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Schubert
PIANO
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CD (18)
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SCORE::Score (1)
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Collections Travaux Pour Choeu… (1)
Flûte à Bec Solo (1)
Trompette et Guitare (1)
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2 Cornets, Cor En Eb Et Tuba (1)
Alto (Partie) (1)
5TET/CHAM::Quintet, Chamber Gr… (1)
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Mezzo-Soprano ou Alto ou Baryt… (1)
Piano, Violon, Alto, Violoncel… (1)
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Männerchor (1)
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PIANO SONATAS I (SCHUBERT FRANZ)
Piano solo
[Sheet music]
Barenreiter
The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his e...
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The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains the sonatas he composed between 1815 and 1817. An updated preface and valuable notes on central questions of performance practice (e.g. articulation, pedalling and embellishments), with a special emphasis on his idiosyncratic treatment of accent-like diminuendo hairpins, form a useful introduction to the sonatas. Schubert?s drafts and fragments can be accessed on the Bärenreiter website. - Urtext edition based on the ?New Schubert Edition?, with drafts and fragments accessible on the Bärenreiter website (see BA 9642: Extras) - Reader-friendly engraving with practical page-turns and running titles to facilitate the location of sonatas and movements - Valuable notes on performance practice in Schubert?s day (Ger/Eng) - Critical Commentary with readings relevant to performance, especially regarding Schubert?s notation of accents (Eng) / Date parution : 2022-07-30/ Recueil / Piano
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Liszt F. - Schubert Song Transcriptions Vol.2 - Piano
Piano solo
Dover Publications
All 24 songs of Schubert's great song cycle Winterreise, along with the 4 songs ...
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All 24 songs of Schubert's great song cycle Winterreise, along with the 4 songs of Geistliche Lieder and the beloved single songs La Rose, Die Forelle, and Lob der Thranen. Reproduced from extremely rare early editions overseen by Liszt himself. With editorial notes, and English translations of the German texts. Content : WINTERREISE [Winter's Journey] Twelve Piano Transcriptions (complete) From: Lieder von Franz Schubert für das Piano-Forte übertragen von F. Liszt [Franz Schubert's Songs Transcribed for Piano by Franz Liszt] R246 Nos. 1-12. 1. Gute Nacht [Farewell] 2. Die Nebensonnen [The Rival Suns] 3. Muth [Courage] 4. Die Post [The Mail Coach] 5. Erstarrung [Torpid] 6. Wasserfluth [Flood of Tears] 7. Der Lindenbaum [The Linden Tree] 8. Der Leyermann [The Hurdy-Gurdy Man] with 9. Täuschung [Deception] 10. Das Wirthshaus [The Inn] 11. Der stürmische Morgen [The Stormy Morning] with 12. Im Dorfe [In the Village] FRANZ SCHUBERT'S GEISTLICHE LIEDER Four Piano Transcriptions (complete) Für das Pianoforte übertragen von Franz Liszt [Franz Schubert's Spiritual Songs Transcribed for Piano by Franz Liszt] R247, Nos. 1-4. 1. Litaney [auf das Fest Aller Seelen] [Litany for All Soul's Day] 2. Himmelsfunken [Divine Sparks] 3. Die Gestirne [The Heavenly Bodies] 4. Hymme [Hymn (Chorus of Spirits)] THREE SCHUBERT SONGS Transcribed for Piano by Franz Liszt La Rose [Die Rose] [The Rose] R241. Lob der Thränen [Praise of Tears] R242. Die Forelle [The Trout] R248.
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Beethoven - Schubert - Hummel Band 3
Piano solo
Wiener Urtext
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
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With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel. / Piano
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It's Easy To Play Schubert Piano (SCHUBERT FRANZ)
Easy Piano
[Sheet music]
-
Easy
Music Sales
Par SCHUBERT FRANZ. Twenty of Schubert's best-known works arranged for easy play...
