It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works for piano duet into which Dvorák incorporated musical themes from where he grew up. Following in the footsteps of Brahms?s ?Hungarian Dances?, Dvorák refrained from a literal portrayal of individual kinds of dance. As a result, he created unique masterpieces of European music for domestic use and concert performance.'
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This edition of both series of the ?Slavonic Dances? is based on the ?Complete Edition of the Works of Antonín Dvorák?. The main sources are the first editions published by Simrock.'
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- Separate editions of these works based on the ?Complete Edition of Antonín Dvorák's Works?, vol. V/5'
- New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch'
- Newly engraved in score format / [Danses Slaves pour Piano 4 Mains Opus 72] / Classique / Partition /

Instrument : piano (4 hands) Series : Edition Schott - Single Edition Nombre de Pages : 10 It is with the 'Slavonic Dances' op. 46 that Antonín Dvorák won international recognition in 1878. Apart from Symphony No. 9, 'From the New World', and Cello Concerto op. 104, they are among the best-known works by Dvorák. Unlike Brahms in his 'Hungarian Dances', Dvorák did not use any original melodies but incorporated characteristic elements of Slavonic dance music within his own melodic invention.

Early piano quintet for Piano 2 Violins Viola VioloncelloIn 1887 Anton n Dvorák revised several of the works he had composed in the 1860s and 1870s most of which he then published for the first time.In this context he asked the music critic Ludev t Procházka to return a manuscript copy of the Piano Quintet in A major Op.5 (B 28) composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead he wrote a new piano quintet in the same key the famous Op.81. And so the manuscript copy he requested from Procházka remains the sole source for this early piece of chamber music.Dvorák?s first Piano Quintet in A majorwas never published during his lifetime. This edition presents the musical text from the ?Complete Edition of the Works of Anton n Dvorák? Volume IV/11.Now with a new detailed Foreword (Eng/Cz/Ger) by David R. Beveridge

Features a new detailed foreword (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch. Includes a newly-engraved Violoncello part.The third of Dvorák?s Piano trios was written in 1883 in Prague; a revised version appeared in the autumn of 1883 published by Simrock in Berlin based on the direct collaboration with the composer. The principal source of this present edition based on the ?Complete Edition of the Works of Anton n Dvorák? is this Simrock publication which presents the final version of the work.

The present edition of the Scottish Dances Op.41 (1877) by Antonín Dvorák is based on a version for piano four hands published by Berlin publisher Bote

Trio-The musical term 'Dumka' originates from the Ukrainian language and means 'an epic ballad ? generally thoughtful or melancholic in character'.Dvorák?s magnum opus in the Piano trio genre takes its name from its ?Dumka? movements which he composed whilst in Prague in 1890-91. After long hesitation he finally prepared a Piano reduction while he was in the United States in the summer of 1893. The previous year Dvorák had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan.The editor of this Barenreiter edition Christoph Flamm took the Simrock print as his starting point. However he alsocarefully distinguished between the various reissues and consulted Dvorák?s sketches as well as his Piano reduction. A Critical Commentary provides detailed information on the work?s sources tempo markings and formal divisions of the movements.Urtext edition reflecting the latest musicological researchDetailed preface (Ger/Cz/Eng) and Critical Commentary (Eng) by the editorContains previously unknown music (draft version of Dumka no. 3)Replaces earlier edition H1551

g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has been overshadowed by his other two concertos for violin and violoncello respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883 which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert vanSteijn decided instead to present the version by Karel Šolc. - New Urtext edition of Dvorák’s only piano concerto - Foreword by Dvorák scholar David R. Beveridge (Eng/Cz/Ger) - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel Šolc adapted to fit this new edition - Full score (BA10420) and two-piano reduction (BA10420-90) available for sale - Performance material (BA10420-72) available for hire

