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Organ
VIOLIN - FIDDLE
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:: (6)
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Musical dictation (2)
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Orgue ou Clavecin (2)
12 Parties de Choeur a Cappell… (2)
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Choeur et Instruments Divers (2)
SAM et Piano (2)
Solostimme und Basso continuo… (2)
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Flûte Et Orgue (2)
Opéra (2)
Voix Mixtes et Orgue (2)
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Orgue, 2 Hautbois, Basson, 2 V… (1)
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Chanson (1)
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Instruments à Cordes et Orgue… (1)
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Instruments Divers dont L'Alto… (1)
SCORE/ORCH::Partitions/Orchest… (1)
HARM/EGTR/BGTR/HND/ACDN::Harmo… (1)
Guitare Et Clavecin (1)
Manuels/ DVD Technique (1)
2 Parties Voix Aigues (SA) Et … (1)
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Trompette en Do / C et Orgue (1)
Orgue et Clavier (1)
Orgue, Quintette A Cordes Et T… (1)
Xylophone (ou marimba) (1)
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9 Orgues (8 Orgues Positifs Et… (1)
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Trompe de Chasse (1)
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2 Barytons, SATB, Orgue Acc (D… (1)
3 Voix, Orgue et Clavecin (1)
Soli, Choeur Mixte Et Orgue (1)
Percussion Quartet (1)
4 Trompettes et Orgue (1)
Orgel (Pauke ad libitum) (1)
Dessus Et Basse Continue, Dess… (1)
Choeur, Orgue, 2 Trompettes, C… (1)
Saxophone Ténor ou Soprano et… (1)
Conducteur Et Choeur (Orgue) (1)
4 Voix Mixtes Sans Accompagnem… (1)
1 ou 2 Voix (Soprano), Basse … (1)
Descant (Soprano) Recorder (1)
Voix à L'Unisson et Orgue ou … (1)
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3 à 11 instruments en clé d… (1)
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ENS::Ensemble (1)
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Cor En Fa Et Orgue Ou Piano (1)
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Soliste bzw. FrauenChoeur avec… (1)
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Suite de Pieces (COLERIDGE-TAYLOR SAMUEL)
Violin, Organ
[Sheet music]
Ut Orpheus
Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite ...
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Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue
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Trio For Violin, Bass Clarinet And Piano (HAYES MORGAN)
Violon, Clarinette Basse et Piano
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Clarinette Basse et Piano
33.18 EUR - Sold by LMI-partitions
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Dances On A Ground. Score And Parts (HAYES MORGAN)
String Quartet: 2 violins, viola, cello
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Quatuor à Cordes
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Lucky's Speech. Solo Violin (HAYES MORGAN)
Violin
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon
5.73 EUR - Sold by LMI-partitions
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3 Buoys For Violin, Viola And Piano (HAYES MORGAN)
Violon, Alto et Piano
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Alto et Piano
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Shatner's Bassoon. Score And Parts (HAYES MORGAN)
Clarinette, Trompette, Trombone, Piano, Alto et Ba
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. / Répertoire / Clarinette, Trompette, Trombone, Piano, Alto e...
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Par HAYES MORGAN. / Répertoire / Clarinette, Trompette, Trombone, Piano, Alto et Ba
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Snapshots For Flûte, Clarinet, Violin, Cello And Piano (HAYES MORGAN)
Flûte Traversière Clarinette, Violon, Violoncelle
[Sheet music]
Stainer and Bell
For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ ...
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For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ Répertoire / Flûte Traversière Clarinette, Violon, Violoncelle
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Welsh Fiddle Tunes - Violon
Violin
[Sheet music + CD]
Schott
Pwt ar bys Pant Corlan yr Wyn Llanover Reel Erddigan y Pibydd Goch Tri a Chwech ...