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Par SCHUBERT FRANZ. Twenty of Schubert's best-known works arranged for easy playing. Includes 'Ave Maria', 'Marche Militaire' and 'Who Is Sylvia?'. / Niveau : Assez Facile / Rép International / Répertoire / Piano
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Wanderer' Fantasy Op. 15 D 760 (SCHUBERT FRANZ)
Piano and Orchestra
Eulenburg
Transcribed By Franz Liszt. Par SCHUBERT FRANZ. Durée: 23', Format: ETP small/ ...
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Transcribed By Franz Liszt. Par SCHUBERT FRANZ. Durée: 23', Format: ETP small/ Répertoire / Piano et Orchestre
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Essential Keyboard Duets, Vol.7: Music Of Franz Schubert
1 Piano, 4 hands
Alfred Publishing
Franz Schubert (1797-1828) fut l'un des compositeurs les plus prolifiques de la ...
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Franz Schubert (1797-1828) fut l'un des compositeurs les plus prolifiques de la musique de piano d'ensemble. Certaines de ses oeuvres les plus populaires pour piano à quatre mains (pour un piano à quatre mains) sont inclus dans cette collection. / Piano 4 Mains
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Sonate pour piano en Si majeur op. post. 147 D 575 (SCHUBERT FRANZ)
Piano solo
[Sheet music]
G. Henle
Op. Post. 147 - D 575. Par SCHUBERT FRANZ. La Sonate en Si majeur fait partie de...
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Op. Post. 147 - D 575. Par SCHUBERT FRANZ. La Sonate en Si majeur fait partie des premières Sonates pour piano de Schubert. Composée en août 1817, elle ne fut cependant publiée que longtemps après sa mort. La tonalité inusitée à son époque témoigne de la juvénile envie d?expérimentation de Schubert; de la même manière et la même année sont ainsi nées également des sonates en Ré bémol majeur, La bémol majeur et fa dièse mineur. Les surprenantes modulations ainsi que les abrupts changements de caractère entre passages lyriques et explosions dramatiques sont typiquement schubertiens. Le manuscrit autographe de la partition ayant disparu, cette édition repose sur les esquisses autographes ainsi que sur des copies provenant de l?entourage du compositeur. La préface rédigée par l?experte de Schubert Andrea Lindmayr-Brandl ainsi que toute la partie de remarques et commentaires fournissent des renseignements détaillés sur l?origine de l??uvre, les sources ainsi que leurs variantes. Un autre point fort réside dans les doigtés du pianiste Martin Helmchen. / Date parution : 2023-03-11/ Répertoire / Piano
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Musik Und Abschied (GULKE PETER)
All Instruments
[Book]
Barenreiter
Par GULKE PETER. Peter Gülke widmet sich in 54 Essays dem großen Thema Tod und...
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Par GULKE PETER. Peter Gülke widmet sich in 54 Essays dem großen Thema Tod und Abschied in der Musik, aber auch in der Literatur. Mit unnachahmlicher Sprachkraft präsentiert er Erkenntnisse, die von allgemeinem Interesse und bedeutend für den kulturellen Diskurs über Tod und Vergänglichkeit sind. Musik ist als diejenige unter den Künsten charakterisiert worden, die in besonderer Weise von Vergänglichkeit und Tod spricht. Wie aber tut sie das? Peter Gülke gibt darauf vielfältige Antworten. Aus dem Inhalt: - Wieviel Totentanz ist in überlang dahinwirbelnden Finali bei Mozart und Schubert enthalten? - Warum bekommen Tristan und Isolde nicht den Liebestod, den sie so überwältigend besungen haben? - Warum fällt Musik bei Nennung des Todes in einen harmonischen Abgrund? - Wie gehen Komponisten mit den Grausamkeiten der „Dies-irae'-Sequenz um? - Wie gedenken Komponisten verstorbener Kollegen? - Welche Erfahrungen liegen der Todesmystik in Bachs frühen Kantaten zugrunde? - Warum muten etliche Schlusspassagen bedeutender Romane wie insgeheim von Musik unterlegt an? Peter Gülke ist Träger des Ernst von Siemens Musikpreises und des Sigmund Freud-Preises für wissenschaftliche Prosa. Er ist Dirigent, Musikwissenschaftler und Musikschriftsteller./ Livre / Livre
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SCHUBERT - IMPROMPTUS OP. 90 D 899 - PIANO
Piano solo
Wiener Urtext
Les Impromptus de Franz Schubert op. 90 (D 899) font partie des oeuvres les plus...