Flûte Traversière. La collection Ecouter, lire et jouer est aujourd'hui une référence pour l'enseignement des cuivres et des bois. Tous accompagnés d'un CD, ces ouvrages passionnants destinés aux débutants contiennent des chansons, des casse-tête musicaux et des jeux pour mieux comprendre la musique, des informations sur l'instrument concerné, et de nombreuses pièces agréables à jouer. Les trois volumes de la méthode qui forment la base de cette collection sont complétés par plusieurs volumes de matériel complémentaire correspondant aux diverses étapes de cette méthode. Dans Les Grands Classiques, les mélodies sont présentées en ordre croissant de difficulté et peuvent être travaillées conjointement avec les trois volumes de la méthode Ecouter, lire et jouer. Emmenés dans un voyage à travers l'histoire de la musique, les élèves rencontrent les plus importants compositeurs de la musique classique, depuis Tielman Susato jusqu'à Antonín Dvorák, et bénéficient de commentaires historiques pertinents. La présente édition comprend des partitions pour accompagnement au piano soigneusement arrangées dans un niveau de difficulté modéré, dont les enregistrements sont disponibles sous forme de fichiers en ligne à écouter en streaming ou à télécharger. / Niveau : Très Facile à Elémentaire / Recueil / Flûte Traversière et Piano

Replaces H 2552-Dvorák’s Piano Quartet in D major though composed at the height of his artistic maturity is to date unjustly overshadowed by his more popular works.It was written within the space of 18 days in the summer of 1875 and was later revised probably in preparation for its publication.This revision which was also taken into account for the first edition issued by the publisher Schlesinger Berlin in 1880 serves as the primary source for this new Urtext edition. The premiere took place in Prague in 1880.- New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge- Critical Commentary (Eng)by the editor Robin Tait

Anton n Dvo ák?was a Czech composer. Following the nationalist example of Bed ich Smetana ?Dvo ák?frequently employed aspects specifically rhythms of the folk music of Moravia and his native Bohemia. Dvo ák?s own style has been described as ?the fullest recreation of a national idiom with that of the symphonic tradition absorbing folk influences and finding effective ways of using them?.The?Piano Concerto?for Piano and Orchestra in G minor Op. 33 was the first of three concertos that the Czech composer completed?it was followed by a Violin concerto and then a Celloconcerto?and the?Piano Concerto?is probably the least known and least performed.This Bosworth edition of the solo Piano part of Dvo ák?s?Piano Concerto?is a perfect addition of an underappreciated piece to any pianists repertoire.

La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été quelque peu éclipsée par celle de Bedrich Smetana et Antonín Dvorák. C'est fort dommage, pour Fibich, bien qu'il est mort jeune, apporté une contribution tout aussi importante à l'émergent styl national tchèque avec son large éventail de compositions. Après le début des leçons de piano avec sa mère comme son premier maître, le garçon ensuite à l'école de musique à Prague, puis au Conservatoire de Leipzig, où il apprend son métier comme compositeur. Il passe quelques mois enseignement de piano à Paris et poursuit ses études avec Vinzenz Lachner à Mannheim. Prague a finalement pour devenir le centre d'activités musicales du Fibich : comme son rêve d'un poste au Conservatoire est resté déçus, son emploi principal était donner des leçons de musique privée et comme un compositeur Zdenek Fibich a écrit des oeuvres de nombreux genres musicaux : chant et musique de chambre, pièces pour piano et oeuvres orchestrales, opéras, musique de scène et mélodrames, récitals littéraires avec orc... / Violon Et Piano

Dvorák's 8th Symphony characterized by a warm and optimistic tone is presented here in the interests of enjoyability and playability while still allowing the spirit of this wonderful work to shine through. With optional practice backing tracks and performances on the accompanying CD. Highly playable.

This Slavonic Dance Op.72 No.2 A superb work for Piano 4-Hands by Antonin Dvorak. Full of energy and feeling Dvorak's wonderful Dances are delightful Piano pieces treats for the player and listener. Sometimes know as the Slavonic Dance No.10

Antonin Dvorak's Largo from the New World Symphony arranged for Piano Duet by Thomas Johnson.