| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.
(8)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition C Instruments [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book. Broadway,
Country, Jazz, Pop, Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Do-It-Yourself Alto Sax Alto Saxophone [Sheet music + Audio access] Hal Leonard
Book with Online Audio and Video Alto Sax The Best Step-by-Step Guide to Start...(+)
Book with Online Audio and Video
Alto Sax
The Best Step-by-Step Guide to
Start Playing. Do It Yourself.
Instruction, Method. Softcover
Media Online. 128 pages.
Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Do-It-Yourself Tenor Sax Tenor Saxophone [Sheet music + Audio access] - Beginner Hal Leonard
The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Met...(+)
The Best Step-by-Step Guide to
Start Playing. Do It Yourself.
Instruction, Method. Softcover
Media Online. 128 pages.
Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| VH1's 100 Greatest Songs of Rock and Roll Alto Saxophone Hal Leonard
(for Alto Sax). By Various. For Alto Sax. Instrumental Solo. Softcover. 112 page...(+)
(for Alto Sax). By Various. For Alto Sax. Instrumental Solo. Softcover. 112 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| VH1's 100 Greatest Songs of Rock and Roll Tenor Saxophone Hal Leonard
(for Tenor Sax). By Various. For Tenor Sax. Instrumental Solo. Softcover. Publis...(+)
(for Tenor Sax). By Various. For Tenor Sax. Instrumental Solo. Softcover. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Beatles: Best Of The Beatles (Eb alto saxophone)
Alto Saxophone [Sheet music] - Intermediate Hal Leonard
Performed by The Beatles. For Eb alto saxophone. Format: Solo Songbook. With tra...(+)
Performed by The Beatles. For Eb alto saxophone. Format: Solo Songbook. With transposed melody. Classic rock, britpop and psychedelic rock. 96 pages. 9x12 inches. Published by Hal Leonard. (
(28)$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best of the Beatles for Tenor Sax
Tenor Saxophone [Sheet music] Hal Leonard
Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Publishe...(+)
Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Published by Hal Leonard Corporation.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival March Concert band - Advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78 Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+6+8+8+6+6+9+18+18+27+8+8+8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78). ISBN 9781491152553. UPC: 680160910052. Key: Bb major. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival March Concert band - Advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78F Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F). ISBN 9781491153239. UPC: 680160910731. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 25 or 6 to 4 - Beginner Hal Leonard
Jazz Ensemble (Score) - Grade 1-2 SKU: HL.7470752 By Chicago. By Robert L...(+)
Jazz Ensemble (Score) - Grade 1-2 SKU: HL.7470752 By Chicago. By Robert Lamm. Arranged by Paul Murtha. Discovery Jazz. Classic Rock, Rock. 12 pages. Published by Hal Leonard (HL.7470752). UPC: 884088543273. 12.0x9.0x0.02 inches. Recorded by the group Chicago, this signature hit has gone on to become a rock classic. Paul's easy arrangement is playable with very limited rehearsal time, but still has an authentic and hard-driving feel. Includes optional solos (or soli) for any sax and any brass instrument. Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes, 2 trumpets, 1 trombone, piano and drums; includes optional parts for flute, clarinet, F horn and tuba. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Together Apart/Apart Together Music Sales
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fu...(+)
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fundal. Music Sales America. Classical. Score. 15 pages. Music Sales #KP01526. Published by Music Sales (HL.14033723). ISBN 9788759891322. Danish. Together Apart/Apart Together for Saxophone, Accordion and Double Bass was composed by Karsten Fundal in 2004. Written for and commissioned by Poing. Programme note: This piece is the 3rd in a row of pieces, which concentrates on a rhythmical relationship that continues to puzzle me. It is actually two relationships embedded. The 1st is a pattern that is very inspired by the composer Per Norgard, who in the beginning of the 90's got very preoccupied with the idea that you can have rhythms that never meet. This happens if you start a rhythm, like a quintuplet, on the beat and one, like a triplet, off beat. This can, with different rhythms, give very intricate interwoven patterns, that gives the illusion that they are not cyclic. In my case I use the two ratio five to seven, in the described way. This rythms have the strange property that if you take each 5th note of the seven and each 7 note of the five you get a ratio almost identical: 49:50. This is very intriguing, as you can use the possibility of letting them be equal or the possibility of letting them