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Les Impromptus de Franz Schubert op. 90 (D 899) font partie des oeuvres les plus jouées de Franz Schubert et ont leur place de droit dans les programmes du cours et du concert. L'Édition Wiener Urtext (texte original) présente maintenant une nouvelle version revue sous les aspects les plus actuels de la recherche et de l'interprétation pratique. L'édition précise le texte par de nombreux détails, des problèmes de base comme celui de la distinction entre accents et signes de decrescendo, ou bien la question de l'assimilation de rythmes pointés à des triolets, sont résolus en prenant appui sur le manuscrit schubertien original de façon nouvelle et non dogmatique.Pages : 56Niveau : avancéop. 90 / Piano / Wiener Urtext Edition
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Ungarische Melodie H-Moll D 817 (SCHUBERT FRANZ)
Easy Piano
[Sheet music]
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Easy
Doblinger
Klav. Par SCHUBERT FRANZ. Der rhythmisch pointierte Allegretto-Satz entstand bei...
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Klav. Par SCHUBERT FRANZ. Der rhythmisch pointierte Allegretto-Satz entstand bei Schuberts Sommeraufenthalt als Klavierlehrer der Familie Esterházy auf deren Gut in Zselisz. Die spätere Fassung zu vier Händen ist im 'Divertissement à la hongroise” eingebaut. / Niveau : Assez Facile / Date parution : 1824-01-01/ Répertoire / Piano
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Franz Schubert: 3 Scherzi D 593: Piano: Instrumental Album
Piano solo
Wiener Urtext
Edited from the sources by Jochen Reutter-Franz Schubert's scherzos were right a...
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Edited from the sources by Jochen Reutter-Franz Schubert's scherzos were right at the beginning of a development that in the course of the 19th century resulted in the separation of the scherzo from the sonata and its emancipation as an independent Piano piece. These traces become apparent in the three pieces compiled in this volume: the two popular Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) which has survived together with an allegro fragment in the composer's autograph. With its pleasantly flowing melody its typically Schubertian harmony and the modest technical demands this piece might soon outrank its well-known sister work in B flat major.
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Klaviersonaten I - Complete Piano Sonatas I (SCHUBERT FRANZ)
Piano solo
Universal Edition
Urtext von Erwin Ratz. Par SCHUBERT FRANZ. Das Besondere an dieser Ausgabe ist e...
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Urtext von Erwin Ratz. Par SCHUBERT FRANZ. Das Besondere an dieser Ausgabe ist ein ausführliches Vorwort des Herausgebers Erwin Ratz, der mit seinen intensiven Recherchen über die Entstehungsgeschichte der vorliegenden Werke interessante Hintergrundinformationen liefert, die einen besonderen Bezug zu Schuberts Klaviersonaten schaffen./ Recueil / Piano
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70 Years Of Popular Music 80S Vol.2 (SCHUBERT FRANZ)
Piano, Vocal and Guitar
[Sheet music]
I.M.P.
Par SCHUBERT FRANZ. Prepared from the composerÂ’s autograph manuscript, Brian Ne...
