours later. I wrote the melodies for this piece on Yom Kippur, 1979. Part of the piece quotes the beginning strains of Hatikvah, the Israeli national anthem. It is adaptable to any solo instrument. Solo parts are included for C concert, Bb, Eb and bass clef instruments. Recorded on 'Classique”./ Répertoire / Quatuor à Cordes et Instrument Solo
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Superhero Themes Instrumental Play-Along for Viola: Viola Solo: Instrumental
Viola
[Sheet music + Audio access]
Hal Leonard
Instrumental Play-Along. Here they come to save the day! This collection instrum...
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Instrumental Play-Along. Here they come to save the day! This collection instrumentalists features 14 songs about your favorite superheroes from TV and the movies. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: The Avengers · Batman Theme · Captain America March · Elastigirl Is Back · Guardians Inferno · Iron Man · Theme from Spider Man · X-Men: Apocalypse - End Titles · and more.
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101 Most Beautiful Songs: Viola Solo: Instrumental Collection
Viola
Hal Leonard
Instrumentalists will love this jam-packed collection of 101 timeless pop hits a...
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Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards: The Boxer · City of Stars · Daughters · Every Breath You Take · Gabriel's Oboe · Have I Told You Lately · Just Give Me a Reason · Love Me Tender · Michelle · Never Enough · Perfect · River Flows in You · She's Always a Woman · Strangers in the Night · Three Times a Lady · What a Wonderful World · Your Song · and more.
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Wolfgang Amadeus Mozart: Mozart S Choral Favourites: String Quartet:
String Quartet: 2 violins, viola, cello
Spartan Press
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem...
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Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
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Outi Tarkiainen: The Lustful Mother's Heart: Viola: Instrumental Work
Viola
Wilhelm Hansen
Tarkiainen writes: The Lustful Mother???s Heart is a solo work that plumbs the d...
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Tarkiainen writes: The Lustful Mother???s Heart is a solo work that plumbs the depths of one of the most fundamental human instincts ??? the tie between a mother and her new-born child that as day follows day becomes less part of its mother???s body. The work develops themes from my song cycle The Lustful Mother in which long solo viola passages strike to the very heart of down-to-earth natural womanhood. The Lustful Mother???s Heart was born at a very special moment in my life when my second child was spending his first weeks in this world. The viola song kept company with us night and day dark and deep-rooted at times broadening out into a hymn weaving into our fate asthrough a dream. The Lustful Mother???s Heart is dedicated to violist Ellen Nisbeth who also commissioned it.
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Franz Joseph Haydn: String Quartets Volume III Op.17: String Quartet: Study
String Quartet: 2 violins, viola, cello
G. Henle
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was i...
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String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was in the possession of the imperial police chief Johann Nepomuk Neuwirth whose widow gave it to the Wiener Gesellschaft der Musikfreunde in 1875. It is said that Haydn ?used to playthe viola in quartet rehearsals? at the Neuwirth?s house. Whether the Quartets op. 17 were composed for these gatherings can no longer be ascertained. However even today they still have a fixed place amongst the music of allchamber music friends and in particular nos. 4 5 and 6 which are very different to the divertimento style of the early quartets are played again and again.
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John Tavener: Prayer Of The Heart (Parts): String Ensemble: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Chester
Prayer of the Heart was inspired by The Chain of Hope. This charitable organisat...
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Prayer of the Heart was inspired by The Chain of Hope. This charitable organisation raises money for the treatment of heart disorders in children including Marfan’s Syndrome of which John Tavener is a sufferer. Thesinger should sit on a low stool bowing towards the heart. This facilitates the soul’s concentration and its unification in ecstasy. The Prayer of the Heart is prayed ceaselessly day and night awake or sleeping becauseit has become at one with the beating of the heart... Silence peace sweetness of union with God... The Prayer is not usually sounded with the voice at all it is silent. Therefore the music must be played and sungintensely quietly with no physical effort. The Byzantine bell and large Tibetan temple bowl may be played by the singer. Prayer of the Heart should be sung in subdued lighting perhaps by candlelight. The recording of theheartbeat should sound very tenderly and quietly throughout.