interfere. In the first case you get an interlocking rhythm which is smooth: an equal rhythmic pattern. In the second case you get a similar situation, but where one of them is one short after 50 of the other ones, which results in a disturbing almost equality, but not quite. Therefore the title: because when I use the unequal rhythm I put the two layers in a similar tone register, or a similar way of playing, and when I use the equal one I put them a part tone wise speaking. This is a very technical description, but it is very hard to put it in more wide terms, but you might compare it with driving in a train and looking at two fence rows behind each other: if the poles are placed exactly halfway between each other you will experience an illusion of a fast jump if there is enough distance between them, as a result of the perspective. If they are placed in a way that there are almost the same numbers of poles, like 49:50, you will experience a very complex pattern, which seems unpredictable. But of course when using it in music the whole thing is somewhat different, but even then it gives an idea of my preoccupation. What also intrigues me is that the relations are very hard to use in a musical way, and that is also quire a challenge.' Finally I have to say that I enjoyed very much writing for Poing, as these crazy guys are capable of doing almost anything you want in an nearly literal sense. - Karsten Fundal summer 2004. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You Can't Keep A Good Band Down Jazz Ensemble [Score and Parts] - Intermediate C.L. Barnhouse
Jazz ensemble - Grade 3 SKU: CL.032-4127-00 Composed by P. Clark. Jazz En...(+)
Jazz ensemble - Grade 3 SKU: CL.032-4127-00 Composed by P. Clark. Jazz Ensemble. Audio recording available separately (item CL.991-2012-00). Score and set of parts. Composed 2012. Duration 3 minutes, 13 seconds. C.L. Barnhouse #032-4127-00. Published by C.L. Barnhouse (CL.032-4127-00). This is a great contest/concert selection for band's at this grade level. Once the notes get under the fingers it swings hard and shows off the whole band. The ranges and rhythms are very reasonable, but the excitement generated is off the charts! The intro is a piano vamp, followed by the saxes playing the melody in unison. The trumpets then join the altos, while the bones and tenors play some background punches. The bones and saxes trade off playing the bridge, and then full ensemble plays up to the open solo section. Following the solos, everything quiets way down and the gradual buildup to a real flag-waver of an ending begins. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| You Can't Keep A Good Band Down Jazz Ensemble - Intermediate C.L. Barnhouse
Jazz ensemble - Grade 3 SKU: CL.032-4127-01 Composed by P. Clark. Jazz En...(+)
Jazz ensemble - Grade 3 SKU: CL.032-4127-01 Composed by P. Clark. Jazz Ensemble. Audio recording available separately (item CL.991-2012-00). Extra full score. Composed 2012. Duration 3 minutes, 13 seconds. C.L. Barnhouse #032-4127-01. Published by C.L. Barnhouse (CL.032-4127-01). This is a great contest/concert selection for band's at this grade level. Once the notes get under the fingers it swings hard and shows off the whole band. The ranges and rhythms are very reasonable, but the excitement generated is off the charts! The intro is a piano vamp, followed by the saxes playing the melody in unison. The trumpets then join the altos, while the bones and tenors play some background punches. The bones and saxes trade off playing the bridge, and then full ensemble plays up to the open solo section. Following the solos, everything quiets way down and the gradual buildup to a real flag-waver of an ending begins. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing Ariel Vocal Score Schott
Mezzo-soprano voice, 2 soprano voices and 5 players (t.sax.(bcl) - tpt. - pf. - ...(+)
Mezzo-soprano voice, 2 soprano voices and 5 players (t.sax.(bcl) - tpt. - pf. - vn.(va) * db) SKU: HL.49003206 Composed by Alexander Goehr. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Commissioned by the Aldeburgh Festival with financial assistance from the Arts Council of Great Britain. Classical. Score. Composed 1989-1990. Op. 51. 160 pages. Duration 45'. Schott Music #ED 12451. Published by Schott Music (HL.49003206). ISBN 9790220118609. 8.25x11.75x0.499 inches. English. W.H. Auden: Sing, Ariel, sing * Spenser: He ceast * E. Pound: Tell her that sheds * Milton: Such a sacred and home-felt delight * Th. Campion: Rose-cheeked Laura, come * Milton: Such sober certainty * Shakespeare: O you are well-tun'd now! * W.B. Yeats: Old lecher with a love on every wind * J. Hollander: Across the street a tenor whine * Collins: With woeful measures wan Despair * Th. Hardy: Thus I, faltering forward * W.H. Ausen: ... rebuke * C. Raine: There is so much to celebrate * Coleridge: I see them all * Hollander: ... my unground grain * W. Stevens: The time of year has grown indifferent * W.H. Auden: ... unanxious one, sing * P. larkin: I squeezed up the last stair to the room in the roof * Shakespeare: Thou hast nor youth nor age * W. Stevens: The palm at the end of the mind * W. Stevens: Without human meaning * H. Vaughan: All's in deep sleep and night * W. Stevens: The rock of autumn, glittering * W.H. Auden: ... brillantly, lightly. $68.00 - See more - Buy online | | |