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Par SCHUBERT FRANZ. Prepared from the composerÂ’s autograph manuscript, Brian NewbouldÂ’s authoritative new performing edition of SchubertÂ’s celebratory 'Magnificat' brings this little-known masterpiece to light. A short, perfectly crafted setting, written by the young composer in 1815, it provides the ideal concert opener or partner to other more extended concert works. A vocal score is also available (0-571-52010-3)/ Recueil / Piano, Chant et Guitare
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The Three Scherzi For Piano D 593/1-2, D 570
Piano solo
Wiener Urtext
Franz Schubert's scherzos were right at the beginning of a development that, in ...
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Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an independent piano piece. These traces become apparent in the three pieces compiled in this volume: the two popular Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) which has survived, together with an allegro fragment, in the composer's autograph. With its pleasantly flowing melody, its typically Schubertian harmony and the modest technical demands, this piece might soon outrank its well-known sister work in B flat major. / Piano
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Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
2 Pianos, 4 hands
[Sheet music]
EMB (Editio Musica Budapest)
New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand d...
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New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos
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Franz Schubert: Easy Piano Pieces And Dances: Piano: Instrumental Work
Piano solo
[Sheet music]
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Easy
Barenreiter
This collection contains the most beautiful and technically easy of Schubert's p...
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This collection contains the most beautiful and technically easy of Schubert's piano pieces and dances. These miniatures can be used to enliven piano instruction and convey valuable insight into the richness of the composer's music. Schubert: Allegretto in C minor D915 Schubert: Andante in C D29 Schubert: Deutscher Tanz in A major (No. 2 from 12 Deutsche Tänze D420) Schubert: Deutscher Tanz in A major (No. 3 from 3 Deutsche Tänze D972) Schubert: Ecossaise in B flat major (No. 4 from 12 Ecossaises D421) Schubert: Ecossaise in C major (No. 8 from 12 Ecossaises D299) Schubert: Ecossaise in D major (No. 2 from 3 Ecossaises D816) Schubert: Ecossaise in D minor/F major D158 Schubert: Ecossaise in E major (No. 7 from 12 Ecossaises D299) Schubert: Ecossaise D145 No. 4 Schubert: Eight Ländler in B flat D378 Schubert: German Dance D365 No. 28 Schubert: Ländler (No. 5 from Ländler D681) Schubert: Ländler (No. 7 from Ländler D681) Schubert: Ländler (No. 8 from Ländler D681) Schubert: Ländler in A minor (No. 3 from 17 Ländler D366) Schubert: Ländler in G major (No. 15 from 16 Ländler D734) Schubert: March in B minor D deest Schubert: Minuet in A major D334 Schubert: Minuet in C sharp minor D600 Schubert: Scherzo in B flat major D593 No. 1 Schubert: Theme in F major D156 Schubert: Valse noble in F major (No. 10 from Waltzes D969)
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4 Impromptus Op. 142 (SCHUBERT FRANZ)
Français
Piano solo
[Sheet music]
Lemoine, Henry
Par SCHUBERT FRANZ. L'impromptu est une composition instrumentale, censée écri...
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Par SCHUBERT FRANZ. L'impromptu est une composition instrumentale, censée écrite 'in promptu', improvisée. Le terme impromptu apparaît pour la première fois dans les oeuvres de Jan Vaclac (Hugo) Vôrisek (1791-1825, les Impromptus Opus 7 publiés en 1822). Schubert reprend ce titre et nous présente des Pièces de caractère lyrique très structurées: D935/1 Mouvement de forme Sonate très libre - D 935 / 2 Menuet un peu lent entrecoupé d'un Trio agité - D 935 / 3 Variations sur le Thème de l'entracte du 4o acte de la Musique de Scène de Rosamunde - D 933 / 4 Danse endiablée inspirée de l'Europe Centrale. De Schubert, Schumann écrivait 'Il a des sons pour les impressions les plus délicates, les pensées, même pour les différentes situations de l'existence. Quelque nombreux que soient les pensées et les efforts de l'homme, la musique de Schubert répond à toutes ces diversités' Schubert, musicien de l'âme, de l'amour, des clairs-obscurs. Les manuscrits autographes et Editions originales disponibles à ce jour, nous ont permis de réaliser un texte qui répond fidèlement aux intentions du compositeur. Schubert a souvent noté incomplètement les liaisons: nous avons rétabli les omissions du compositeur, elles paraissent entre parenthèses. Il en est de même pour certaines accentuations (points, tirets, accents, etc.). En bas de page sont conseillées certaines interprétations d'ornements (grupetto, appogiatures, etc.). / Niveau : Elémentaire / classique / Répertoire / Piano
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Franz Schubert: Sonata In A Major D 959: Piano: Instrumental Work
Piano solo
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Advanced
Barenreiter
Edited on the basis of the New Schubert Edition.Newly engraved scholarly-critica...
