| Joachim Joseph - Fantasy
On Hungarian Themes
(1850) / Fantasy On Irish
(scottish) Themes (1852)
- Vi Orchestra, Violin Barenreiter
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] ...(+)
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim?s ?Fantasies on Hungarian and Irish [Scottish] Themes? was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the ?Fantasy on Hungarian Themes? in German cities met his need for self-display as the ?Hungarian lad?, to use Mendelssohn?s jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.
37.00 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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| 3 Stücke Op. 2
(JOACHIM JOSEPH) Violin and Piano [Sheet music] Breitkopf & Härtel
Par JOACHIM JOSEPH. Editeur(s) d'origine: Mahlert, Ulrich/ Répertoire / Violon ...(+)
Par JOACHIM JOSEPH. Editeur(s) d'origine: Mahlert, Ulrich/ Répertoire / Violon et Piano
25.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Cadenzas To
Beethoven's Violin
Concerto (JOACHIM JOSEPH) Violin [Sheet music] Lienau
Par JOACHIM JOSEPH. / Répertoire / Violon
8.32 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Romanze in C-Dur (JOACHIM
JOSEPH) Violin and Piano [Sheet music] Doblinger
Par JOACHIM JOSEPH. / Date parution : 2021-12-09/ Répertoire / Violon et Piano...(+)
Par JOACHIM JOSEPH. / Date parution : 2021-12-09/ Répertoire / Violon et Piano
19.93 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Beethoven L. (van) -
Sonate N°5 F-dur Op.24
Frühlings-sonate -
Violon Et Piano Violin and Piano Peters 31.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Joseph Joachim: Fantasy
on Hungarian Themes
(1850): Violin:
Instrumental Work Violin Barenreiter
Fantasy on Irish [Scottish] Themes (1852)-Joseph Joachim (1831-1907) was one of ...(+)
Fantasy on Irish [Scottish] Themes (1852)-Joseph Joachim (1831-1907) was one of the most significant violinists of the 19th century. Born in Hungary he was also a conductor composer teacher and a close friend and collaborator of Johannes Brahms.Joseph Joachim?s ?Fantasies on Hungarian and Irish [Scottish] Themes? was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works not least at the urging of his family but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar Irish melodies held great appeal for English audiences.Performances of the ?Fantasy on HungarianThemes? in German cities met his need for self-display as the ?Hungarian lad? to use Mendelssohn?s jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.First editionInformative foreword (Ger/Eng)
26.00 GBP - Sold by Musicroom UK |
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| String Quartets (RAFF
JOSEPH JOACHIM) String Quartet: 2 violins, viola,
cello [Sheet music] Breitkopf & Härtel
No. 1 d minor op. 77 and No. 2 A mejor op. 90. Par RAFF JOSEPH JOACHIM. He had b...(+)
No. 1 d minor op. 77 and No. 2 A mejor op. 90. Par RAFF JOSEPH JOACHIM. He had been there as Franz Liszt?s assistant since 1850 and had made a name for himself in the city?s art scene now he embarked on new paths. He already composed his second Quartet in A major, op. 90, in Wiesbaden, the spa town that was to become his home for 21 years.
The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff?s intensive confrontation with Richard Wagner?s music during the Weimar years. In his chamber music, the composer wanted to achieve progress ?in an inherently historical way? and ?toground the individual substance in existing forms,? as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Müller brothers? renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim. / Date parution : 2021-11-25/ Répertoire / Quatuor à Cordes
50.95 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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| Cavatina (RAFF JOSEPH
JOACHIM) Violin and Piano [Sheet music] Carl Fischer
Par RAFF JOSEPH JOACHIM. / Répertoire / Violon et Piano
7.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Joseph Joachim: 2
Romances - Op.40 And
Op.50: Violin:
Instrumental Work Violin Simrock
G Major and F Major-Beethoven's 2 Romances Op.40 and Op.50 have been beautiful...(+)
G Major and F Major-Beethoven's 2 Romances Op.40 and Op.50 have been beautifully arranged for Violin with Piano Accompaniment by Joseph Joachim and edited by Ossip Schnirlin. The 2 Romances were originally composed for Solo Violin and Orchestra however this adaptation still captures the lyrical and expressive beauty of the piece. This piece will provide an enjoyable challenge for the advancing violinist and pianist alike.The solo violin part is also included on a separate insert.
