Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Clarinette en Si

Jubiläumsausgabe - Highlights aus 25 Jahren YAMAHA BLÄSERKLASSE. Par . / Date parution : 2022-01-14/ Recueil / Clarinette Basse

Opening with delicate mallet lines and the plaintive Sunrise Sunset played by clarinets the pace gradually quickens as a solo clarinet leads into the famed Bottle Dance (Wedding Dance #1). The ending segment is fast and furiousand brings our Fiddler on the Roof show to a rousing finish.

Solo for Flute, Clarinet, Trumpet or Alto Saxophone. Par SPARKE PHILIP. L?occasion de mettre en avant un(e) soliste vedette ! La partie solo convient à la flûte, à la clarinette, au saxo alto ou à la trompette. En outre, l?orchestre apprendra l?importance d?un accompagnement bien pensé. - Instrumentation variable à 5 voix / Date parution : 2022-01-14/ Répertoire / Concert Band/Harmonie/Fanfare

Arranged by Roberto Fabbri. Full score and 21 parts: 1) C Instr. (Flute Violin Guitar) / Bb Instr. (Clarinet Trumpet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet Trumpet) / 3) Eb Instr. (Sax Horn Viola) / 4) Bass (Cello Trombone) / Piano / Percussions / Easy Violin

Par SAUCEDO RICHARD. Filled with tuneful melodies and an energetic lilt throughout, Cloud Dancing is sure to have great appeal for students as well as audiences. There is a wealth of teachable elements as well; developing confidence in 3/4, use of simple mixed meters in the slow middle section, and brief solo opportunities for Flute, Clarinet, Alto Sax, and Trumpet. Enjoyable as well as educational. Dur: 3:15 / Date parution : 2022-07-23/ Répertoire / Concert Band

The Yiddish word â??Klezmerâ?? has been derived from the Old Hebrew words â??Kleyâ?? (tool instrument) and â??Zemerâ?? (song singing making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music Klezmer music has succeeded in preserving its distinctive Jewish character. â??Klezmer Discoveryâ?? is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and Lâ??cha Dodi) followed by a melody in 3/8th time (Kandelâ??s Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently â??Der Terk in Amerikaâ?? a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast cheerful dance melodies (bulgars) form the finale of â??Klezmer Discoveryâ?? (Lebedyk un Freylekh Lomir sich iberbetn and Sherele).

The Yiddish word ‘Klezmer’ has been derived from the Old Hebrew words ‘Kley’ (tool instrument) and ‘Zemer’ (song singing making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music Klezmer music has succeeded in preserving its distinctive Jewish character. ‘Klezmer Discovery’ is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and L’cha Dodi) followed by a melody in 3/8th time (Kandel’s Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently ‘Der Terk in Amerika’ a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast cheerful dance melodies (bulgars) form the finale of ‘Klezmer Discovery’ (Lebedyk un Freylekh Lomir sich iberbetn and Sherele).

Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023. The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled. Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion. The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part. Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible. This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Conductor-Jam packed with high-energy hits for the stands or field here is a collection of 15 easy arrangements that you can use year after year. These charts all sound great with limited rehearsal time. Includes: Accidentally in Love• Boom Boom • Brick House • Fun Fun Fun • Funkytown • Get Ready • I Want You Back • Let's Get It Started • My Girl • Respect • Rock & Roll - Part II (The Hey Song) • SecretAgent Man • Smoke on the Water • 25 or 6 to 4 • Yeah!Conductor 03745347/$24.95Flute/Piccolo 03745348/$4.50Bb Clarinet 03745349/$4.50Eb Alto Saxophone 03745350/$4.50BbTenor Saxophone 03745351/$4.50Eb Baritone Saxophone 03745352/$4.501st Bb Trumpet 03745353/$4.502nd Bb Trumpet 03745354/$4.503rd Bb Trumpet 03745355/$4.50F Horn 03745356/$4.50BbHorn/Flugelhorn (Opt.) 03745357/$4.50 Trombone 03745358/$4.50Baritone B.C. 03745359/$4.50Baritone T.C. 03745360/$4.50Tuba 03745361/$4.50Electric Bass (Opt.)03745362/$4.50Bells/Xylophone 03745363/$4.50Snare Drum 03745364/$4.50Cymbals 03745365/$4.50Quad Toms 03745366/$4.50Multiple Bass Drums 03745367/$4.50Aux. Percussion (Opt.)03745368/$4.50Drum Set 03745369/$4.50Value Pak (34 part books) 03745370/$129.95

Marching Band (without score)-Jam packed with high-energy hits for the stands or field here is a collection of 15 easy arrangements that you can use year after year plus these charts all sound great with limited rehearsal time. Includes: Accidentally in Love• Boom Boom • Brick House • Fun Fun Fun • Funkytown • Get Ready • I Want You Back • Let's Get It Started • My Girl • Respect • Rock & Roll - Part II (The Hey Song) • SecretAgent Man • Smoke on the Water • 25 or 6 to 4 • Yeah!Value Pak includes:• Flute (3)• Clarinet (3)• Alto Sax (2)• Tenor Sax (1)• BariSax (1)• Trumpet 1 (2)• Trumpet 2 (2)• Trumpet 3 (2)• F Horn (2)• Trombone (2)• Baritone BC (2)• Baritone TC (1)• Tuba(2)• Electric Bass (1)• Mallet Percussion (1)• Snare Drum (2)• Cymbals (1)• Quad Toms (1)• Bass Drum (1)• Aux Percussion (1)•Drum Set (1)

from Harry Potter and the Half-Blood Prince-Harry Potter & The Half-Blood Prince is the sixth installment in the blockbuster Harry Potter series. Arranged for Flute/Piccolo B Flat Clarinet E Flat Alto Saxophone 1st B Flat Trumpet 2nd B Flat Trumpet Horn in F 1st Low Brass and Woodwinds 2nd Low Brass and Woodwinds Tuba Mallet Percussion (Bells Xylophone) Snare Drum Quad-Toms Tonal Bass Drums (4 Pitches) Cymbals and Auxiliary Percussion (Tambourine Cowbell).

Based on the hymn tune Dear Lord and Father of Mankind-Sir Hubert Parry (1848-1918) appartient à cette génération de compositeurs anglais quelque peu oubliés dont font partie Charles Villiers Stanford et Sir Granville Bantock. La notoriété de Sir Edward Elgar a certainement contribué au fait que leurs œuvres soient aujourd?hui très peu jouées ou même oubliées.Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l?oratorio Judith de Charles Hubert Parry puis adapté sous forme d?hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut êtreconfiée à un trompettiste un clarinettiste ou un saxophoniste (saxophone alto).

Albastum est une majestueuse marche de concert conforme à la structure classique A-B-A. Elle débute avec une fanfare festive suivie d?un changement de couleurs obtenu par l?alternance entre les cuivres graves les saxophones et les euphoniums. La partie B - un trio mélodieux - a été confiée aux clarinettes. Un charmant contre-chant plane au-dessus du thème principal. Il s?ensuit une reprise de la partie initiale (partie A) avec en prime un contre-chant taillé sur mesure pour les flûtes et les clarinettes.