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Orchestra
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Choral CD (5)
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Basse Partie Spare (2)
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English Horn (2)
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Electric bass, Drums (2)
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Soprano Saxophone and Piano (2)
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Clarinette Et Cordes (2)
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Voix solo - piano (2)
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Flte Seul Ou Avec Piano (2)
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Rapport Critique (2)
Concert Band et Marimba (2)
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Voix Mixtes et Orchestre (2)
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Guitar, Bassoon (2)
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Book (2)
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Xylophone (2)
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Satoshi Yagisawa: Concertino for Solo Percussion and Wind Orchestra: Concert
Percussions et Concert Band ou Harmonie
[Score and Parts]
De Haske Publications
Cette pièce vient compléter la série de concertos composés par Satoshi Yagis...
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Cette pièce vient compléter la série de concertos composés par Satoshi Yagisawa. L?écriture d?un authentique solo de percussion ainsi que l?élégante orchestration font de ce concertino une oeuvre exceptionnelle largement appréciée par l?auditoire.Le style d?écriture de Satoshi Yagisawa est habituellement dramatique mais il se pourrait fort bien qu?une empreinte de couleur différente nous soit offerte avec Concertino pour Percussion et Orchestre à Vent !
132.99 GBP - Sold by Musicroom UK
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Kees Schoonenbeek: Canzona per Organo e Orchestra a Fiato: Fanfare Band: Score &
Orgue et Fanfare
[Score and Parts]
De Haske Publications
Canzona per Organo e Orchestra a Fiato
136.50 GBP - Sold by Musicroom UK
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Hobbits (from The Lord of the Rings)
Concert band
[Score]
Amstel Music
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 Th...
(+)
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le Seigneur des Anneaux] La première symphonie de Johan de Meij ?The Lord of the Rings? [Le Seigneur des Anneaux] est basée sur la trilogie romanesque du même nom de J.R.R. Tolkien. Depuis leur parution en 1955, ces livres ont fasciné des millions de lecteurs dans le monde entier. La symphonie est composée de cinq mouvements séparés illustrant chacun un personnage ou un épisode important de ce grand succès littéraire. L?oeuvre est écrite pour orchestre d?harmonie, avec des parties réservées au saxophone soprano, au bugle et au piano. Les différentes parties sont intitulées : I. GANDALF (The Wizard) [Le Magicien] II. LOTHLORIEN (The Elvenwood) [La Forêt des Elfes] III. GOLLUM (Sméagol) IV. JOURNEY IN THE DARK [Voyage dans les Ténèbres] a. The Mines of Moria [Les Mines de la Moria] b. The Bridge of Khazad-Dûm [Le Pont de Khazad-Dûm] V. HOBBITS La symphonie a été écrite entre mars 1984 et décembre 1987 et a eu sa première à Bruxelles le 15 mars 1988, interprétée par la Musique Royale des Guides Belges sous la direction de Norbert Nozy. En 1989, la Symphonie LE SEIGNEUR DES ANNEAUX remporte le premier prix du Concours International de Composition Sudler à Chicago. En 2001, la version orchestrale a été créée par le Rotterdam Philharmonic Orchestra et a été enregistrée par le London Symphony Orchestra. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Symphony No. 1 The Lord of the Rings (DE MEIJ JOHAN)
Concert band
Amstel Music
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 Th...
(+)
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le Seigneur des Anneaux] La première symphonie de Johan de Meij ?The Lord of the Rings? [Le Seigneur des Anneaux] est basée sur la trilogie romanesque du même nom de J.R.R. Tolkien. Depuis leur parution en 1955, ces livres ont fasciné des millions de lecteurs dans le monde entier. La symphonie est composée de cinq mouvements séparés illustrant chacun un personnage ou un épisode important de ce grand succès littéraire. L?oeuvre est écrite pour orchestre d?harmonie, avec des parties réservées au saxophone soprano, au bugle et au piano. Les différentes parties sont intitulées : I. GANDALF (The Wizard) [Le Magicien] II. LOTHLORIEN (The Elvenwood) [La Forêt des Elfes] III. GOLLUM (Sméagol) IV. JOURNEY IN THE DARK [Voyage dans les Ténèbres] a. The Mines of Moria [Les Mines de la Moria] b. The Bridge of Khazad-Dûm [Le Pont de Khazad-Dûm] V. HOBBITS La symphonie a été écrite entre mars 1984 et décembre 1987 et a eu sa première à Bruxelles le 15 mars 1988, interprétée par la Musique Royale des Guides Belges sous la direction de Norbert Nozy. En 1989, la Symphonie LE SEIGNEUR DES ANNEAUX remporte le premier prix du Concours International de Composition Sudler à Chicago. En 2001, la version orchestrale a été créée par le Rotterdam Philharmonic Orchestra et a été enregistrée par le London Symphony Orchestra. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Hobbits (from The Lord of the Rings)
Concert band
Amstel Music
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 Th...