9.99 GBP - Sold by Musicroom UK |
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| Cavatine Op. 85 #3 (RAFF
JOSEPH JOACHIM) Français Violin and Piano [Sheet music] Combre
Par RAFF JOSEPH JOACHIM. / classique / Répertoire / Violon et Piano
5.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Cavatine Op. 85/3 (RAFF
JOSEPH JOACHIM) Violin and Piano Schott
Par RAFF JOSEPH JOACHIM. Format: New Edition portrait/ Répertoire / Violon ou V...(+)
Par RAFF JOSEPH JOACHIM. Format: New Edition portrait/ Répertoire / Violon ou Violoncelle et Piano
6.11 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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| Johannes Brahms:
Concerto: Violin: Score Orchestra, Violin [Sheet music] Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...(+)
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
41.00 GBP - Sold by Musicroom UK |
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| Johannes Brahms:
Concerto: Violin: Part Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johannes Brahms: Concert
D Op.77: Violin:
Instrumental Work Violin and Piano [Reduction] Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
21.50 GBP - Sold by Musicroom UK |
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| Johannes Brahms:
Concerto: Violin: Parts Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - Sold by Musicroom UK |
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| Johannes Brahms:
Concerto: Violin:
Reference Orchestra, Violin Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown?s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary
17.50 GBP - Sold by Musicroom UK |
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| Clara Schumann: Drei
Romanzen op. 22: Violin
and Accomp.: Instrumental
Album Violin and Piano Barenreiter
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...(+)
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces.
While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition.
Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists.
This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| AntonÃn Dvo?ák: Violin
Concerto in A minor
Op.53: Violin: Score Orchestra, Violin - Intermediate Barenreiter
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 wit...(+)
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
53.50 GBP - Sold by Musicroom UK |
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| Dvorak - Violin Concerto
Op.53 - Violon and Piano Violin and Piano Barenreiter
Dvorák, AntonÃn Concerto for Violin and Orchestra A minor op. 53 Edition no. B...(+)
Dvorák, AntonÃn Concerto for Violin and Orchestra A minor op. 53 Edition no. BA 10422-90 ISMN 9790260107687 Editor Cividini, Iacopo Dvorák?s Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with Franti?ek OndrÃcek as soloist. This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original piano reduction, which probably stems from Dvorák himself, and in which Joseph Joachim?s fingering is published. ? First Urtext edition of the original piano reduction ? Variants in the solo part rendered as ossia passages ? Foreword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
19.60 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Johannes Brahms: Violin
Concerto In D Major Op.77
- Piano Reduction:
Violin: Violin and Piano G. Henle
Brahms' only Violin concerto was given a very warm reception by his contemporari...(+)
Brahms' only Violin concerto was given a very warm reception by his contemporaries and has been an important piece in the Violin repertoire ever since. It bears witness to Brahms' fruitful collaboration with Joseph Joachim whocontributed a cadenza. The composer's original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms CompleteEdition. The appendix also contains an alternative version of Joachim's cadenza that to date has not been published in a practical edition. Alongside Joachim's original fingerings and bowings there are also fingering suggestionsby Frank Peter Zimmermann.
22.99 GBP - Sold by Musicroom UK |
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| Robert Schumann: Concert
D: Violin: Score and
Parts Orchestra, Violin Schott
‘You were often on my mind when I was writing’ wrote Robert Schumann ...(+)
‘You were often on my mind when I was writing’ wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness however Joachim began to have his doubts about the value of the work. In his will Joachim prohibited the rst performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work the premiere was brought forward to 1937.The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (‘Ghost Variations’) the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version ofSchumann’s solo part saw in this piece ‘the bridge between Beethoven’s and Brahms’ concertos’.