| If You Go Away (Ne me quitte pas) Concert band LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gt...(+)
Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gtr(opt.): Str (9-8-7-6-5 in set) SKU: AP.36-A782890 Arranged by Jacques Brel and ed./arr. by Richard Hayman. Full Orchestra Score & Parts; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Masterwork Arrangement. Score and Part(s). LudwigMasters Publications #36-A782890. Published by LudwigMasters Publications (AP.36-A782890). UPC: 676737927707. English. Belgium singer, actor, and composer Jacques Brel (1929-1978) wrote the music and lyrics for Ne me quitte pas (If You Go Away) in 1959. The song was later adapted with English lyrics by Rod McKuen, and the work is considered a pop standard with recordings by many artists. This orchestration was completed by Richard Hayman (1920-2014), who had a very successful career as chief music arranger for the Boston Pops Orchestra, an association that lasted over 50 years, and who also served as a pops conductor for various orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony, and the Grand Rapids Symphony. Instrumentation: 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gtr(opt.): Str (9-8-7-6-5 in set). These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $70.00 - See more - Buy online | | |
| If You Go Away (Ne me quitte pas) Concert band LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gt...(+)
Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gtr(opt.): Str (9-8-7-6-5 in set) SKU: AP.36-A782899 Arranged by Jacques Brel and ed./arr. by Richard Hayman. Full Orchestra Condensed Score; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Masterwork Arrangement. Score. LudwigMasters Publications #36-A782899. Published by LudwigMasters Publications (AP.36-A782899). ISBN 9798888526729. UPC: 676737927936. English. Belgium singer, actor, and composer Jacques Brel (1929-1978) wrote the music and lyrics for Ne me quitte pas (If You Go Away) in 1959. The song was later adapted with English lyrics by Rod McKuen, and the work is considered a pop standard with recordings by many artists. This orchestration was completed by Richard Hayman (1920-2014), who had a very successful career as chief music arranger for the Boston Pops Orchestra, an association that lasted over 50 years, and who also served as a pops conductor for various orchestras including the Detroit Symphony Orchestra, the St. Louis Symphony, and the Grand Rapids Symphony. Instrumentation: 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gtr(opt.): Str (9-8-7-6-5 in set). These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $4.00 - See more - Buy online | | |
| Ain't It the Truth - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.032-3506-01 Composed by P. Clark. Jazz Ensemble. Audio re...(+)
Grade 3 SKU: CL.032-3506-01 Composed by P. Clark. Jazz Ensemble. Audio recording available separately (items CL.991-2006-01 & CL.991-2006-02). Extra full score. Composed 2006. Duration 3 minutes, 10 seconds. C.L. Barnhouse #032-3506-01. Published by C.L. Barnhouse (CL.032-3506-01). A hard drivin' gospel rock chart by Paul Clark that is full of appeal. Starts out with one trumpet and two alto saxes and builds into a powerhouse. Contains an open solo section for the soloists of your choice. Ranges are very reasonable and it's a perfect choice for any performance by mid-level jazz ensembles. Sure to be a favorite of your band and their audiences! A real winner! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ain't It the Truth Jazz Ensemble [Score and Parts] - Intermediate C.L. Barnhouse
By Paul Clark. Jazz Ensemble. Grade 3. Score and set of parts. Composed 2006. Du...(+)
By Paul Clark. Jazz Ensemble. Grade 3. Score and set of parts. Composed 2006. Duration 0:03:10
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exemplary Concert band Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5 SKU: CF.PPS49F Composed by Richard Summers. Primer Band (PPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #PPS49F. Published by Carl Fischer Music (CF.PPS49F). ISBN 9781491152614. UPC: 680160910113. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  . $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exemplary Concert band Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5 SKU: CF.PPS49 Composed by Richard Summers. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3+1+1+2+1+12+2 pages. Duration 2 minutes. Carl Fischer Music #PPS49. Published by Carl Fischer Music (CF.PPS49). ISBN 9781491151938. UPC: 680160909438. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  . $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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