(+)
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le Seigneur des Anneaux] La première symphonie de Johan de Meij ?The Lord of the Rings? [Le Seigneur des Anneaux] est basée sur la trilogie romanesque du même nom de J.R.R. Tolkien. Depuis leur parution en 1955, ces livres ont fasciné des millions de lecteurs dans le monde entier. La symphonie est composée de cinq mouvements séparés illustrant chacun un personnage ou un épisode important de ce grand succès littéraire. L?oeuvre est écrite pour orchestre d?harmonie, avec des parties réservées au saxophone soprano, au bugle et au piano. Les différentes parties sont intitulées : I. GANDALF (The Wizard) [Le Magicien] II. LOTHLORIEN (The Elvenwood) [La Forêt des Elfes] III. GOLLUM (Sméagol) IV. JOURNEY IN THE DARK [Voyage dans les Ténèbres] a. The Mines of Moria [Les Mines de la Moria] b. The Bridge of Khazad-Dûm [Le Pont de Khazad-Dûm] V. HOBBITS La symphonie a été écrite entre mars 1984 et décembre 1987 et a eu sa première à Bruxelles le 15 mars 1988, interprétée par la Musique Royale des Guides Belges sous la direction de Norbert Nozy. En 1989, la Symphonie LE SEIGNEUR DES ANNEAUX remporte le premier prix du Concours International de Composition Sudler à Chicago. En 2001, la version orchestrale a été créée par le Rotterdam Philharmonic Orchestra et a été enregistrée par le London Symphony Orchestra. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Gollum (from The Lord of the Rings)
Concert band
Amstel Music
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 Th...
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for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le Seigneur des Anneaux] La première symphonie de Johan de Meij ?The Lord of the Rings? [Le Seigneur des Anneaux] est basée sur la trilogie romanesque du même nom de J.R.R. Tolkien. Depuis leur parution en 1955, ces livres ont fasciné des millions de lecteurs dans le monde entier. La symphonie est composée de cinq mouvements séparés illustrant chacun un personnage ou un épisode important de ce grand succès littéraire. L?oeuvre est écrite pour orchestre d?harmonie, avec des parties réservées au saxophone soprano, au bugle et au piano. Les différentes parties sont intitulées : I. GANDALF (The Wizard) [Le Magicien] II. LOTHLORIEN (The Elvenwood) [La Forêt des Elfes] III. GOLLUM (Sméagol) IV. JOURNEY IN THE DARK [Voyage dans les Ténèbres] a. The Mines of Moria [Les Mines de la Moria] b. The Bridge of Khazad-Dûm [Le Pont de Khazad-Dûm] V. HOBBITS La symphonie a été écrite entre mars 1984 et décembre 1987 et a eu sa première à Bruxelles le 15 mars 1988, interprétée par la Musique Royale des Guides Belges sous la direction de Norbert Nozy. En 1989, la Symphonie LE SEIGNEUR DES ANNEAUX remporte le premier prix du Concours International de Composition Sudler à Chicago. En 2001, la version orchestrale a été créée par le Rotterdam Philharmonic Orchestra et a été enregistrée par le London Symphony Orchestra. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Journey in the Dark (from The Lord of the Rings)
Concert band
[Score and Parts]
Amstel Music
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 Th...
