Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.

Arcangelo Corelli (1653 - 1713) was an Italian violinist and composer. He was one of the earliest pioneers of the modern Violin and helped define its capabilities for generations after. He only published 6 opuses in his lifetime but they are arguably the most influential collection of baroque music that survives today. His Opus 5 was a collection of 12 Violin Sonatas the only Sonatas he published. They were written for the composer’s own use and performed by him many times showcasing the Violin technique he had developed over his career. Adagio and Allegro are the last two movements in Corelli’s Sonata No.1 in DMajor. Originally written for Violin and Harpsichord they are published here for Violin and Piano.

Volume 2 of Archangelo Corelli's 6 Sonatas for Violin and Piano. Includes sonatas 3 5 and 9 from Opus 5. Edited by Klengel.

Paul Paradise has selected eight of Arcangelo Corelli's twelve Concerti Grossi and combined the concertino parts with the concerto grosso parts, edited the bowings, and added fingerings. Now these masterful works are playable by string orchestra or string quartet. The Concerto Grossi included are: No. 4 in D Major * No. 7 in D Major * No. 10 in C Major * No. 11 in B-flat Major * No. 12 in in F Major * No. 3 in C Minor * No. 8 in G Minor (Christmas) * No. 2 in F Major.

Paul Paradise has selected eight of Arcangelo Corelli's twelve Concerti Grossi and combined the concertino parts with the concerto grosso parts, edited the bowings, and added fingerings. Now these masterful works are playable by string orchestra or string quartet. The Concerto Grossi included are: No. 4 in D Major * No. 7 in D Major * No. 10 in C Major * No. 11 in B-flat Major * No. 12 in in F Major * No. 3 in C Minor * No. 8 in G Minor (Christmas) * No. 2 in F Major.

These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.

9 Pieces by 9 Composers-This volume in Schirmer's Library Of Musical Classics contains 9 Baroque pieces by 9 composers in arrangements for Violin with Piano accompaniment. Pieces include: J. S. Bach: Concerto In A Minor BWV1041 Arcangelo Corelli: Sonata In D Minor 'La Folia' Op.5 No.12 George Frideric Handel: Sonata In D Major HWV 371 Jean-Marie Leclair: Sonata In D Major Op.9 No.3 PietroNardini: Concerto In E Minor Georg Philipp Telemann: Sonatina In A Major Giovanni Battista Viotti: Concerto In G Major Tommaso Vitali: Ciaccona In G MinorAntonio Vivaldi: Concerto In E Major 'Spring' RV269

Par CORELLI ARCANGELO. / Répertoire / 2 Violons et Piano ou Violoncelle Ad Libitum

Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire / Guitare et Violon

La référence CC2298 de l'éditeur Billaudot dont l'auteur célèbre est Corelli Arcangelo, qui a pour titre GRAVE ET ALLEMANDE, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

Par CORELLI ARCANGELO. / Répertoire / 2 Violons et Piano ou Violoncelle Ad Libitum

Par CORELLI ARCANGELO. Editeur(s) d'origine: Buttmann, Rudolf/ Répertoire / Violon, Guitare et Basse Continue

Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire / Guitare et Violon