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Edited on the basis of the New Schubert Edition.Newly engraved scholarly-critical performing edition.Notes on performance practice (Ger/Eng)Access to Schubert???s drafts on the B?renreiter website.New foreword (Ger/Eng) and a Critical Commentary (Eng).Schubert composed his great Piano Sonata In A Major just a few months before his untimely death in 1828. The balance this work strikes between lyrical melody emotional intimacy and pianistic brilliance makes it a highlight among his sonatas not least because of its poetic Andantino.This scholarly-critical edition by Walburga Litschauer is basedon the Urtext of the New Schubert Edition and uses the autograph manuscript as the prime source. The edition is rounded off by a new foreword valuable notes on performance practice as well as a Critical Commentary with information on performance-relevant alternative readings and Schubert???s notation of accents.Schubert???s drafts of the A major Sonata can be accessed on B?renreiter???s website.This new edition replaces the existing edition BA 5633.
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Sonate pour piano en Mi bémol majeur op. post. 122 D 568 (SCHUBERT FRANZ)
Piano solo
[Sheet music]
G. Henle
Par SCHUBERT FRANZ. Rien ne laisse deviner à l?auditeur de la gaie Sonate en Mi...
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Par SCHUBERT FRANZ. Rien ne laisse deviner à l?auditeur de la gaie Sonate en Mi bémol majeur que Schubert a dû longuement lutter pour en établir sa version définitive. Les premières esquisses ? alors en trois mouvements et dans la tonalité de Ré bémol majeur ? remontent à 1817; Schubert n?achèvera pourtant la sonate que peu de temps avant sa mort. Elle paraîtra à titre posthume en 1829. La Sonate en Mi bémol majeur est l?une des sonates pour piano les moins connues de Schubert. C?est pourtant une ?uvre d?un lyrisme enchanteur, qui naît de nuances nombreuses et délicates, du renoncement à un dramatisme spectaculaire (tous les mouvements s?achèvent dans la retenue) et d?une métrique fluide, à trois temps, dans les premier et dernier mouvements. Une seule et unique «longueur céleste» ... L?avant-propos d?Andrea Lindmayr-Brand, spécialiste de Schubert, et les remarques particulières détaillées fournissent de nombreuses informations sur la genèse de l??uvre, les sources et les variantes. Les doigtés de Martin Helmchen, interprète réputé de Schubert, constituent un autre point fort de la présente édition. / Date parution : 2022-04-05/ Répertoire / Piano
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Franz Schubert: Impromptus Op. 90 D 899 Op. Post. 142 D 935: Piano:
Piano solo
[Sheet music]
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Intermediate
Barenreiter
In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complet...
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In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary
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Franz Schubert: Piano Sonata In G Op.78 D 894: Piano: Instrumental Work
Piano solo
Barenreiter
G Major Op. 78 D 894-Schubert?s tuneful and buoyant Sonata in G major was publis...