(+)
for wind orchestra (revised edition 2023). Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le Seigneur des Anneaux] La première symphonie de Johan de Meij ?The Lord of the Rings? [Le Seigneur des Anneaux] est basée sur la trilogie romanesque du même nom de J.R.R. Tolkien. Depuis leur parution en 1955, ces livres ont fasciné des millions de lecteurs dans le monde entier. La symphonie est composée de cinq mouvements séparés illustrant chacun un personnage ou un épisode important de ce grand succès littéraire. L?oeuvre est écrite pour orchestre d?harmonie, avec des parties réservées au saxophone soprano, au bugle et au piano. Les différentes parties sont intitulées : I. GANDALF (The Wizard) [Le Magicien] II. LOTHLORIEN (The Elvenwood) [La Forêt des Elfes] III. GOLLUM (Sméagol) IV. JOURNEY IN THE DARK [Voyage dans les Ténèbres] a. The Mines of Moria [Les Mines de la Moria] b. The Bridge of Khazad-Dûm [Le Pont de Khazad-Dûm] V. HOBBITS La symphonie a été écrite entre mars 1984 et décembre 1987 et a eu sa première à Bruxelles le 15 mars 1988, interprétée par la Musique Royale des Guides Belges sous la direction de Norbert Nozy. En 1989, la Symphonie LE SEIGNEUR DES ANNEAUX remporte le premier prix du Concours International de Composition Sudler à Chicago. En 2001, la version orchestrale a été créée par le Rotterdam Philharmonic Orchestra et a été enregistrée par le London Symphony Orchestra. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Symphony No. 1 The Lord of the Rings (complete ed.
Marching band
[Score and Parts]
Amstel Music
for fanfare band. Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le S...
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for fanfare band. Par DE MEIJ JOHAN. Symphonie no. 1 The Lord of the Rings [Le Seigneur des Anneaux] La première symphonie de Johan de Meij The Lord of the Rings [Le Seigneur des Anneaux] est basée sur la trilogie romanesque du même nom de J.R.R. Tolkien. Depuis leur parution en 1955, ces livres ont fasciné des millions de lecteurs dans le monde entier. La symphonie est composée de cinq mouvements séparés illustrant chacun un personnage ou un épisode important de ce grand succès littéraire. Loeuvre est écrite pour orchestre dharmonie, avec des parties réservées au saxophone soprano, au bugle et au piano. Les différentes parties sont intitulées : I. GANDALF (The Wizard) [Le Magicien] II. LOTHLORIEN (The Elvenwood) [La Forêt des Elfes] III. GOLLUM (Sméagol) IV. JOURNEY IN THE DARK [Voyage dans les Ténèbres] a. The Mines of Moria [Les Mines de la Moria] b. The Bridge of Khazad-Dûm [Le Pont de Khazad-Dûm] V. HOBBITS La symphonie a été écrite entre mars 1984 et décembre 1987 et a eu sa première à Bruxelles le 15 mars 1988, interprétée par la Musique Royale des Guides Belges sous la direction de Norbert Nozy. En 1989, la Symphonie LE SEIGNEUR DES ANNEAUX remporte le premier prix du Concours International de Composition Sudler à Chicago. En 2001, la version orchestrale a été créée par le Rotterdam Philharmonic Orchestra et a été enregistrée par le London Symphony Orchestra. / Date parution : 2023-07-31/ Répertoire / Fanfare
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Pageant Of London (Wind Band Sc/Parts) (BRIDGE FRANK)
Concert band
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the fi...
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Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridges best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band legend Timothy Reynish makes a fine alternative toHolsts two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and alsoby the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music./ Répertoire / Orchestre D'Harmonie
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Jan Van der Roost: Conzensus: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
This stately concert opener was originally written by Jan Van der Roost for a sp...
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This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band a fanfare and brass band so that the audience could experience all three types of ensembles. This was indeed an original concept.The name ConZEnSus comes from a combination of the words âConcert Cyclusâ (concert series) and âzesâ (Dutch for âsixâ). This leads to a new word which refers to âconsensusâ. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years) ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.
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Christmas Overture (COLERIDGE-TAYLOR SAMUEL)
Concert band
[Score and Parts]
Hal Leonard
Par COLERIDGE-TAYLOR SAMUEL. Samuel Coleridge-Taylor\'s Christmas Overture appea...
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Par COLERIDGE-TAYLOR SAMUEL. Samuel Coleridge-Taylor\'s Christmas Overture appeared posthumously in 1925. Originally orchestrated by Sydney Baynes, it features God Rest Ye Merry Gentlemen and Hark the Herald Angels Sing. It is thought by some to have been put together from incidental music he wrote for a children\'s play called The Forest of Wild Thyme. This band arrangement, based on Baynes\' orchestra score, omits the largely developmental middle section of the original, shortening the performance time by two minutes, while retaining all of the traditional carol material. / Date parution : 2022-09-20/ Répertoire / Concert Band
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One last journey
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par HOFFMANN ROBIN. Une composition émouvante qui explore la beauté et la fuga...