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Pwt ar bys Pant Corlan yr Wyn Llanover Reel Erddigan y Pibydd Goch Tri a Chwech Marwnhad yr Heliwr Merch Megan Wyres Megan Dawns y Pistyll Y Delyn Newydd Ymgyrchion y Waunlwyd Abergenny Risiart Annwyl Yr Hen Feillionen Coleg y Brifysgol Abertawe Rachel Dafydd Ifan Robin Ddiog Bwlch Llanberis Blodau'r Drain Wals Trefforest Morfa Rhuddlan Chwi Bechgyn Glan Ffri Tros y Garreg Y Derwydd Tom Jones Difyrwch gwyr Bontnewydd Gwyngalch Morgannwg Jigolo Dafad Gorniog (1) Croen y Ddafad Melyn Y Dafad Gorniog (2) Pibddawns Morgannwg Pibddawns Abertawe Pibddawns Sir Gar Machynlleth Nyth y Gwcw Y Lili Nyth y Gôg Hela'rSgwarnog (1) Miss Talbot's Reel Gyrru'r Byd o'Mlaen Du fel y Glo Ffarwel i'f'ienctud Ffarwel i Aberyswyth Ffarwel i'r Marian Gramwndws Mon Fflat Huw Puw Freshwater East Gorsaf y Gof Pibddawns Corwen Pibddawns Gwyr Wrecsam Pibddawns Mr Pring Pibddawns Pen-Rhos Pibddaws y Mwnici Seren y Bore Hen Bibddawns Lerpwl The Welsh Maggot Hen Nos Galan (old) Nos Galan (modern) Lumbers Moel yr Wyddfa Mympwy Portheinon Pigau'r Dur Hoff Fron Ffidl Ffadl Hela'r Sgwarnog (2) Doed a Ddel Llancesau Trefaldwyn Hyd y Frwynen Gorymdaith Morris Breuddwyd Y Frenhines Cainc y Datgeiniad Gruffydd ap Dynan Y Driw Bach Lliw'r lili ymysg y ddrain Ymdaith Gwyr Dyfnaint Ymdaith Gwyr Caerffili Sawdl y Fuwch Y Gelynen Pibddawns Wrecsam Difyrrwch Gwyr Dyfi Ap Siencyn Cymro o Ble? Y Crythor Llon Mopsi Don Glandyfi Ffoles Llantrisant Hwbad i Langoed Y Sach Llwythog Torth o Fara Sbonc Bogel Can y Cardi Toriad y Dydd Diffyrwch Willian Phillip's delight Polca Llewelyn Alaw
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Kenneth Leighton: Fantasy On A Chorale Op.80: Violin: Instrumental Work
Violin, Organ
[Sheet music]
Novello & Co Ltd.
Fantasy on the Chorale 'Es ist genug' for Violin and Organ.
28.99 GBP - Sold by Musicroom UK
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Philip Glass: Knee Play 2 (Einstein On The Beach): Violin: Instrumental Work
Violin, Organ
[Sheet music]
-
Intermediate/advanced
Chester
Einstein On The Beach the opera from which Knee Play 2 was extracted was a sem...
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Einstein On The Beach the opera from which Knee Play 2 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 2 is one of the number songs composed for scene changes simply set to Organ and using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of themost celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.'Glass' operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group ThePhilip Glass Ensemble.This four minute piece is the second Knee Play from Einstein On The Beach and is scored for Violin.
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Suite In C (RHEINBERGER JOSEF GABRIEL)
Violin, Organ
[Sheet music]
Carus Verlag
Tonalité : C-Moll - Op.: 166 -. Par RHEINBERGER JOSEF GABRIEL. setting for orga...
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Tonalité : C-Moll - Op.: 166 -. Par RHEINBERGER JOSEF GABRIEL. setting for organ/ Répertoire / Violon et Orgue
31.50 EUR - Sold by LMI-partitions
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Naji Hakim: Magnificat Chant - Soprano: Violin: Score
Violin, Organ
[Sheet music]
Leduc, Alphonse
Naji Hakim's Magnificat (1999) for Soprano Violin and Organ.
26.99 GBP - Sold by Musicroom UK
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J. Hamilton S. Clarke: Romance For Violin and Organ: Violin: Instrumental Work
Violin
[Sheet music]
Novello & Co Ltd.
Romance For Violin and Organ
8.99 GBP - Sold by Musicroom UK
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Fantasia-Suites. Set 1. Violin, Bass Viol And Organ (LAWES WILLIAM)
Violon, Viole de Gambe et Orgue
[Sheet music]
Stainer and Bell
Set 1 - Violin, Bass Viol and Organ. Par LAWES WILLIAM. Strings/ Répertoire / V...
