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Harmonica
VIOLIN - FIDDLE
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Divertimento For Harmonica And String Quartet (JACOB GORDON)
[Sheet music]
Stainer and Bell
Par JACOB GORDON. Strings/ Répertoire / Harmonica et Quatuor à Cordes
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Ligero y Magenta (PAUS RAMON)
Violin
[Sheet music]
Unión Musical Ediciones
Par PAUS RAMON. The composition represents an apparently contradictory quality a...
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Par PAUS RAMON. The composition represents an apparently contradictory quality and colour, since the colour enunciated in the title of the work does not have lightness as an essential component of its chromatic nature. In the course of this work, very light arpeggios are traversed where the melody of the upper voice appears fragmented while the performer completes the rest of the notes harmonically associated with this melody. This fragmentation, far from cutting the singing line, gives this melody a special way of being. In contrast to these passages where lightness and fluidity are essential characteristics, others appear where double, triple and even quadruple strings are present, giving the work a more leaden aspect. / Date parution : 2022-02-03/ Répertoire / Violon
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Essential Jazz Lines In The Style Of John Coltrane (CHRISTIANSEN COREY)
Violin
[Sheet music + CD]
-
Intermediate
Mel Bay
Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the...
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Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon
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...Called Dusk II
String Quartet: 2 violins, viola, cello
Schott
...called dusk II for string quartet draws its inspiration from a line in Samuel...
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...called dusk II for string quartet draws its inspiration from a line in Samuel Beckett's short story Lessness: 'Figment dawn dispeller of figments and the other called dusk'.The work is a kind of double Chaconne, each part of which contains 26 chords based on specific permutations of fundamental notes and their harmonics. Each of the parts pass through alternating, harmonically contrasted planes, becoming entwined in the manner of a chimera through their rhythmic structure and dynamics. This intermittently produces a sort of 'inner voice' which runs through all four instruments. The fundamental notes and harmonics separate during the progress of the composition, becoming independent and then disintegrating. The consonant harmony resulting from the amalgamation of the two planes ultimately collapses into a rigid motor-like linearity. Detlev Müller-Siemens / Quatuor A Cordes
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Gabriel Fauré: Violin Sonata No.2 E Minor Op.108: Violin: Instrumental Work
Violin and Piano
G. Henle
Violin Sonata no. 2 e minor op. 108-Fauré?s 2nd Violin Sonata was written in 19...
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Violin Sonata no. 2 e minor op. 108-Fauré?s 2nd Violin Sonata was written in 1916 in Evian and Paris the first in a series of chamber music works. It is thus one of Faure?s late works characterised by austerity introspectionand the intensity of its expression.It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980) published 40 years earlier. The 2nd Sonata concentrates on theessentials and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality delving deep into the ?Modernism? of the 1920s.
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Corey Christiansen Kim Bock: Essential Jazz Lines in the Style of John Coltrane:
Violin
[Sheet music + CD]
Mel Bay
Violin Edition-Saxophonist John Coltrane was one of the most innovative creativ...
(+)
Violin Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus on the firstperiod of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss the use of guide tones bebopscales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanyingplay-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. By combining various lines musicians will beable to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to createyour own lines in the style of John Coltrane
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Christiansen Corey - Essential Jazz Lines In The Style Of John Coltrane - Violin
Violin
[Sheet music + CD]
-
Intermediate
Mel Bay
Description Saxophonist John Coltrane was one of the most innovative, creativ...
(+)
Description Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane
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Thomas Daniel Schlee: Viertes Streichquartett Op. 86: String Ensemble: Score
String Quartet: 2 violins, viola, cello
Barenreiter
For composer Thomas Daniel Schlee the ?intimate sound possibilities of the stri...
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For composer Thomas Daniel Schlee the ?intimate sound possibilities of the string quartet? have the potential ?to formulate an albeit ?only? individual solution to the somewhat forlorn condition of new art music within society that we are unfortunately experiencing today.? Schlee?s Fourth String Quartet opens with a pure C major sound out of which he develops a harmonically free band of voices: ?The pure as a source not pleasing?! After a melodically dominating episode and a continuation of the ?swinging tone-motion from the beginning? a thematically solidified section follows. It is met by a second more extensive melodic episode followed by a ?nightly scene?. Coming full circle the opening music of the piece finds its continuation leading into a lament ? first articulated by the ensemble then finally as ?the viola?s long forlorn search for the melody symbolizing a farewell.?