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Par HOFFMANN ROBIN. Une composition émouvante qui explore la beauté et la fugacité de la vie. Basée sur une idée simple de sept notes, l'uvre évolue d'une ambiance tendre et presque intime vers un point culminant exaltant qui célèbre la joie de vivre. Robin Hoffmann, né en 1984, a étudié la composition et l'arrangement à la Hochschule für Musik Dresden. Depuis 2006, il travaille en tant que compositeur, orchestrateur et arrangeur pour des productions internationales de films et de concerts. En 2010, le London Symphony Orchestra a enregistré son concerto pour violon aux Abbey Road Studios. Ses musiques de film pour HERO et A FATHER'S JOB ont remporté de nombreux prix internationaux. En tant qu'arrangeur pour Alex Christensen, il a été récompensé en 2022 avec un disque d'or. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Danser fra "Kosakkene"
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera The Cossacs by Ca...
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Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera The Cossacs by Catharinus Elling is based on the Nikolai Gogol novel about Taras Bulba. The Cossacs was premiered in 1897 at Eldorado in Kristiania (the old name on Norways capitol Oslo). Despite positive response in the papers of that time, the opera was newer performed again in its entirely. The Norwegian Broadcasting Corporation have an abbreviated recording in its archives, but no complete performance is known to date. The Norwegian National Opera Orchestra recorded both the overture and the dances in 2021, conducted by Ingar Bergby. Thet are both a part of the CD Norwegian Opera Overtures. This arrangement is not commissioned by anyone, but rather written to better the availability of quality Norwegian orchestral music arranged for Concert Band. This edition is a good opportunity to be more familiar with Norwegian heritage of orchestral music. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didnt have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didnt have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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André Waignein: Rhapsody for Flugelhorn: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Scherzando
As a trumpet player André Waignein has composed many pieces for this instrument...
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As a trumpet player André Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players and more demanding works for professionals.With his rhapsody André Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity andoffers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.
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14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Peter Maxwell Davies: Fanfare Musis Aurora Benigna: Brass Ensemble: Instrumental
Brass ensemble
[Sheet music]
Chester
Work for 2 Trumpets 2 Horns and 2 Trombones premiered in the Museum of Scotland...
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Work for 2 Trumpets 2 Horns and 2 Trombones premiered in the Museum of Scotland in 1998 by members of the Scottish Chamber Orchestra. Maxwell Davies has relished incorporating brilliant tuckets and alarms for brass in his larger-scale scores too much to write a perfunctory fanfare; a seminal influence was the statue of St. Michael on the Castel Sant'Angelo in Rome where he studied in the late 1950s generator of high trumpet fanfares throughout his output which resurface in apocalyptic style towards the end of his orchestral work Roma Amor. Score available: CH61567
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Maxime Aulio: Il Signore Fagotto: Bassoon: Score & Parts
Basson et Concert Band ou Harmonie
[Score and Parts]
De Haske Publications
for bassoon and concert band-Nicolaï Rimski-Korsakov disait du basson qu?il ét...
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for bassoon and concert band-Nicolaï Rimski-Korsakov disait du basson qu?il était « sénile et fourbe en Majeur souffrant et triste en mineur ». Dans le grave et en staccato il est indéniablement comique grotesque et bouffon. Cette diversité de caractère avait déjà inspiré la Commedia dell?arte qui confia à Signor Fagotto l?un des rôles comiques essentiels. Au XVIIIe siècle selon l?usage de l?opéra-comique italien (opera buffa) la voix était doublée par un instrument à vent. De Signor Fagotto au basson l?instrument qui allait le seconder il n?y avait qu?un pas. C?est aussi à cette époque que le basson devient un instrument soliste à part entière. Vivaldi lui consacrera près de40 concertos. Sans doute a-t-il été conquis par sa personnalité généreuse comme bien d?autres compositeurs dont Maxime Aulio. Il Signore Fagotto débute avec une introduction orchestrale brillante. Le soliste expose ensuite le thème premier de l?œuvre. L?utilisation presque constante d?un chiffrage de mesure irrégulier (7/8) permet au basson d?accentuer son caractère espiègle et charmant tout en laissant à l?auditeur un espace de liberté suffisant pour imaginer les facéties du personnage. Il Signore Fagotto est une œuvre captivante pour l?accompagnement orchestral et qui offre au basson une superbe partie soliste.Il Signore Fagotto a été donné en création mondiale le 24 avril 2002 par Laurent Le Chenadec (basson) accompagné de l?Orchestre d?Harmonie du Conservatoire National de Région de Toulouse.
