This is the Full Score for composer Patrick Hawes' beautiful work The Angel Of Mons featuring all six movements. This work is arranged for solo Soprano SATB Chorus Harp and Strings and was composed in memory of the British soldiers who supposedly witnessed an apparition of an angel during World War I. The premiere of The Angel Of Mons was on 23rd August 2014 in St Michael and All Angels Church Edenham Lincolnshire and conducted by Patrick Hawes himself on the exact centenary of the apparition of the angel. The inspiration comes from a mythical story around the Battle of Monsduring World War One where a group of soldiers supposedly received divine help from 'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate pleas otherwise. The work lasts approximately 25 minutes and therefore would make for a hugely enjoyable concert especially a World War I memorial concert.  The Vocal Score can also be purchased separately  here.

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)

Reduced Version-The Full Score of Eventide the epic composition inspired by the story of Edith Cavell compiled from texts relating to her imprisonment composed by the great Patrick Hawes. This is the reduced version scored for Soprano SATB Chorus Unison Semi-Chorus Trumpet Harp Organ and Strings. This work is dedicated to Sheringham and Cromer Choral Society and Gresham's Holt who first performed this work in Norwich Cathedral on the 12th of July 2014 to commemorate the centenary of the outbreak of the First World War.  Lasting around 45 minutes this large-scale work has the subtitle 'In Memoriam Edith Cavell' who is commemorated here as a nurse to German and British wounded who went on to provide refuge to escaped and lost British soldiers who were enabled by her to return to England. As a result of this she was arrested for 'treason' and condemned to death. While in prison her only possessions were her Bible her Book of Common Prayer and a copy of the Imitation of Christ. The libretto as compiled by Andrew Hawes is made up of extracts from these books as well as other materials relating to her final days.  This tribute to a brave and courageous life is fitting for a composition commemorating the First World War. The tragedy and pathos surrounding Cavell's life is hard for us to understand but by placing words so personal to her in the context of a piece of beautiful music it forces us to think and remember while also condemning the actions of so many figures of authority on an innocent and pious nurse during that horrific period. 

For soprano and baritone soloists SATB double choir Strings Harp and Organ.Carl Rutti's Requiem was first performed by The Back Choir under direction of David Hill with the Southern Sinfonia Jane Watts (Organ) Katherine Fuge (Soprano) and Edward Price (Bartitone) in Winchester Cathedral on 16th February 2008.A recording of a blackbird singing is required during the closing section of In Paradisium.

28 Celtic Harp Solos On Music From Ireland, Scotland, And Wales. Par SUE RICHARDS. Une magnifique collection de 28 solos de harpe celtique basé sur la musique d'Irlande, d'Ecosse et du pays de Galles. Sélections comprennent : bannir Wedding - Guilderoy - Nyth Y Gwcw du malheur - les falaises de Moher - Kitty - Mist Covered montagnes de Home - adieu à Williamstown - Glenlivet - Machynlleth - l'Isle Dark - My Dearie - Scotch Mist, - I Wish vous serait Marry Me Now - Sir Watkins Jig - au Trésor de la Sierra Madre - The Blackbird - The Bonnie Lasse O'Bon Accord - et plus encore. Toutes les sélections apparaissent en notation grand personnel. / Niveau : Débutant à Intermédiaire / Scottish - Solos / Recueil / Harpe Folk ou Celtique

For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra.Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists.First performed 30 April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford.InstrumentationSATB chorus with divisionssolo soprano(optional soprano alto tenor & bass soli) Clarinet in Bb offstagePercussion (1player):    Tubular Bells Glockenspiel large Bass Drum large Suspended CymbalHarpString orchestra    (minimum 6.6.4.4.2 players)

Symphony No.1 'Passiontide' is a work by composer Paul Mealor scored for Solo Soprano and Baritone SATB Choir Harp Piano Percussion and Strings. The work was first performed on 19th November 2015 at St Machar's Cathedral in Aberdeen and a full performance lasts around 70 minutes. A Vocal Score is available to purchase separately. 

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Par SUNITA STANESLOW. Ce livre unique des arrangements de harpe de levier 14 inclut des extraits de certaines des plus célèbres oeuvres français de Debussy et Ravel, y compris le Clair de lune, la fille aux cheveux dorés et Pavane. Le livre présente des extraits classiques, mais il y a cinq mélodies folkloriques et une mélodie médiévale. Le niveau des plages de la difficulté de pointe débutant à avancé intermédiaire. C'est une collection de certaines des plus belles mélodies françaises et est un complément parfait au répertoire de presque chaque harpiste. Tous les arrangements ont doigté et dynamique. Les clés varient de deux dièses à un plat, mais un ensemble complet de leviers est nécessaire pour plusieurs des extraits classiques plus avancés. Huit des pièces aucun changement de levier et cinq des mélodies classiques exigent des changements de levier multiples. / Niveau : Intermédiaire / French - Solos / Recueil / Harpe Folk ou Celtique

Partition + Matériel. Par CANAT DE CHIZY EDITH. La formation du Trio Polycordes (mandoline, guitare et harpe) et la particularité commune de leur mode de jeu attaque/résonance m'ont évoqué la sonorité des cloches et leurs divers types d'émission. Aussi les cinq parties qui composent cette pièce font référence aux cinq principaux modes de sonneries campanaires : 1. Carillon, 2. Tintement, 3. Tocsin, 4. Volée, 5. Glas. Loin d'être illustrative, l'écriture explore ici les multiples possibilités de ces instruments. En outre, l'utilisation de la Mandoloncelle dans les deux dernières pièces ajoute à l'éventail des timbres offert par cet ensemble. Edith Canat de Chizy/ Répertoire / Mandoline, Guitare et Harpe

Born in 1929 French composer Pierick Houdy was a student of Olivier Messiaen at the Paris Conservatoire. He led a successful career as director of many institutions and choirs and his compositions remain known to this day Sonata For Harp being no exception. Composed in 1983 Sonata For Harp contributes to a substantial catalogue of works by Houdy. The Sonata comprises three movements and a typical performance lasts about twelve minutes. The work is modern in style and addresses a range of technical features. Suitable for advanced harpists Houdy's Sonata For Harp is anexciting addition to the contemporary Harp repertoire and makes for a evocative performance.

Par NEES VIC. Détails de la formation instrumentale: Schlagzeug: Vibraphon, Glockenspiel, 3 Holzblock-Trommel, kleine Trommel, 3 Tomtom, Triangel - Durée: 8' 30'' - Langue: Latin -/ Feuillet / Ténor, Choeur Mixte (SATB), Harpe et Percussions (