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Gillespie: Stylistic Ii/V7/I Voicings For: Any Instrument: Instrumental Tutor
Violin
Jamey Aebersold Jazz
By Luke Gillespie. Covers all styles of comping from basic and fundamental appr...
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By Luke Gillespie. Covers all styles of comping from basic and fundamental approaches to modern! A complete collection of II/V7/I voicings for jazz Keyboard starting with simple diatonic voicings and progressing into more harmonically rich and diverse voicings with intricate passing tones and complex harmonies. No longer will you be stuck using the same kinds of voicings over and over even in different styles. Now you can have a variety of II/V7 voicings available at your fingertips for every musical situation. 112 pages.
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Nocturne Op. 75 (VOIGT FRIEDRICH WILHELM)
Clarinette, Cor, Alto et Piano
[Sheet music]
Amadeus Verlag
Par VOIGT FRIEDRICH WILHELM. Das Nocturne ist ein kammermusikalisches Juwel und ...
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Par VOIGT FRIEDRICH WILHELM. Das Nocturne ist ein kammermusikalisches Juwel und ungewöhnlich apart in der Besetzung. Das harmonisch kühn und zwischen Bläsern und Klavier meisterhaft ausgewogene Stück bietet sich als Konzertzugabe an./ Répertoire / Clarinette, Cor, Alto et Piano
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Thomas Daniel Schlee: Viertes Streichquartett Op. 86: String Ensemble: Parts
String Quartet: 2 violins, viola, cello
Barenreiter
In der ?intimen Klanglichkeit des Streichquartettes? liegt für den Komponisten ...
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In der ?intimen Klanglichkeit des Streichquartettes? liegt für den Komponisten Thomas Daniel Schlee das Potential eine ?freilich ?nur? individuelle Antwort auf die heute zu beklagende weitgehende gesellschaftliche Verlorenheit neuer Kunstmusik zu formulieren.? Sein Viertes Streichquartett beginnt mit einem reinen C-Dur-Klang aus dem sich ein harmonisch freies Band der Stimmen entwickelt: ?Reines als Quelle nicht Gefälliges!? Nach einer melodisch dominierten Episode und einer Fortsetzung des ?schwingenden Tonsatzes des Beginns? tritt ein thematisch verfestigter Abschnitt ein. Ihm antwortet eine zweite erweiterte melodische Episode gefolgt von einer ?nächtlichen Szene?. Der Kreis schließt sich mit der Fortführung der das Werk eröffnenden Musik. Diese mündet in einen Klagegesang ? zunächst des Ensembles zuletzt in der ?langen einsamen Melodiesuche der Bratsche als Sinnbild eines Abschiedes.?
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Leo Brouwer: Pictures At Another Exhibition: Piano Trio: Score
Violin, Horn, Piano Chamber
[Sheet music]
-
Intermediate/advanced
Chester
Leo's Brouwer's Pictures At Another Exhibition with a title that tips a hat to ...
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Leo's Brouwer's Pictures At Another Exhibition with a title that tips a hat to the Mussorgsky suite of 1874 is presented here for a chamber group of Piano Horn and Violin. The Cuban composer has created a set ofprogrammatic musical depictions inspired by six works of art ranging from Bosch's Garden Of Earthly Delights to Rauschenberg's Pop Construction.This set consists of six Piano scores and may be performed in anyorder or combination. Ideal for chamber performances or for a smaller ensemble as part of a larger concert the pieces offer an unusual and exciting addition to any repertoire and are brimming with the vitality and energy ofBrouwer's Cuban origins.Movements are as follows:The Garden Of Earthly Delights: Hieronymus BoschPortrait Du Chopin: Eugene DelacroixLos Desastres De La Guerra: Francisco GoyaThe Jungle: WilfredoLamReclining Nude: Amadeo ModiglianiPop Construction: Robert Rauschenberg
39.99 GBP - Sold by Musicroom UK
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Sketch Book (GERNOT WOLFGANG)
Chamber Orchestra
Doblinger
Für Violine, Klarinette Und Klavier. Par GERNOT WOLFGANG. Green Island ist dem ...