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Kuruc Scenes (BALAZS ARPAD)
Concert Band et Saxophone Soprano
[Score]
EMB (Edition Musica Budapest)
Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of the work...
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Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of the work between 1994 and 1996 for tárogató and concert band. Since this traditional Hungarian instrument is rarely found in ensembles abroad, a soprano saxophone can serve as an alternative solo instrument. The composer uses melodies from the early 18th century, from the age of Rákóczi's war of independence. An ambitious framework is given to the work by the reminiscing, solemnly flowing brass chorus, which is built of the motives of the folk song Oh, Rákóczi, Bercsényi (Hej, Rákóczi, Bercsényi). As a contrast serves then Panna Czinka's ancient ''violin lament''. Following this, in a pierced-work-like fashion, the folk song The dew of green forest (Zöld erdo harmatát) comes in, then, as the culmination of the work, the well-known, wild Kuruc dance of Csínom Palkó appears. In conclusion, Kuruc Pictures is a tastefully constructed, finely harmonised and orchestrated orchestral tableau. / Date parution : 2023-06-01/ Répertoire / Concert Band et Saxophone Soprano
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Ralph Vaughan Williams: Tuba Concerto: Brass Band: Score
Brass ensemble
[Score]
Faber Music Limited
The Tuba Concerto was composed in 1953/4 after the London Symphony Orchestra in...
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The Tuba Concerto was composed in 1953/4 after the London Symphony Orchestra invited Vaughan Williams to write a work for inclusion in the Orchestra’s fiftieth anniversary concert. The first performance was given by Philip Catelinet in the Royal Festival Hall London on 13th June 1954 with the London Symphony Orchestra conducted by Sir John Barbirolli. The brass band arrangement is by Phillip Littlemore and is a welcome addition to the brass band repertoire.
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Ralph Vaughan Williams: Tuba Concerto.: Brass Band: Score and Parts
English
Brass ensemble
[Score and Parts]
Faber Music Limited
The Tuba Concerto was composed in 1953/4 after the London Symphony Orchestra in...
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The Tuba Concerto was composed in 1953/4 after the London Symphony Orchestra invited Vaughan Williams to write a work for inclusion in the Orchestra’s fiftieth anniversary concert. The first performance was given by Philip Catelinet in the Royal Festival Hall London on 13th June 1954 with the London Symphony Orchestra conducted by Sir John Barbirolli.The brass band arrangement is by Phillip Littlemore and is a welcome addition to the brass band repertoire.
105.00 GBP - Sold by Musicroom UK
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The Music Makers (CURNOW JAMES)
Concert band
[Score and Parts]
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Intermediate
Curnow Music
Par CURNOW JAMES. What a terrific way to kick off a combined chorus, band and ev...
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Par CURNOW JAMES. What a terrific way to kick off a combined chorus, band and even orchestra concert! THE MUSIC-MAKERS, based on OShaughnessys poem by the same name, by James Curnow works just as well as a closer, pulling your groups together for an all-inclusive grand finale. The rhythmic exuberance from measure number one sets up the inspiring choral entrance and the lovely andante espressivo middle theme contrasts delightfully. Careful scoring ensures successful balance as you thrill the audience with a panoply of rich and colorful sound. Spectacular! (Also works for Orchestra alone, Band with String Section or Full Band and Orchestra combined) / Niveau : 3 / Répertoire / Concert Band ou Harmonie
103.52 EUR - Sold by LMI-partitions
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Kenneth Hesketh: Masque.: Brass Band: Score and Parts
English
Brass ensemble
[Score and Parts]
Faber Music Limited
A Masque (short for Masquerade) has been defined by Historians as 'A revel in wh...
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A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice'. The chaos of this dramatic dance is depicted in this 'Masque' by Hesketh. The main theme is bravura and is often present in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos trumpet and horn solos alternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little! 'Masque' has been transcribed for wind band by Kenneth Hesketh from his 'Scherzo for Orchestra' commissioned by the National Children's Orchestra in 1987.
55.00 GBP - Sold by Musicroom UK
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Kevin Houben: Ride: Fanfare: Score
Marching band
Renowned Belgian composer Kevin Houben composed ?Ride? for the ?Fanfare ?Bereden...