(+)
Set 1 - Violin, Bass Viol and Organ. Par LAWES WILLIAM. Strings/ Répertoire / Violon, Viole de Gambe et Orgue
29.41 EUR - Sold by LMI-partitions
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Krenek E.- Op231 - Violin And Organ
Violin, Cello (duet)
Universal Edition
Instrumentation : for Violin and Organ
17.50 EUR - Sold by Woodbrass
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Glyn Perrin: Sigma Lambda: Organ: Instrumental Work
String Quartet: 2 violins, viola, cello
[Sheet music]
University Of York Music Press
Solo Organ.Published in 2007.Score.
13.00 GBP - Sold by Musicroom UK
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Hakim N. - Salve Regina - Violon
Violin, Organ
Schott
Arrangeur : Marucha, Agnieszka / violin and organ
16.40 EUR - Sold by Woodbrass
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Euwe de Jong: Ich wandre durch Theresienstadt: Violin and Accomp.: Instrumental
Violin, Organ
for violin and organ
12.70 GBP - Sold by Musicroom UK
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7 Pièces (Extraites De L'Organiste), Transcription Pour Piano And Violoncelle Ou Violon
Violin and Piano
[Sheet music]
Enoch et Cie
Extraites De L'Organiste, Transcription Pour Piano & Violoncelle Ou Violon. Par ...
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Extraites De L'Organiste, Transcription Pour Piano & Violoncelle Ou Violon. Par FRANCK CESAR. Arrangeur: LEVY André/ Répertoire / Violon et Piano
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Murray Grodner: Organized Method: Violin Solo: Instrumental Album
Violin
Peermusic Classical
Organized Method
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Peter Maxwell Davies: A Sad Paven For These Distracted Tymes: String Quartet:
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
This work was a test piece for the International string Quartet competition in 2...
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This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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Peter Maxwell Davies: A Sad Paven For These Distracted Tymes (Parts): String
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
This work was a test piece for the International string Quartet competition in 2...
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This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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Quatuor A Cordes #2 Crescent Scratches
String Quartet: 2 violins, viola, cello
Jobert
Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuit...
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Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuité du premier, Scratches, sans toutefois recourir au dispositif électronique qui, dans le premier quatuor, me permettait d'amplifier les timbres et de transformer le son en temps réel.Le terme de 'crescent scratch' provient des techniques de jeu développées par les DJ sur leurs platines vinyles ('scratch' ou 'scratching') que l'on retrouve dans le hip-hop et les musiques industrielles.Crescent Scratches est conçu à partir de deux principales idées : le glissando saturé (fréquemment pulsé), assimilable au 'scratch', provoqué par l'aller-retour du disque sur la platine, et la notion de boucle qui consiste à reproduire une même séquence, variée ou non. J'ai conçu des boucles et agi sur leur vitesse d'exécution, sur leur superposition en strates et leur traitement par caractéristiques de timbre. Cela finit par rendre quasiment imperceptible le retour des boucles - un phénomène qui m'a particulièrement intéressé dans cette composition. La boucle se meut en micro-élément, moteur d'une intense activité dans une macrostructure, cette macrostructure elle-même étant dès lors perçue comme une masse totalement saturée en évènements.La continuité entre ces deux quatuors se situe pour moi du côté du timbre et plus précisément dans la notation des différentes positions et pressions d'archet engendrant une large palette de sonorités saturées créant comme une aura autour du son des instruments. L'idée de 'scratch' comme onomatopée décrivant une rayure, une éraflure, une rupture ou une déchirure reste également au centre du propos de Crescent Scratches.Au-delà de l'électronique, l'endroit où se décèle la différence entre ces deux quatuors est dans la structuration de la forme et la gestion des événements. Crescent Scratches s'organise en un bloc d'une grande densité dans le traitement simultané des quatre instruments qui s'unissent là où, dans Scratches, j'articulais la forme en une succession de moments en solo, duo, trio et tutti.Yann Robin / Quatuor A Cordes
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Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...
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'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
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Julie Lyonn Lieberman: Techniques for the Contemporary String Player: Violin
Violin
[DVD]
-
Easy
Hal Leonard
Parts I & II on DVD-Whether you want to learn a new style be ready for anything...