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G Major Op. 78 D 894-Schubert?s tuneful and buoyant Sonata in G major was published in April 1827 as a ?Fantasy or Sonata? to quote the heading of its first movement. His first reviewer noted that ?the beloved and talented Lieder composer has presented the music world with a fantasy in which he lets his inventiveness loose. He presents the pianist with a harmonic indulgence without however amassing too many difficulties to complicate the execution?.Our scholarly-critical Urtext edition based on the definitive New Schubert Edition presents the sonata in a spacious new engraving with practical page turns. The work is introduced by an updated Foreword (Ger/Eng) and detailednotes on key questions of performance practice e.g. pedalling and Schubert?s characteristic way of writing accents. Rounding off the edition is a Critical Commentary (Eng) containing alternative readings of relevance to the performer. Schubert?s rejected initial version of the second movement can be accessed via the Barenreiter website.- Scholarly-critical Urtext editions based on the New Schubert Edition- Spacious new engravings with practical page turns- Detailed notes on historical performance practice (Ger/Eng)- Updated Forewords (Ger/Eng) and Critical Commentaries (Eng)- Schubert?s rejected versions of individual movements accessible online
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Franz Schubert: Sonata In C Minor D 958: Piano: Instrumental Work
Piano solo
Barenreiter
Newly engraved scholarly-critical performing edition.Detailed notes on performan...
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Newly engraved scholarly-critical performing edition.Detailed notes on performance practice (Ger/Eng).Practical page turns.Access to Schubert?s drafts at www.baerenreiter.com.New Foreword (Ger/Eng) and Critical Commentary (Eng).Schubert?s great C Minor Sonata D 958 was composed in 1828 just a few months before his death along with the late sonatas in A major (D 959) and B-flat major (D 960). Conceived as a triptych they constitute his musical testament to the Piano sonata genre.This scholarly-critical edition by Walburga Litschauer is based on the New Schubert Edition and presents thismasterpiece in a spacious new engraving. Notes on performance practice especially on pedalling and Schubert?s distinctive manner of writing accents form a Foreword to the work. Rounding off the edition is a Critical Commentary which presents alternative readings of interest to performers. Schubert?s drafts for all four movements of the sonata can be accessed on Bärenreiter?s website.This new edition replaces our existing edition BA 5632.
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Franz Schubert: Fantasy 'The Wanderer' Op.15: Piano: Instrumental Work
Piano solo
[Sheet music]
Wilhelm Hansen
The Fantasie in C major Op. 15 popularly known as the Wanderer Fantasy is a f...
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The Fantasie in C major Op. 15 popularly known as the Wanderer Fantasy is a four-movement fantasy for solo Piano composed by Franz Schubert?in 1822. The whole work is based on one single basic motive from the lied ?The Wanderer? and the four movements are played without a break.?It is widely considered to be?Schubert's most technically demanding composition for the Piano. Schubert?himself said 'the devil may play it ' in reference to his own inability to do so properly. It is the perfect challenge for any proficient pianist and the effort will be appreciated byaudiences upon hearing this marvellous piece!Franz Schubert?was an Austrian composer who was extremely prolific during his short?lifetime(he died at the age of 31). His output consists of over six hundred secular vocal works seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Today?Schubert?is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.
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Trockne Blumen Op.160 (SCHUBERT FRANZ)
Violin and Piano
[Score and Parts]
Universal Edition
Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and ...
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Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and piano, Schubert's reworking of 'Trockne Blumen' - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's own time for composers to write works 'for flute or violin' and in keeping with this practice, violinist Jacqueline Ross has prepared this edition, along with notes on the musical background and critical commentary on the violin editing. Her research into 18th and early 19th century performance practice has been widely recognised and has influenced her recordings of baroque and classical repertoire. This includes the Naxos release of the complete works of Schubert, recorded on historical instruments, in which this adaptation of 'Trockne Blumen' is featured. Violinists will welcome this adaptation intended primarily for performers, as a vibrant and substantial addition to the repertoire. o Originally for flute and piano, Schubert's reworking of 'Trockne Blumen', the eighteenth song in his song cycle 'Die schöne Müllerin', is here adapted for the violin by Jacqueline Ross o Notes on the musical background and critical commentary on the violin editing are included o A vibrant and substantial addition to the repertoire/ Répertoire / Violon et Piano
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Franz Schubert: Piano Trios: Piano Trio: Study Score
Piano Trio: piano, violin, cello
[Study Score / Miniature]
G. Henle
Urtext Edition-Les deux trios avec piano de Schubert peuvent indubitablement êt...