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Franz Joseph Haydn: String Quartets Volume III op. 17: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Set of Parts]
G. Henle
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was i...
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String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was in the possession of the imperial police chief Johann Nepomuk Neuwirth whose widow gave it to the Wiener Gesellschaft der Musikfreunde in 1875. It is said thatHaydn ?used to play the viola in quartet rehearsals? at the Neuwirth?s house. Whether the Quartets op. 17 were composed for these gatherings can no longer be ascertained. However even today they stillhave a fixed place amongst the music of all chamber music friends and in particular nos. 4 5 and 6 which are very different to the divertimento style of the early quartets are played again and again.
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Franz Joseph Haydn: Fruhe Streichquartette: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
[Study Score / Miniature]
G. Henle
Early String Quartets-The Weinzierl castle in Lower Austria which still stands ...
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Early String Quartets-The Weinzierl castle in Lower Austria which still stands today can be considered to be the birthplace of a chamber music genre which is firmly established in our present-day repertoire. The young Haydn was invited to spend sometime at this place by a wealthy musical friend and often met up with the steward at the castle the castle priest and the cellist Anton Albrechtsberger to make music. Although his first two works for '2 violins viola and bass'still have five movements their musical value establishes the success of the string quartet in its own right.Also available as part of a 12 part set including all Haydn's works for String Quartet Cat. No. HN9216
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Compatible Christmas Duets for Strings: Viola: Mixed Songbook
2 Violas (duet)
Carl Fischer
50 Duets Can Be Played by Any Comb of String Instr-The intention of Compatible C...
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50 Duets Can Be Played by Any Comb of String Instr-The intention of Compatible Christmas Duets For Strings is to provide instrument players the opportunity to play fifty popular Christmas carols in arrangements for two instruments.These duets will work with any combination of any two instruments so you can play carols with your friends no matter what instrument they play. There are endless possibilities for using duet combinations for fun and entertainment around the holidays. You can play for family friends or in a concert setting.Compatible Christmas Duets For Strings provides you with interesting and playable arrangements. It can also help to make practice time fun aroundthe holidays and can be used with friends and teachers as well. One of the best ways to improve as a player is to play in small chamber groups and duets are the easiest way to get started. Playing duets with others of similar ability levels or even of greater ability will help to stimulate the growth of your playing.
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Pop Trios For All Viola Revised And Updated
Viola
[Sheet music]
Alfred Publishing
Playable on any three instruments or any number of instruments in ensemble. Part...
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Playable on any three instruments or any number of instruments in ensemble. Partitions pour trios. Jouable pour n'importe quel trio ou pour n'importe quel nombre d'instrument dans un ensemble. Arrangées par Michael Story. Niveau 1 à 4. / Niveau : 1-4 / Rép International / Recueil / Alto
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Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime
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Edward Gregson: String Quartet No. 1: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Edward Gregson's String Quartet was commissioned by The Manchester Mid-day Conce...
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Edward Gregson's String Quartet was commissioned by The Manchester Mid-day Concerts Society in celebration of its 100th year. The premier performance took place on the 14th of January 2015 performed by the Navarra Quartet at the Bridgewater Hall in Manchester. The piece is divided into three distinct movements each developing and changing what has come before. When commenting on his compositional process for String Quartet Gregson noted that he desired to return to the classical principles of Beethoven and Bartok deciding to include extended sonata variation and rondo forms.
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Andrew Lloyd Webber: The Songs of Andrew Lloyd Webber: Viola Solo: Instrumental
Viola
[Sheet music]
Hal Leonard
Viola-40 of the most memorable songs composed by the inimitable Andrew Lloyd Web...
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Viola-40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: 'All I Ask of You' 'Amigos Para Siempre (Friends for Life)' 'Any Dream Will Do' 'Don't Cry for Me Argentina' 'I Believe My Heart' 'I Don't Know How to Love Him' 'Love Changes Everything' 'Love Never Dies' 'Memory' 'No Matter What' 'The Phantom of the Opera' 'Pie Jesu' 'Starlight Express' 'Stick It to the Man' 'Tell Me on a Sunday' ''Til I Hear You Sing' 'Unexpected Song' 'Wishing You Were Somehow Here Again' 'With One Look' and many more.
