Imagine yourself in a smoky pub with all the joys that entails. A nice jazzy solo puts you in the mood. This Sugar blues dates from the thirties and is a classic in the jazz scene. A wonderful solo in this case a saxophone but also for other instruments such as clarinet trumpet or trombone (there are different transpositions of the solo part included). Waan u in een rokerig bruin café met alle geneugten van dien. Een heerlijk jazzy gespeelde solo brengt u in de juiste stemming. Deze oerblues stamt uit de dertiger jaren en is een klassieker in de jazzscene. Een heerlijke solo voor in dit geval een saxofoon maar ook geschikt voor andere instrumentenzoals klarinet trompet of trombone (er worden verschillende transposities van de solopartij meegeleverd).

‘Mixed Bag’ stands midway between a collection and a hotchpotch. It is a colourful compilation of four completely different pieces each with its own specific character. The first part is called ‘Tanguillo’ : as its name suggests this Spanish dance is related to the Tango. In the next part ‘Maybe next time ....’ a repeated bass line (Passacaglia) can be heard first solo but thereafter gradually the other instruments join in. The third part forms a huge contrast – did the former part have a Baroque atmosphere ‘Rock Hard’ seems to have come directly from the Rock ‘n Roll era reminding us of stars such as Bill Haley and Elvis Presley. The finale is acheerful inciting movement called ‘Gypsy Dance’.

Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Clarinet and Violin editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three brass players - with or without accompaniment Mayalso be used with matching arrangements in Book 2 editions of this series for Flute Saxophone Clarinet or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use

In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.

Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century). / Niveau : 4 / Pièce de concert / Répertoire / Concert Band

Par ABBA / ULVAEUS BJORN (Arr.). This song by ABBA is the core of the European disco-sound in the eighties. It was released in 1980 when ABBA was in its superstardom. A good tune with almost a sing-along guarantee from the audience. This arrangement in the Young Band series is suitable for many bands as the instrumentation is limited in its demand to number of instruments. In the same series several ABBA items are available, and this piece can be programmed alongside other ABBA songs from the same series. This arrangement is similar to the original in form. The semiquavers in the tuba part may be omitted as they also are covered in the baritone part. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north of London. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegro movement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image. The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely which was built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These ?public houses? which may be open until the early hours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would have wished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.De ‘Rhapsody’ werd geschreven voor de fanfare ‘Soli Deo Gloria’ uit Tienhoven.

This 4-movement suite is based on authentic folktunes from the beautiful southern province in France: the 'Provence'. The composer used an harmonic language respecting the popular characteristics but on the other hand also contains some 'spicy' notes (... just like the wellknown 'Provençal sauce'! ...). The instrumentation is very colourful paying a lot of attention to the different timbres of both brass and wood winds as well as to the percussion section.Every movement has its own character: 'Un Ange a fa la crido' (= An angel brought the creed / credo) is like a bourrée 'Adam e sa Coumpagnou' (= Adam and his companion) is an old love song 'Lou Fustié' (= the carpenter)a fast dance and finally 'Lis Escoubo' (= a whistle tune / popular ballad) is a farandole. In the latter the old tradition of folk musicians who play a whistle with one hand and a drum with the other hand is clearly represented during the first presentations of the one and only theme)Although this piece is not too demanding a well balanced band is necessary to perform it successfully. Thanks to the contrasts and the varying colours it keeps on holding the attention.

Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe Backer Grøndahl’s ‘Ballade’ can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grøndahl’s production, several of these are grouped under the term ‘fantasy pieces’. There are six collections with a total of 48 fantasy pieces on her opus list and ‘Ballade’ is from the first of these (Op. 36), published in 1895. ‘Ballade’ is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material. The arrangement is close to Backer Grøndahl’s original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

In â??Land of Legendsâ?? German composer Andreas Ludwig (whatâ??s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the sceneof action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appearsto be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen from neighbouring villages are busily at work. In the upperchamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some ofthem sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played byminstrels and of course a plentiful banquet follows.

Concert Band Signature Series. Par WALKER GEORGE. In 1946, George Walker was still doing graduate work at the Curtis institute when he composed Lyric for Strings, which would prove over the coming decades to become one of the most performed and enduring string orchestra works of the 20th Century. This first-ever edition for symphonic wind band was arranged by Dr. Luci Disano and premiered by The President's Own United States Marine Band on August 24, 2022. George Walker (June 27, 1922 - August 23, 2018) began his groundbreaking career as a young piano virtuoso and was admitted to Oberlin College on a scholarship following his first public recital at the age of 14. Graduating with the highest honors in his Conservatory class, he was admitted to the Curtis Institute of Music, becoming the first black graduate of this renowned music school. His works demonstrate a wide range of artistic excellence in genres ranging from instrumental and vocal solos and chamber music to compositions for orchestra and other large ensembles. He is the first black composer to be awarded the Pulitzer Prize. / Date parution : 2023-07-31/ Répertoire / Concert Band

Par HANNICKEL MIKE. This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when “Go Tell It On The Mountain”, “Swing Low, Sweet Chariot” and “Who did Swallow Jo-Jo-Jonah” all come together in rousing counterpoint! THREE AMERICAN SPIRITUALS works wonderfully with the unpredictable instrumentation of so many youth bands, while it's contrapuntal nature allows every section to shine. THREE AMERICAN SPIRITUALS allows each parent to say honestly to their child 'I HEARD you play your part!' / Niveau : 1.5 / Répertoire / Concert Band ou Harmonie