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Urtext Edition-Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses ?uvres les meilleures. Composés tous les deux en 1827 c?est-à -dire un an avant sa mort ce sont des ?uvres caractéristiques de sa maturité riches d?une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l?éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert) le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L?adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l?origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l?avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu?au désespoir. Il ne parut d?ailleurs qu?en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l?été 1812 alors qu?il était âgé de 15 ans.
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Franz Schubert: Piano Trios: Piano Trio: Instrumental Album
Piano Trio: piano, violin, cello
[Sheet music]
G. Henle
Piano Trios-Les deux trios avec piano de Schubert peuvent indubitablement être ...
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Piano Trios-Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses ?uvres les meilleures. Composés tous les deux en 1827 c?est-à -dire un an avant sa mort ce sont des ?uvres caractéristiques de sa maturité riches d?une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l?éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert) le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L?adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l?origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l?avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu?au désespoir. Il ne parut d?ailleurs qu?en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l?été 1812 alors qu?il était âgé de 15 ans.
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
Medium voice, Piano
[Partitur]
Barenreiter
Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of th...
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Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104
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3 Klavierstücke D 946 Und Zwei Fragmentarische Klavierstücke D916/C
Piano solo
Wiener Urtext
Complementing the Impromptus and Moments musicaux, the Wiener Urtext Edition als...
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Complementing the Impromptus and Moments musicaux, the Wiener Urtext Edition also presents a new edition of the three late piano pieces D 946. Careful study of Schubert's autographs has led to various retouchings in the musical text, in D 946/2 for instance to the supplementation of a bar. The edition offers a new approach to the issue of the second episode of D 946/1, deleted by Schubert in the autograph, but included in the posthumous first edition and meanwhile embraced in modern concert practice. The separate edition of these repertoire pieces that have enjoyed increasing popularity since the 1970s has been expanded to include the two piano piano pieces D 916B/C that have survived as fragments and have been completed by Robert D. Levin in close observance of Schubert's compositional principles. Like the three piano pieces D 946, both works originate from the context of the Impromptus and have survived in the composer's autograph sketches. Their inclusion in this volume completes the picture of Schubert's late keyboard output and provides new impulses for the pianistic concert repertoire. / Piano
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Franz Schubert: Lieder Volume 8 - Medium Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext...
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Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Schubert, Franz : Works for Piano Duet (Four Hands-One Piano), Volume 3
1 Piano, 4 hands
[Sheet music]
-
Intermediate
Barenreiter
This edition marks the beginning of Bärenreiter?s publication of Schubert?s com...
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This edition marks the beginning of Bärenreiter?s publication of Schubert?s complete works for piano duet in scholarly-critical Urtext editions. It includes Schubert?s late works, composed between 1826 and 1828 which are amongst the most important works in the piano duet repertoire. '
Suggestions on performance practice by Mario Aschauer and a selection of passages on practical performing aspects from the critical commentary of the ?New Schubert Edition? complete the edition, which presents the compositions in a clear score format.'
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- Based on the Urtext of the ?New Schubert Edition?'
- Scholarly-critical edition reflecting the latest state of research'
- Suggestions on performance practice by Mario Aschauer'
- Detailed foreword (Ger/Eng) and critical commentary (Eng)'
- With optimum page-turns'
'
Contents'
Variations on a Theme from L. J. Ferdinand Hérolds opera ?Marie? by op. 82,1 (D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952) / [Pièces pour Piano 4 Mains 1 Piano Volume 3] / Classique / Partition / Cartonné / Plats de carton /
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