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String Quartet No. 2 (LINJAMA JYRKI)
String Quartet
Fennica Gehrman
Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (...
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Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (2018) is subtitled Allerheiligentag III. The material for the Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba and violin.The composer tells: “The choice of topic and material for the string trio was originally prompted by the venue at which it was to be premiered: the old church on the island of Seili (Själö). The bleak history of the island's leper and mental hospital evoked images of suffering and death. I got so attached to the harsh and beautiful melody that it began to generate a whole cycle.” The string quartet is in three movements (slow-quick-slow) tensed in different ways by contrasts. The first movement has both swinging softness and cutting sharpness, the Scherzo the wildness of a dance of death and lyricism, and the finale the irrevocability of a funeral march and tender melodiousness./ Répertoire / String Quartet
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Shawn Mendes: In My Blood: String Quartet: Score & Parts
String Quartet: 2 violins, viola, cello
Hal Leonard
If you have tuned into the hit period drama on Netflix, Bridgerton, chances are ...
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If you have tuned into the hit period drama on Netflix, Bridgerton, chances are you\'ve also taken notice of the distinctive string quartet playing covers of today\'s top contemporary hits in decidedly classical arrangements. HalLeonard is pleased to now present string quartet score and parts for this buzz-worthy music performed by Vitamin String Quartet.
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Wolfgang Amadeus Mozart: A Musical Joke K. 522: String Quartet: Parts
String Quartet : 4 violas
G. Henle
for 2 Violins Viola Basso and 2 Horns-Wolfgang Amadeus Mozart's A Musical Joke...
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for 2 Violins Viola Basso and 2 Horns-Wolfgang Amadeus Mozart's A Musical Joke is filled with intentional mistakes by the composer who inserted odd notes into this amusing and mischievous piece in order to take an angry side-swipe atdilettante composer-colleagues of his time whose lack of imagination and artless compositional technique are here mercilessly demonstrated - the piece was not intended to parody musicians who play wrong notes as its later title?Village Musicians? suggests. A musical and intellectual delight for today?s performers and audiences alike this piece is now performable for the first time using a genuine Urtext quality edition based onthe autograph in Berlin. A Musical Joke is scored for 2 Violins Viola Basso and 2 Horns in F.
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Nadia Boulanger: Three Pieces For Viola & Piano (Originally For Cello). Sheet Music for Viola Piano Accompaniment
Viola, Piano
Leduc, Alphonse
Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the origina...
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Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes.Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.
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Antonín Dvo?ák: String Quartet: String Quartet: Miniature Score
String Quartet: 2 violins, viola, cello
Barenreiter
Of the works which Antonin Dvorak wrote during his three-year sojourn in America...
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Of the works which Antonin Dvorak wrote during his three-year sojourn in America the String Quartet In F Major ('American') is the best known after the New World Symphony.It was written essentially without interruption during the course of June 1893 and reflects happy times spent in the hamlet of Spillville over the summer holidays among Czech compatriots descendants of Czech immigrants where the composer surrounded by nature and friends had the ideal conditions for his composition work. The use of elements of American folk and popular music gives the piece its typical character.This pocket score is part of the firstComplete Critical Edition of Works by Antonin Dvorak.Also available set of parts (H1594)
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Tom Coult: Four Perpetual Motions: Wind Ensemble: Instrumental Work
Chamber Orchestra
Faber Music Limited
For 10 players-These mature and well-crafted pieces for an ensemble of ten playe...
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For 10 players-These mature and well-crafted pieces for an ensemble of ten players showcase Coult’s ear for beguiling burnished sonorities and his ability to harness the most complex of technical devices to rich emotional ends. Whilst his musical schemas are often audacious and innovative the security and light touch with which Coult carries them out ensures that his Four Perpetual Motions are always as expressive as they are impressive. Coult was one of the winners of the 2012 Royal Philharmonic Society Composition Prize and was consequently commissioned to write this 13-minute work for the Philharmonia’s Music of Today Series.Scoredfor: fl.ob.cl - tpt - perc(1): vib/mar/glsp/crot/2 bongos - harp - vln.vla.vlc.db
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