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Parts I & II on DVD-Whether you want to learn a new style be ready for anything that comes up in a jam session or meet the demands of new orchestral scores with ease this DVD will help you develop the necessary right and left-hand skills. Julie Lyonn Liebermann has examined he technical demands of all the modern alternative styles (such as blues swing rock Celtic Cajun Flamenco and more) and organises the most essential skills the fundamentals that you’ll need to progress all onto one insightful DVD with both parts One and Two of her method guide. In part one: The Bow Hand Four essential bow control techniques ten approaches torhythmizing the bow contemporary techniques you can use to navigate the bow so that each note speaks! Part Two: The Left Hand Basic Set-up Thumb Hinge Trampoline Fingers Chromatic Motion Vibrato Ornaments (such as trills slides grace notes turns jazz embellishments and more) Double Stops (Unisons octaves and chords) Playing on chord changes Walking bass lines Slap and more. Overall an interesting insightful comprehensive and enjoyable guide to contemporary string playing on this great value and brilliant DVD guide.
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String Quartet no. 1 (STEFANI JAN)
String Quartet: 2 violins, viola, cello
in E flat major. Par STEFANI JAN. Composition was completed at the beginning of ...
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in E flat major. Par STEFANI JAN. Composition was completed at the beginning of 1825, in stylistic terms it falls between Classicism and Romanticism. The straddling of stylistic epochs is evident in the four-movement design of the quartet, which refers do Classical solutions established during the previous centrury also in other genres. Nethertheles, it is worth drawing attention to the third movement, the minuet, which represented something of a testing ground for contrasting tradition with progress, history with the present, and formal with frivolous, which these popular dances may have symbolised. Stylistic hanges heading towards Romanticism are evident also in the way the work's melodic layer is organise. The Józef Stefani's advanced compositional skills prove his crucial contribution to the evolution of the string quartet on Polish soil. And the catchy melodic phases - for which Stefani ceirtanly had a gift - will stir the emotions of a many listener. / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes
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Méditation per Violino e Organo
Violin, Organ
[Sheet music]
Ut Orpheus
Par BLOCH ERNEST. / Date parution : 2024-01-06/ Répertoire / Violon et Orgue
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Cadenza Con Ostinati Per Violino E Organo (1994)
Violin, Organ
[Sheet music]
Barenreiter
/ Violon Et Orgue / Partition
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Passalega (KOLBUSZ ALEKSANDRA) (KOLBUSZ ALEKSANDRA)
String Quartet: 2 violins, viola, cello
PWM (Polskie Wydawnictwo Muzyczne)
Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of c...
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Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were incredibly well suited to generating the expressive narrative that accompanied me throughout that entire pre-composition period. After recognising the character of the musical potential in that material, I considered it to be similar to Baroque rhetoric in terms of the refined clarity and smoothness of the gestures. Inspired by this, I sought to articulate this material in the fullest possible way by tracing a chain of swelling tensions, referring to a homogeneously polyphonic string quartet. / Date parution : 2022-12-12/ Répertoire / Quatuor à Cordes
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Danse Ce Soir - Fiddle And Accordion Music Of Quebec (HART LAURIE)
Violin
[Sheet music + CD]
Mel Bay
Par HART LAURIE. Danse ce soir! Fiddle and Accordion Music of Quebec is a collec...
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Par HART LAURIE. Danse ce soir! Fiddle and Accordion Music of Quebec is a collection of 122 traditional and composed tunes by a wide variety of quebecois players and composers, the broadest and most informative collection of quebecois repertoire available to date. The text, in both French and English, gives extensive background information about the repertoire and history of instrumental dance music in Quebec, an analysis of the fiddle, accordion, guitar and piano style, and biographies of the musicians. Historical, stylistic and discographic information is offered for all of the tunes, which have been carefully transcribed complete with ornaments and guitar/piano chords. The book includes maps, photos, a bibliography, indexes, lists of organizations festivals and music camps, and an extensive discussion of piano accompaniment, including three full piano transcriptions. Appropriate for the beginner or accomplished player on any instrument, for the folklorist and musicologist, and for the listener or dancer who wants to learn more about the beautiful and varied traditional music of Quebec. The companion CD offers ensemble renditions of 32 tunes from the book, for a total of 60 minutes. / Niveau : Débutant à Intermédiaire / Canadian - Songbooks / Recueil / Violon
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