The Essential Collection continues with a folio of the greatest works by Antonio Vivaldi. The pieces include his celebrated Violin Concertos and, of course, movements from the Four Seasons, all arranged as Piano solos for you to learn and enjoy. / Classique / Partition /

Partie séparée de violon 2 Compositeur : Haydn, Joseph Instrumentation : Piano Quartet Editeur Musicologique : Walter, Horst Couverture Reliée Contenu : Concertini for Piano (Harpsichord) with two Violins and Violoncello

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

Ed Hughes' Secret Sky for Piano Quartet.Secret Sky was commissioned by the Schubert Ensemble's Chamber Music 2000 project and has been performed by school children in the south west of England and in the Purcell Room by music college students. The piece lasts 4 minutes and aims to create an evocative sound scape through pools of modal harmony created by a mix of piano repeating patterns and melodies in the 3 strings. As in all my work the ebb and flow of line is important to the development tensions and resolutions of the piece. The piece is probably suitable for players of the standard of at least Grade 6. It can be performed either by violin viola cello andpiano or by 2 violins cello and piano. - Ed HughesCommission made possible by Michael McLaren for his daughter Iona McLaren.

arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.

With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano

Die kreative Klavierschule für Kinder. Par HEUMANN HANS-GUNTER. Kindern nachhaltig Spaß am Klavier lernen vermitteln – das ist das Ziel der neuen Klavierschule Piano Junior für Kinder ab 6 Jahren von Hans-Günter Heumann! In diesem neuartigen Konzept aus insgesamt 4x4 Ausgaben begleitet der liebenswerte Roboter „PJ“ gemeinsam mit seinem Hund „Mozart“ und ihren drei Freunden die kleinen Pianisten durch die ersten Unterrichtsjahre. Freude und Spaß an der Musik stehen im Vordergrund und der Fortschritt wird schnell hörbar. Begleitende Website mit vielfältigem Zusatzmaterial: Das Besondere bei diesem Lehrwerk ist die begleitende Website als Teil der Methode: Videos zeigen den Weg zur richtigen Technik, Audioaufnahmen helfen beim Einüben der Stücke, Übungsblätter und weiteres Material bieten zusätzliche Möglichkeiten zum Vertiefen der Inhalte. Behutsamer und kindgerechter Ansatz: Die Schule schreitet in behutsamen Lernschritten voran, die mit zahlreichem Übungs- und Spielmaterial gefestigt und vertieft werden. Der Start erfolgt mit beiden Händen in der C-Lage, parallel im Oktavabstand (im Vergleich zum Beginn beider Hände ausgehend vom mittleren c). Themen wie „Atmung“ oder „Aktive Armbewegung“ werden von Beginn an spielerisch vermittelt. Für Klavierlehrende steht auf der Website die PDF-Broschüre 'Pädagogischer Hintergrund' mit allen Infos bereit. Umfassendes Konzept – zeitgemäß und flexibel: Zu jedem Band der Klavierschule stehen jeweils drei Begleithefte zur Verfügung mit vielfältigem Arbeitsmaterial und passenden Spielstücken für einen abwechslungsreichen Unterricht, der den unterschiedlichen Bedürfnissen der Schüler gerecht wird: • Theoriebuch 1 (ED 22771) • Duettbuch 1 (ED 22781) • Konzertbuch 1 (ED 22791) Weiter geht es mit Band 2 (ED 22762)! / Niveau : Très Facile / Recueil / Piano

Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music ? folk music in particular ? has been ground-breaking. Alakotila?s works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others. Timo Alakotila's Hope 2021 was commissioned by Kaustinen Chamber Music Week and its artistic director, violinist Kaija Saarikettu. The topic of the work invokes the hope for brighter future after the pandemic. It is scored for string quintet (two violins, viola, cello and double bass) and piano. The middle section, a wistful minuet with folk music features is enveloped with hopeful melody both opening and closing the work. Duration: c. 4' This product includes the full score (=piano part) and the string parts (2 violinis, viola, violoncello, double bass). / Date parution : 2023-01-24/ Répertoire / Quintette à Cordes et Piano

John McCabe's Nocturnal For Piano Quintet was composed in 1966 commissioned by the Park Lane Group London and first performed by the Lancaster University Ensemble. Duration: Approximately 13 minutes. Composers Note:  The title of this work is a reference to John Donne's poem A Nocturnal upon St Lucie's Day the mood of which is reflected in the quintet. It falls into several movements played without a break: Introduction (Andante) setting forth the main thematic ideas of the music; Nocturne 1 (Allegro vivo) an agitated virtuoso scherzo-like section; a tripartite central part of the work consisting of two Cadenzasframing a brief Interlude the first Cadenza being largely for strings the second mainly for piano and the Interlude harking back to the feeling of the Introduction; Nocturne 2 (Andante molto) a slow piece gradually building to a unison theme on strings accompanied by a tolling piano background. This dies down to lead to an Epilogue ending with a final reference to the work's opening bars. 

Early piano quintet for Piano 2 Violins Viola VioloncelloIn 1887 Anton n Dvorák revised several of the works he had composed in the 1860s and 1870s most of which he then published for the first time.In this context he asked the music critic Ludev t Procházka to return a manuscript copy of the Piano Quintet in A major Op.5 (B 28) composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead he wrote a new piano quintet in the same key the famous Op.81. And so the manuscript copy he requested from Procházka remains the sole source for this early piece of chamber music.Dvorák?s first Piano Quintet in A majorwas never published during his lifetime. This edition presents the musical text from the ?Complete Edition of the Works of Anton n Dvorák? Volume IV/11.Now with a new detailed Foreword (Eng/Cz/Ger) by David R. Beveridge

Par LASON ALEKSANDER. / Date parution : 2022-04-12/ Répertoire / Piano et Quatuor à Cordes

30 bekannte Stücke für Klavier-In time for Beethoven's anniversary Schott presents a new collection of his most popular works for piano. The successful author Hans-Günter Heumann has compiled 30 easy to intermediate original works and arrangements: Für Elise Moonlight Sonata Ode to Joy and many more all in one volume! Complete with fingerings and tempo suggestions this collection with its modern and easy-to-read layout is ideal for both lessons and all those playing piano as a hobby.

Par MUSTONEN OLLI. The first movement of my Piano Quintet is filled with drama and passion. Its atmosphere can be related to my Second Symphony Johannes Angelos. The second movement is a set of polyphonic variations in a form reminiscent of a passacaglia. The music seems to be hypnotized by a theme consisting of a chromatic cluster of ten notes. In the beginning of the last movement, materials from the previous movements start to reappear, but this time in a mysterious, incoherent way. The strings find new music resembling a fragmented hymn. Fast-moving triplets start to appear and the music reaches a joyful and ecstatic conclusion. Olli Mustonen / Niveau : 5 / Répertoire / 2 Violons, Alto, Violoncelle et Piano