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Renowned Belgian composer Kevin Houben composed ?Ride? for the ?Fanfare ?Bereden Wapens??. This orchestra originated after drastic reorganisations and cutbacks within Defense in 2011 and 2012, including in the military music armed forces. The thought behind the composition ?Ride? is the signal ?forward?. The signal ?Forward? is part of a military memorial ceremony, as the sign to close off a sad or dark period, and to go on with renewed force. ?Ride? is also a command for horses to go forward. Appropriate, as the ?Fanfare ?Bereden Wapens??, part of the regiment Huzaren van Boreel, is part of the Cavalry. When the Fanfarekorps Koninklijke Landmacht ?Bereden Wapens? was abrogated, this was an extremely sad and radical moment for the orchestra members. The ?Fanfare ?Bereden Wapens?? announces the dawn of a new period and picks up again with an effervescent and splashing composition: ?Ride?.
25.99 GBP - Sold by Musicroom UK
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J. Jordan: Little Red Monkey: Fanfare Band: Score
Marching band
Gobelin Music Publications
Solo for Baritone Saxophone or Eb Bass with high humorous content. The soloist ...
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Solo for Baritone Saxophone or Eb Bass with high humorous content. The soloist tries in an entertaining dialogue with the orchestra to prevail. During the work in a musical way appears an conflict with the xylophone the orchestra makes an end to the debate with a melodious final chord. A must for your concert! Solowerkje voor Baritonsaxofoon of Es Bas met een hoog humoristisch gehalte. De solist(e) probeert in een onderhoudende dialoog met het orkest de boventoon te voeren. Gedurende het werk ontstaat er een muzikaal conflict met de xylofoon het orkest maakt een eind aan de discussie met een welluidend slotakkoord. Een aanrader voor uw concert!
9.50 GBP - Sold by Musicroom UK
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Music With Chequered Ears (Cband Score) (BALAZS ARPAD)
Concert band
[Sheet music]
EMB (Editio Musica Budapest)
Par BALAZS ARPAD. Television viewers of nearly a hundred countries have experien...
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Par BALAZS ARPAD. Television viewers of nearly a hundred countries have experienced Árpád Balázs's touching melodies. The series of cartoons have neither dialogue nor text: the music presents the amiable and entertaining adventures of the rabbit with chequered ears and its friends. Balázs has rephrased and developed the well-known melodies and as a result a ''children's story symphony'' of seven movements has been created in which, in contrast with Prokofiev's Peter and the Wolf, there is no narrator but the instruments themselves represent the story-tellers. The composer has again associated the groups of instruments with one another in a colourful and varied manner, skilfully alternating the modes of solo, chamber orchestra and orchestra. Movements I, II, IV and VII represent a ''short suite'' that can be independently performed, thus due to its duration of four minutes and easier level, ensembles with more modest opportunities can also perform it. The most well-known parts of the cartoon series music - the main title and the ending - are included in both versions./ Répertoire / Concert Band
16.83 EUR - Sold by LMI-partitions
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Lyric for Band
Concert band
Southern Music
Concert Band Signature Series. Par WALKER GEORGE. In 1946, George Walker was sti...
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Concert Band Signature Series. Par WALKER GEORGE. In 1946, George Walker was still doing graduate work at the Curtis institute when he composed Lyric for Strings, which would prove over the coming decades to become one of the most performed and enduring string orchestra works of the 20th Century. This first-ever edition for symphonic wind band was arranged by Dr. Luci Disano and premiered by The President's Own United States Marine Band on August 24, 2022. George Walker (June 27, 1922 - August 23, 2018) began his groundbreaking career as a young piano virtuoso and was admitted to Oberlin College on a scholarship following his first public recital at the age of 14. Graduating with the highest honors in his Conservatory class, he was admitted to the Curtis Institute of Music, becoming the first black graduate of this renowned music school. His works demonstrate a wide range of artistic excellence in genres ranging from instrumental and vocal solos and chamber music to compositions for orchestra and other large ensembles. He is the first black composer to be awarded the Pulitzer Prize. / Date parution : 2023-07-31/ Répertoire / Concert Band
93.66 EUR - Sold by LMI-partitions
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Kenneth Hesketh: Masque.: Brass Band: Score
English
Brass ensemble
[Score]
Faber Music Limited
A Masque (short for Masquerade) has been defined by Historians as 'A revel in wh...
(+)
A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice'. The chaos of this dramatic dance is depicted in this 'Masque' by Hesketh. The main theme is bravura and is often present in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos trumpet and horn solos alternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little! 'Masque' has been transcribed for wind band by Kenneth Hesketh from his 'Scherzo for Orchestra' commissioned by the National Children's Orchestra in 1987.
11.99 GBP - Sold by Musicroom UK
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