19.99 GBP - Sold by Musicroom UK |
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| Johannes Brahms: Sonata
in G major for Violin and
Piano op. 78: Violin: Violin and Piano Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...(+)
A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
14.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| F.A.E. Sonata Violin and Piano [Sheet music] Heinrichshofen Verlag
Cet ouvrage a été écrit en collaboration par Brahms, Dietrich et Schumann, po...(+)
Cet ouvrage a été écrit en collaboration par Brahms, Dietrich et Schumann, pour le violoniste Joseph Joachim. Expert Schumann Joachim Draheim édité cette édition des partitions autographes./ Recueil / Violon et Piano
23.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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| Johannes Brahms: Violin
Concerto D major op. 77:
Violin: Score Orchestra, Violin [Study Score / Miniature] G. Henle
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument...(+)
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument dont il ne ma?trisait que tr?s peu la technique. C?est pourquoi lorsqu?il composa son concerto pour violon et orchestre op. 77 dans les ann?es 1877/1878 ce fut en collaboration ?troite avec son ami Joseph Joachim qui est ?galement l?auteur de la cadence. Ses contemporains accueillirent l??uvre avec enthousiasme et elle reste consid?r?e aujourd?hui comme une pi?ce majeure du r?pertoire. Une ?dition urtext dans un petit format maniable destin? ? l??tude s?av?re par cons?quent tr?s utile. Reposant sur la partition parue dans la nouvelle ?dition compl?te des ?uvres de Brahms elle contient?galement en annexe la cadence de Joachim dans deux versions diff?rentes: d?une part la version originale et d?autre part une version tr?s int?ressante plus condens?e mise au point par Brahms ult?rieurement avec la violoniste Marie Soldat.
16.75 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Six Sonatas And Partitas:
Violin: Instrumental
Album Violin IMC (International Music Co.)
For Violin Solo (Joachim/Moser)-Six Sonatas And Partitas for solo Violin by J. S...(+)
For Violin Solo (Joachim/Moser)-Six Sonatas And Partitas for solo Violin by J. S. Bach edited by Joseph Joachim.
21.95 GBP - Sold by Musicroom UK |
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| Ravel Maurice - Tzigane -
Violon and Piano Violin and Piano Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...(+)
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
23.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Scherzo In C Minor:
Violin: Instrumental Work Violin Simrock
3rd movement of the 'F.A.E.-Sonata' composed by R. Schumann A. Dietrich and J. ...(+)
3rd movement of the 'F.A.E.-Sonata' composed by R. Schumann A. Dietrich and J. Brahms-In October 1853 Robert Schumann invited Joseph Joachim to take part in a Concert at Dusseldorf. In order to celebrate the arrival of the famous young violinst his friends in Dusseldorf prepared a jocular surprise for him. They composed together a Sonata for Violin and Piano and Joachim has to guess the composer of each movement. Dietrich wrote the Allegro in A Minor Schumann the Intermezzo in F Brahms the Scherzo In C Minor (the work printed here) and Brahms completed the Sonata with the Finale in A Minor.
9.99 GBP - Sold by Musicroom UK |
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| Brahms J. - Concerto
Pour Violon En Re Majeur
Op.77 - Violon and Piano Violin and Piano G. Henle
Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Stru...(+)
Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Struck, Linda Correll Roesner Réduction pour piano: Johannes Umbreit Doigtés vl.: Frank Peter Zimmermann Edition Urtext, réduction pour piano, reliure paperback parties avec ou sans indications de doigté Pages: 123 (X, 50, 33, 30), Dimension 23,5 x 31,0 cm N° d'article HN 818 · ISMN 979-0-2018-0818-5 Déjà accueilli avec enthousiasme par les contemporains, l?unique concerto pour violon de Brahms reste encore aujourd?hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s?était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l?objet d?un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des ?uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu?ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann.?
26.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Maurice Ravel: Tzigane:
Violin: Instrumental Work Violin and Piano Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...(+)
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Tzigane: Violin: Score Orchestra, Violin Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
31.50 GBP - Sold by Musicroom UK |
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