11 morceaux préférés de Rachmaninoff, tirées de la symphonies, des concertos, des préludes et des chansons, habilement simplifié et arrangé pour violon et piano (avec accompagnement CD) par Hywel Davies.Piano parties à ces pièces sont disponibles sur l'accompagnement CD/CD-CD-ROM comme fichiers PDF de haute qualité. / Violon Et Piano

Arranged For Violin And Piano. Par RACHMANINOV SERGEI. Format: New Edition portrait/ Répertoire / Violon et Piano

edited by Kenneth Sillito-Sergei Rachmaninov is regarded as one of the most formidable pianists of all time and the last truly great composer in the Russian Romantic tradition. Vocalise op.34 no.14 is a beautiful melody. It is an all-time favourite orchestral piece that flows above the lush chords that begin this work and weaves in and out with additional themes. This creates a full arrangement true to the original. Being more musically demanding than technically demanding this delightful piece will find its place in many recitals. This particular work is for violin and piano accompaniment.

Autorisierte Erstausgabe-The score and Parts for these two superb Movemets for String Orchestra by Sergei Rachmaninov. Includes the parts for two Violins Viola and Cello.

Les Plus Beaux Bis et Pièces De Concert Pour Violon et Piano. Brilliant encore pieces, virtuoso pièces de résistance and reflective melodies by Fauré, Raff, Elgar, Wieniawski, Rachmaninoff, Massenet, Tchaikovsky, Paganini, de Falla, Sarasate, and many more. A treasure chest for every performing violinist! / Niveau : Moyen à Avancé / Recueil / Violon et Piano

Samuel Dushkin a écrit plusieurs transcriptions de violon de mélodies puis connus et populaires, naturellement prises de oeuvres par son ami Stravinsky, mais aussi par d'autres compositeurs comme Bizet et Rachmaninov du, Gershwin et Boccherini et d'autres. Dushkin formé une complainte profondément émouvante pour violon et piano hors du monologue de self-doubting Boris Godounov de l'opéra du même nom de Modeste Moussorgski. / Violon Et Piano

Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion

Instrumentation : violin and piano Description : The edition is part of the ABRSM syllabus (grade 8). Contenu : Romance - Danse Hongroise Nombre de pages : 30 Format : New Edition portrait