Porter Cole's 100th Anniversary Book for Piano and vocals includes works from the 2018-2021 ABRSM Singing syllabus.

Muriel Herbert was a twentieth century English composer and teacher who was active in her early life composing not only many songs but also some works for Violin. In recent years a new appreciation has begun to form for her sensitive and stylish Vocal works.

A selection of classic Australian songs that is a must-have for every musician. These are some of the songs that shape the Australian experience. They are time-honoured well-known favourites with special Australian relevance. This book is essentially the same book as 'Songs of Australia' but with a new cover and additional information within on the history behind the songs.The collection opens with the Australian National Anthem Advance Australia Fair and is concluded with another national song Waltzing Matilda. Many of the older traditional songs are included in this useful volume. In addition there are newer works which have become iconic for Australians such as BruceRowland's The Man From Snowy River and Under Southern Skies which was performed by Nikki Webster at the opening of the Olympic Games in Sydney in the year 2000. Each song is presented in a PVG (piano vocal guitar chord) arrangement. Contains; Advance Australis Fair Botany Bay Bound for South Australia Click Go the Shears Drovers Dream Dying Stockman Flash Jack From Gundagai Man From Snowy RIver Old Bullock Dray Overlander Under Southern Skies Waltzing Matilda and Wild Colonial Boy

Full Piano solo transcriptions of all the pieces from the 2004 album. Released initially as a strictly limited edition CD the Piano Works album has since achieved substantial critical praise featuring sumptuous solo arrangements of Armstrong's film themes and pop collaborations as well as his rich and moving Piano solos. Included in this collection is Weather Storm and Heat Miser from the hit Massive Attack album Protection alongside collaborations with Nelle Hooper and film themes including Sabine's Theme from Moulin Rouge and Glasgow Love Theme from Love Actually.

Twenty-nine great songs the best works of Tom Waits. Piano/vocal with guitar chord boxes. Illustrated.

A two-volume collection of the complete works of the Beatles from A to Z! Truly a collector's item. Volume 1: 103 songs from A-I including: All My Loving · All You Need Is Love · And I Love Her · Back In The U.S.S.R. · Blackbird · Can't Buy Me Love · Come Together · A Day In The Life · Day Tripper · Do You Want To Know A Secret? · Drive My Car · Eleanor Rigby · The Fool On The Hill · Getting Better · Got To Get You Into My Life · Hello Goodbye · Here Comes The Sun · Here There and Everywhere · I Feel Fine · I Want To Hold Your Hand ·I'm A Loser · I've Just Seen A Face.

A must-own collection of 76 songs of Harold Arlen. Includes his major works and some previously unpublished titles. Highlights include: Come Rain or Come Shine · Get Happy · Let's Fall in Love · The Man That Got Away · Over the Rainbow · Stormy Weather · and more!

A collection of 24 arias as sung by the opera diva. Arrangements of arias taken from popular operas such as Verdi's Aida and Bizet's Carmen are included along with lesser known works by Gluck and Bellini.

Annett Lousian is a very successful star in Germany. Her style is a mixture of pop and chanson and she has released 7 studio albums. Annett Louisan: Best Of is a selection of her greatest works and includes the songs Die Dinge Eve Das alles wär nie passiert Drück die 1 Teilzeithippie Das Spiel Das schlechte Gewissen Auf dich hab ich gewartet Das Gefühl Die Lüge Wer bin ich wirklich Die Wahrheit and Rosenkrieg in arrangements for Piano Voice and Guitar.

The Platinum Collection Deluxe Edition-Andrew Lloyd Webber turned 70 in 2018 and this incredible compilation was also released this year in commemoration of his remarkable 50-year career of composing classic Broadway musicals and contemporary works. Our deluxe folio features 71 tracks from the 4-disc collection: 'Amigos Para Siempre (Friends for Life)' 'Another Suitcase in Another Hall' 'Any Dream Will Do' 'As If We Never Said Goodbye' 'Don't Cry for Me Argentina' 'Everything's Alright' 'I Am the Starlight' 'I Don't Know How to Love Him' 'Learn to Be Lonely' 'Love Changes Everything' 'Love Never Dies' 'Memory' 'The Phantom of the Opera' 'Pie Jesu' 'Sunset Boulevard' 'Tell Me on aSunday' 'Unexpected Song' 'Wishing You Were Somehow Here Again' 'You Must Love Me' 'You're in the Band' and more.

The World's Greatest Praise Songs est une collection unique et très utile de 50 des meilleures chansons des trois dernières décennies. Ces chansons ont été choisies encore et encore et ont été determinées comme étant les favorites de millions de personnes au travers des Etats-Unis et du Monde entier. Cette collection est une incroyable ressource pour tous les amoureux de musiques de tous les genres. Que vous jouiez pour votre plaisir personnel, ou pour un groupe de personne, The World's Greatest Praise Songs est une collection qui défie le temps et qui vous inspirera pendant des années. Cette collection comprend des chansons comme Come, Now Is The Time To Worship- Forever- Here I Am To Worship- Lord, I Lift Your Name On High- You Are My All In All- et bien plus encore! / Piano/Vocal/Guitare (PVG) / Partition

The first in a series of three books that bring together the Piano works of the 19th century Czech composer. This first volume contains eight full works in a variety of forms tracing Suk's development from the influences of Dvorak and Brahms and the gradual formulation of a more personal vocalbulary. For the accomplished Pianist.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre

Sacred Oratorio in two Parts-During Telemann’s lifetime 'Die Donnerode' was one of his most popular sacred works. It was written following the devastating earthquake in Lisbon in 1755. The great success of the first performance in St. Jacobi in Hamburg in 1756 encouraged Telemann to write a second part to the work in 1760 expanding 'Die Donnerode' to make a complete oratorio. The work continues to be performed in this form today. The basic structure of 'Die Donnerode' is a psalm cantata for soloists chorus and orchestra. The texts and choice of instrumentation make reference to the threatening natural phenomenon of the earthquake. Telemann exploits all the musical possibilities offered by the text creating a powerful oratorio in which trumpets and timpani play an important role. This edition includes a vocal score on sale for the first time based on the Telemann Musical Works. The existing performance material has been thoroughly revised and newly engraved. Urtext edition based on the 'Telemann Musical Works' reflecting the current state of researchIdiomatic piano reduction foreword (Ger/Eng)Performance material thoroughly revised and newly engraved