SKU: HL.281046
ISBN 9781540033253. UPC: 888680785352. 9.0x12.0x0.603 inches.
This songbook provides a treasury of 100 classics by our most beloved vocalists in our trademark E-Z Play(r) Today notation. Includes: All the Way (Etta James) * Count Your Blessings Instead of Sheep (Rosemary Clooney) * Everybody Loves Somebody (Dean Martin) * Fever (Peggy Lee) * Heart and Soul (Mel Torme) * How High the Moon (Ella Fitzgerald) * I Left My Heart in San Francisco (Tony Bennett) * People (Barbra Streisand) * Route 66 (Nat King Cole) * Sentimental Journey (Doris Day) * Swinging on a Star (Bing Crosby) * That's Entertainment (Judy Garland) * What a Wonderful World (Louis Armstrong) * Young at Heart (Frank Sinatra) * and many more.
About Hal Leonard E-Z Play Today
For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
SKU: BT.VOLMB102
ISBN 9788863881004. Italian.
Boasting a massive range of 24 hit songs, these Pop Standards are all arranged for Piano, Vocal and Guitar. Featuring some of the greatest pop tunes of all time, this collection is indispensable for any pianists,guitarists or singers looking to enhance their repertoire.
SKU: PR.114418250
UPC: 680160640959. 9 x 12 inches.
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.
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