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Für Violine, Klarinette Und Klavier. Par GERNOT WOLFGANG. Green Island ist dem Andenken des stilbildenden, 2007 verstorbenen Jazzsaxophonisten Michael Brecker gewidmet. In diesem Satz leben auch Erinnerungen an zwei Reisen nach Irland auf, die tiefe Eindrücke in mir hinterließen. Die diesbezüglichen musikalischen Bezüge können am deutlichsten in den Präsentationen des Hauptthemas am Anfang und Ende des Satzes erkannt werden. Die bildliche Vorstellung einer vom Mond beleuchteten Veranda irgendwo in den Südstaaten war die Inspiration für 'Night Breeze'. Eine sanfte, warme Brise raschelt in den Bäumen und begleitet den Dialog Violine /Klarinette, unvermutet pausiert der Wind... und beginnt wieder. Die Anregung für 'Chromatic Train' war die Visualisierung einer von einer Dampflokomotive gezogenen Eisenbahngarnitur. Der Zug verlässt langsam den Bahnhof. Wir werden Zeugen einer lebhaften Konversation zweier Passagiere (Vl./Kl.) Harmonisch gesehen werden hier alle zwölf Töne der chromatischen Skala verwendet. Der Zug erhöht das Tempo... (G.W.)/ Répertoire / Musique de Chambre
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Kidfiddle (SILVERMAN JERRY)
Violin
-
Beginner
Mel Bay
Par SILVERMAN JERRY. Chacun des airs fiddle et folk dans cette collection est pr...
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Par SILVERMAN JERRY. Chacun des airs fiddle et folk dans cette collection est présentée dans plus d'une clé, permettant des enseignants d'introduire le concept de toute première important de la tonalité au début de leurs étudiants ' exactitude musical en termes de trouver des différences de moitié-étapes comme les clés du changement. Presque toutes les mélodies sont au premier rang. Tous les morceaux ont été harmonisés avec les symboles de la corde. Si l'enseignant, parent ou ami peut accompagner ces mélodies à la guitare, piano autoharpe, ou tout autre instrument jouant de la corde, le bénéfice pour l'étudiant sera évidente. / Niveau : Débutant / Folk - Solos / Recueil / Violon
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Trema
Violin
Ars Viva
Geschrieben 1981 für die Malerin und Musikerin Rivka Golani, wurde das Werk 198...
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Geschrieben 1981 für die Malerin und Musikerin Rivka Golani, wurde das Werk 1981 im Rahmen von Musique Vivante, Paris, durch Rivka Golani, Viola, uraufgeführt.Eine in sehr langsamem Tempo fortschreitende Harmonik wird durch eine genau festgelegte arpeggio- und tremolo-Technik des Bogens von mehreren unaufhörlich zitternden und sich in allen Richtungen unregelmäßig bewegenden Klanggittern überdeckt. Was durch diese Gitter hindurch tönt, ist eine äußerst vielschichtige, extrem rasch sich bewegende Musik, die gleichzeitig abläuft.Es gibt auch eine Version des gleichen Werkes für Cello (1981). (H. Holliger) / Violon
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Fantaisies Sauvages (Version 2) (Flûte Traversière Ou Harmonica, Violoncelle Ou Basson, Guitare Ou Piano) (SILVESTRE LOURIVAL)
Ensemble de Bois
[Sheet music]
Martin, Robert
Par SILVESTRE LOURIVAL. Musique de Chambre/ Répertoire / Ensemble de Bois
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Werke Für Harmoniemusik
Chamber Orchestra
Doblinger
/ Musique De Chambre
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4 Csardas
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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3 Sketches
Violin, Viola (duet)
Schott
L'année Mozart, Thomas Zehetmair et Ruth Kilius a demandé à Heinz Holliger po...
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L'année Mozart, Thomas Zehetmair et Ruth Kilius a demandé à Heinz Holliger pour une pièce encore frappante de la Sinfonia concertante de Mozart qui n'avait souvent été effectuée sous sa direction par eux. Le résultat, cependant, est un cycle de trois volets indépendant composé de pièces très différentes. Le premier a été tissé exclusivement de flottant harmoniques, la deuxième est une danse tourbillonnante sauvage, tandis que la troisième se condense dans un choral de six parties dans lequel chaque joueur a chanter une troisième voix en plus de jouer le double s'arrête sur son instrument à cordes. / Violon Et Alto
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De Blanco A Negro
Chamber Orchestra
Doblinger
Hr Trp / Musique De Chambre
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Werke Für Harmoniemusik
Chamber Orchestra
Doblinger
/ Musique De Chambre
71.88 EUR - Sold by LMI-partitions
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Kleine Fantasie
Chamber Orchestra
Doblinger
2Trp Hr Pos Tb / Musique De Chambre
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