Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano. There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focuson four typical techniques: Part 1 - Playing Arpeggioin left handPart 2 - 4-stacked chords in a piano movementPart 3 - Left-hand chordsPart 4 - Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master’s Degree in Musicology from University of Copenhagen.Since 1988 Tormod has been a jazz piano lecturer atThe Rhythmic Music Conservatory Copenhagen TheInstitute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen.The material you fi nd in this book has been used at theabove three educational institutions and is primarilytargeted to music students that do not have the pianoas their primary instrument at these schools. Butothers may also benefi t from this book provided youhave an elementary theoretical background in music.Since 2013 Tormod has also been Music SchoolManager at the RĂždovre School of Music.

Gabriel FaurĂ©?s four Valses-Caprices (1882/83 1894) demonstrate various forms of his treatment of the waltz in combination with the free form of the caprice. The composer drew his inspiration for his Valses-Caprices in the first place from works such as Liszt?s Valse-Impromptu and his Valse capriccio and the famous Valse-Caprice by Anton Rubinstein.These important works are now made available in scholarly-critical Urtext editions based on the ?uvres complĂštes de Gabriel FaurĂ© and reflect the latest state of research. Detailed forewords offer information on the genesis and significance ofthe compositions as well as valuable suggestions on historical interpretation.All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration leading to new discoveries particularly regarding the Valses-Caprices.Based on the ?uvres complĂštes de Gabriel FaurĂ©Based on the latest research findings and extensive source studiesInformative forewords with advice on performance practice (Fr/Eng/Ger)Christophe Grabowski is a French pianist and doctor of musicology and studied in Warsaw and Paris. He has edited a volume of the ?uvres complĂštes de Gabriel FaurĂ© and is Series Editor of the Complete Chopin: A New Critical Edition as well as two volumes of the Édition ComplĂšte des ?uvres de Claude Debussy. Together with John Rink he published the Annotated Catalogue of Chopin?s First Editions in 2010.

Liszt, Franz
Piano Pieces from the Years 1880?85
- Scholarly-critical Urtext edition at the cutting edge of musicology
- Valuable notes on interpretation by Steffen Schleiermacher (Ger/Eng)
- Well-suited for medium-level piano teaching
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Romance oubliée (Vergessene Romanze) / Romance oubliée (Forgotten Romance)
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Vergessene Romanze (Romance oubliée) / Forgotten Romance (Romance oubliée)
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Wiegenlied (Chant du berceau) / Cradle Song (Chant du berceau)
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Unstern! (Sinistre) / Disaster! (Sinister)
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Die Trauer-Gondel (La lugubre gondola)
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The Funeral Gondola (La lugubre gondola) (S 200/1)
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Die Trauer-Gondel (La lugubre gondola)
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The Funeral Gondola (La lugubre gondola) (S 200/2)
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R. W. ? Venezia
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Am Grabe Richard Wagners / At the Grave of Richard Wagner
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Frage und Antwort. Nocturne / Question and Answer. Nocturne
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Schlaflos! Frage und Antwort. Nocturne (nach einem Gedicht von Toni Raab)
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Sleepless! Question and Answer. Nocturne (after a Poem by Toni Raab)
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TrĂŒbe Wolken (Nuages gris) / Gloomy Clouds (Nuages gris)
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En rĂȘve. Nocturne / In a Dream. Nocturne / Partitions classique / Piano - instruments Ă  clavier / Piano / BARENREITER

Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9647) and ?Impromptus? (BA 9648) the composer?s late Piano works are now published in a scholarly-critical Urtext edition that will meet the demands of today?s performers. Schubert?s popular ?Ungarische Melodie? D 817 inspired by gypsy melodies was composed in 1824; his ?Allegretto in C minor? D 915 was written in the spring of 1827; a little later at the latest in 1828 he also wrote his ?Drei KlavierstĂŒcke? D 946 which are closely related in form to his ?Moments Musicaux?.Suggestions on performance practice optimum page turns and fingering which takes intoconsideration essential aspects of performance practice of Schubert?s time as well as the performance on modern concert Pianos are all included in this edition.Based on the Urtext of the ?New Schubert Edition?Newly engraved Urtext edition with optimum page turnsWith fingering and information on performance practice (Ger/Eng)In-depth foreword (Ger/Eng) and critical commentary (Eng)ContentsUngarische Melodie (Hungarian Melody) D 817Allegretto in C minor D 915Drei KlavierstĂŒcke (Three Piano Pieces) D 946Mario Aschauer studied Piano historical Keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with among others the Austrian ?Calamus-Consort? and has developed a wide-ranging repertoire on the Fortepiano Cembalo and Organ. Mario Aschauer has been a collaborator for the ?New Schubert Edition? since 2008 and is a teacher at the University of Vienna. In his research he concentrates on the historical performance practice of European art music of the 17th 19th centuries.

In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubertñ€™s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary

Urtext with fingering-Haydn’s late piano sonatas Hob. XVI:40–42 (1784) and Hob. XVI:48–52 (1788-95) reveal him to be a distinctive and consummate master in terms of form and expression. These technically brilliant works the quintessence of his sonata output reflect the fresh inspiration he received in London. This new Urtext edition presents these piano sonatas in a spacious engraving. The early version of the second movement of the Sonata in C major Hob. XVI:50 is reproduced in the appendix. Rounding off this performing edition are historically informed fingering and valuable notes on period performance practice by Rebecca Maurer a highly acclaimed harpsichord andfortepiano player. Critical performing edition at the cutting edge of musicology Valuable notes on period performance practice (Ger/Eng) Includes historically informed fingering Practical page turns Informative Foreword (Ger/Eng) and Critical Commentary (Eng)

Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. 2-Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editorswhich include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For BĂ€renreiter ?Urtext? is more than just a label ? it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Christian Köhn is a pianist with a deep understanding of Brahms' piano music. Now he has edited a new Urtext edition of Brahms' variations (1861) on an eight-bar theme from Handel's 'Keyboard Suite #1? ('Suite de piÚces de Clavecin?, Vol. 2).Köhn has drawn on every available source and incorporated the most recent musicological discoveries. With his fingering, a well-presented layout and optimum page turns, the volume meets all the demands of a practical performing edition.A detailed foreword illuminates the work's genesis and sources while presenting valuable information on contemporary performance practice. This scholarly-critical edition of the 'Handel Variations? adds a central work to BÀrenreiter's comprehensive series of Brahms' piano music in Urtext editions.- Urtext edition based on all known sources and the latest musicological findings- With optimum page turns- Informative foreword (Ger/Eng) and Critical Commentary (Eng)- Includes fingering and suggestions on performance practice (Ger/Eng) / Piano

Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?BĂ€renreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BĂ€renreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.